Episode 26

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Published on:

12th Apr 2026

Episode 26: "Do They Think This Is a Joke?"

Humor in the CI classroom — how much is too much, and how do you get control back without killing the vibe? In Episode 26 of Comprehend THIS!, we dig into what happens when a joyful language classroom turns into a comedy show — and how to fix it.

We're talking about one of the most common CI classroom problems that nobody names out loud: the class that's fun but not acquiring. There's a real difference, and this episode helps you see it, address it, and move forward without becoming the teacher everyone's afraid of.

I'm sitting down with Pamela Parks, a former professional translator who now teaches French, Spanish, and Japanese at the high school level. Pamela brings a rare combination of linguistic precision and classroom-tested patience to this conversation — and if anyone knows what it's like to manage comprehension across multiple languages and personalities, it's her. We cover the full arc: how humor naturally emerges in CI, where it starts to work against you, what in-the-moment responses actually help, and how to project the kind of calm authority that keeps input happening even when students would rather joke around.

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Transcript
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Welcome everybody to episode number 26.

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How's everybody doing

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this Sunday morning?

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I hope everybody had or is continuing to

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have a wonderful spring

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break for those who have those

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and that everybody had a wonderful Easter

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or Passover for those who

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celebrate either of those.

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But today's topic, you know that moment

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when you realize your CI class has fully

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devolved into a comedy show?

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And you're not even

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sure when it happened?

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Like everyone's having a great time,

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students are

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laughing, the energy is good,

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and then you realize no one has actually

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acquired anything in the

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class in the last 20 minutes.

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That's exactly what we're

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getting into on this episode.

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I'm sitting down with Pamela Parks,

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former professional translator, now

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teaching French, Spanish, and Japanese,

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oh my, at the high school level, which

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means she has approximately three times

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the opportunities for

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chaos in any given school day.

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We're talking about humor in the CI

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classroom, where it

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helps, where it hurts,

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and how to get your class back without

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becoming the teacher who hates fun.

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If you've ever stared on a room full of

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students who thought your pop-up grammar

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moment was a stand-up

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prompt, this one's for you.

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We'll be right back

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after these short messages.

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Ever feel like you're clinging to the

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edge of your teacher planner, just hoping

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today's lesson magically appears?

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Enter the CI Survival Kit, a monthly

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Each month you get fresh, ready-to-use

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lessons, time-saving tools, and just

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enough structure to keep

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Sign up at mm.us.survival and let the

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heavy lifting, for once.

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Welcome to Comprehend This, real talk for

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real language teachers.

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No drills, no dry theory, just honest

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stories, practical ideas, and a reminder

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you're not alone in the CI trenches.

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Let's dive in.

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And welcome back, Miss

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Pamela Parks. So nice to have you.

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Thank you so much again for having me.

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This is a blast being here.

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We just love having you. It's been always

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a great conversation, and I know you're

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enjoying the last day of

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your spring break, so...

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Last day.

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I miss the kids. I'm ready to go back. I

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think it's a long

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time to be without them.

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Oh, I was out with them two weeks, and

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believe me, I wasn't

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thinking about them for two weeks.

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And you know, it's funny that what

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today's topic is, because I

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came back to exactly this.

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I'm thinking, man, I

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personally need this episode today.

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Like, yeah.

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I mean, my second period, my first period

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is fine. My third period is as goofy as

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they always have been.

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But my second period, oh my gosh, they

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found my little balls that I use for

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different brain breaks.

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First of all, they were sneaking them,

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and then throwing them at each other

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without passing them to each other,

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without trying to make it noticeable to

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me that they were doing this.

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Then I caught that and had to put the

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balls back. Like, put my balls back.

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And then they're laughing at me because I

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said, "My balls." And I'm like, "Oh my

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gosh, can we please grow up?"

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Oh, yes. They are our children, you know.

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Then they found my board washing sprayer.

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So I don't use the expensive board

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washing fluid, whatever that

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is. That's really expensive.

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So I just use water. It

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works just fine. I use water.

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My old squeeze do really something cheap.

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They used to do one part

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alcohol to nine parts water.

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So 10% rubbing alcohol, and it worked

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really, really well.

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But I'm too cheap to even buy rubbing

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alcohol. That's a dollar, you know?

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I hear you.

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I have a sink in my back of my room. I

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just go fill up the water, and I's good.

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And it works just fine.

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So that's what I use. So they realized

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there was no chemicals in there.

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Oh, no. Were they

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squirting in their mouths?

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No, they were squirting at each other.

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Oh, well.

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So, yes. The chaos has ensued, and I had

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to put my ugly face on for

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the first time in this semester,

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because these kids have been amazing,

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because I get new kids every semester.

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So I got them in January, right when we

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came back from winter break, and they

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have been absolutely amazing.

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All three of my classes. We teach on a

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four by four, so I only have four.

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We only have three out of four classes

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per semester, and they have been amazing.

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So they've not seen my ugly face. I had

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to put on my ugly face.

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And one kid looked at me and just started

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laughing at my ugly face.

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He says, "I can't keep a straight face

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when you look like that."

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And I'm like, then I said, "You're not

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going to like me when I'm angry."

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Thank you, Dr. Banner.

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Yeah, exactly. So, and I had

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to get a little bit serious.

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Okay, guys, we're stopping here, because

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this is just not working. I

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had to have that serious talk.

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So this episode I need as well, because

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my kids, plus they realize

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now, well, now it's eight weeks.

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When we came back, we had

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nine weeks without a break.

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They don't get a break until Memorial

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Day, which is literally the week before

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the last week of school.

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Right.

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So they're going to have to go all those

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weeks without a single break,

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which then drives them crazy when that

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happens, and drives us crazy in turn.

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Uh-oh.

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I don't know. Sometimes when it's leading

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up to the break, they're

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like already checked out,

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because I also lost my

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cool, and I never lose my cool.

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And I lost my cool to one of my classes.

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I was like, "Guys, you're high schoolers.

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You need to start acting

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more mature." And wow, it was...

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So yeah, I definitely need this episode.

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Well, the problem is

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I'm not mature, so...

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Well, neither am I. And I think that's

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why the kids, they know it's a fun class,

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because it is a fun class.

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We do a lot of laughing.

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We make a lot of jokes.

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I do all the dumb, "Oh, I know you're 57

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years old, but you're pretending like,

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you know, hello, fellow kids,"

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just to get them invested and all that.

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And so they come in.

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You know, I spent so long trying to lower

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that effective filter, trying to get them

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comfortable in my classroom.

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And yeah, just this year especially, it's

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been so hard to hold the kids' focus.

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And I know everyone wants to blame the

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pandemic, but I don't

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think it's the pandemic.

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I think it's a societal shift about what

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does education mean.

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So yeah, I'm really struggling this year.

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And you know, it's funny because we

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always, as CI teachers,

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have to strike that balance.

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We want to lower that effective filter,

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but by doing so, we also take a little

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bit of the formality out of class.

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And there's this, you know, this balance

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that you're always having to play.

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I mean, like my third

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period, I've had these kids before.

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I have... You're all going to laugh

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because it's a really small class.

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I have eight kids in that class.

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Oh my God, I've got 39

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in one of my classes.

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It's because I'm at the

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CTE. That's why it's this way.

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But I have eight... I wasn't supposed to

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have... I was supposed to

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have almost 34, but they...

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All kinds of schedule

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changes happen over winter break.

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So I have eight kids and really only

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seven show up on a regular basis.

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I have a senior in there and

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he doesn't want to show up.

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So he doesn't usually show up very often,

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even though he needs this class.

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Without this class, he will not graduate.

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But he hasn't... He figured this out at

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the beginning of the semester,

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but the middle of the semester now, he's

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completely forgotten he

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needs this class to graduate.

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So I have about seven

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kids regularly in that class.

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And of those seven kids,

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I had six of them before.

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So they're very friendly with me.

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And they share. They overshare.

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I have one kid who's got

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ADHD. He's a really sweet kid.

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I love him to death, but he's not always

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running 100% of the time

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or even using the capabilities of his

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brain at a full time.

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The school is literally

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on the Sacramento River.

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And he's like, "So you know that river,

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the Sacramento River, right?"

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I'm like, "We all do.

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We live in Sacramento."

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The school is called

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River City for a reason.

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I had no idea what he was talking about.

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He does this frequently.

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So he overshares about his body a lot.

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He needs to go to the private bathroom

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because he's about to

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blow up the bathroom.

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Or, "I need to fart right

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now." He just overshares.

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I had a student like that last year.

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So this class is very comfortable and

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they just love to overshare.

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And so it's because you've

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made them so comfortable,

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which is a good thing, but

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it's that razor edge sword.

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I'm trying to fix my camera here. It

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keeps bouncing around.

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So that's always

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causing me a problem in there.

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And then when I get angry, I get quiet.

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When I get angry in a funny way where I

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don't want them to really

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think that I'm really truly angry,

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but I want them to cut out, I growl.

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It takes away. I'm like, "Grrrr."

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Just kind of let them

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know that I'm getting there.

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I'm getting there. Cut it out. "Grrrr."

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So they always laugh

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at me when I do that.

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But I still want to keep

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that effective filter low.

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I don't want to get to that straight.

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But this week I had to

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get to the straight face.

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But I had a kid and I love

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him to death. He's a great kid.

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I love him to death.

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But he was just pushing my buttons this

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week, pushing my buttons.

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And it was funny. I was talking about it

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at lunch with the other

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teachers at the school thing.

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And I'm like, "Oh my gosh, my second

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period, they were driving me crazy.

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They were doing this." And one of the

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other teachers names him by name.

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I'm like, "Yep, that was the ringleader."

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So it's obvious who it was.

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Everybody knew who it was.

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Yeah, we all have students like that.

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Yes. But I love him to death. I

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absolutely love him.

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There's not a single student that I don't

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like or who really,

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really, truly annoy me.

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Or like, "Oh my God, he's here today." I

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have none of those this semester.

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If you have a student like

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that, why are you teaching?

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If you don't love your students.

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Because I once went back 100 million

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years ago, I taught music.

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I taught piano, guitar, and voice.

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And the head of the music, English, the

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school, it wasn't really a

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school, but it was tutoring.

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So she would always complain about the

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students behind their backs.

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I'm like, "He's eight years old. Of

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course he's not a good pianist yet.

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She's 10 years old. Of course she can't

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play the flute well."

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And I was like, "Why are

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you complaining about that?

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If you're complaining that much, you're

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in the wrong line of work.

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If you don't like kids."

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Absolutely.

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Absolutely. So very, very true.

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And there are those teachers who complain

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about the kids all the time.

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And we do have those kids

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who kind of grade on us.

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Last semester I did have, I had a second

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period where I was truly shocked.

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Truly shocked at some of the

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things that the kids would do.

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In 24 years of teaching, I would tell my

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principal, "I have

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never experienced this."

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I asked them a question and

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they go, "I'm not doing that."

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I just asked you, "Do you like video

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games?" And they're

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like, "I'm not doing that."

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I mean, I've had kids not do work before,

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but overtly not answer

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questions and say, "I refuse."

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Or, "Put your makeup away." No.

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I'm like, "What? I never had that. And

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we're not allowed to

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send kids out of the room."

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So I'm like, "What else do you want me to

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do? I can't turn them

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over my knee and spank them.

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What have you taken all my power away

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because I can't escalate this?"

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Because what am I supposed to do to that?

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I can't forcibly take it from them.

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So then they do it and then more kids

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learn that you can get away with things.

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So I had a really bad class.

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In fact, that class, all

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my other classes were fine.

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That class bad mouthed me saying that

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this class is the most boring.

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It's awful. You're

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horrible. You're going to hate it.

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And then the kids came in and go, "Yeah,

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we heard a lot about this class when I

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asked about the reflections

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of the first day of the week.

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The first week of school." I mean.

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And now they're like, "This

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is nothing like that class."

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I'm like, "Because you guys make the

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class. The class is

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what you guys make it."

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They came in with a hostile attitude on

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day one and were hostile

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fighting every step of the way.

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I mean, they wouldn't even play games.

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They're like, "I don't

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want to play trash get ball."

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This is the first year I've ever had to

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deal with a class that

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doesn't want to play games.

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I'm like, "What the heck?"

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Yeah, I know. And trash get ball right

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now. They're like, "Every day. Can you

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play trash get ball?"

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"Can you play trash get ball?" "Trash get

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balls Thursdays. We play

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trash get ball on Thursdays."

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"We don't play trash get ball Monday,

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Tuesday, Wednesday,

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Thursday, and Friday."

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"Just on Thursdays." But it's

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the most fun game they love.

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So, have you ever played the, just

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speaking of this, have you

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ever played the unfair game?

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Oh yeah. Uh huh. With the cards? Yeah.

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I made an app that makes

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the unfair game up there.

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So, because you can download PowerPoint

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ones or Google slide ones.

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But there's always a failure because you

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can't keep track of which numbers were

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called and stuff like that.

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That's my calling. The white boards and

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the guys write this down for me. Yeah.

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Yeah. So, I don't have to do that. The

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app does it all. All in there.

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And all I do is give it its vocabulary

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and then it goes through and

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it will make all the questions.

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It makes all the questions.

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It makes all the point values.

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It puts in three specialty cards like

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bankrupt or swap points or any of those

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kind of weird cards in there.

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It does it all. Makes the grid. All I got

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to do is put it up on the board.

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I loved it. I loved it. I loved it. I'll

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have to share it with

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you. I love it. Absolutely.

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It's just a fun little game and the kids

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now like it because I mean my other one,

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if I click the wrong button, it would

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reveal the answer before it was too soon.

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Oh no. It's programmed perfectly. It

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works just so wonderful.

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Anyway, so going back to today, what

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we're talking about. So, have you ever

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had a moment when you realize your CI

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classes just

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completely crossed that line?

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This is the story of

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my life, right? Okay.

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I'll have so many moments in this

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episode. Yeah, constantly.

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So, I mean, there's lots of different

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levels of it, right? There's times when

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it just gets crazy and silly and then

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you're like a half an hour into the day

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and you're like, wait a minute, we

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haven't really done anything.

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Okay. And at those points, I tell myself

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that's okay because

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sometimes the review is just crucial.

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You know, students need to have more

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contact with the language. And so it's

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okay that we really didn't progress to

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the next thing. That's fine.

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Now, during the pandemic, when I was

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trying to do my TPRS on Zoom, I started,

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I don't use PowerPoint, I use Active

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Inspire, but it's kind of the same thing.

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Active Inspire is great because I can

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circle things. I can draw arrows from a

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noun to an adjective

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that's describing the noun.

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I can conjugate a verb right on the

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screen or whatever. I can move pictures

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around. So during the pandemic, I used

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Active Inspire to put up pictures because

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I couldn't call a student down to the

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front of the class to pretend to be Bob

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the Builder or whatever, you know?

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So, I used, Duolingo had just come out

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with the Project World characters, so I

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used them the first year.

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And I took those screenshots, Duolingo

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gave me all sorts of screenshots and

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everything. And then I took a little

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clipart of a school and then I wrote the

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word school underneath it and then a

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clipart of a bank and wrote the, you

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know, all that kind of stuff.

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And then I did it for three different

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times for all my languages that I teach.

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But that way, when I was doing the story,

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I could move the pictures around and the

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students had like all

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the visual supports.

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And that worked so well that once the

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pandemic lifted, I still do all my TPRS

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on the board in front of them with, okay,

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I'm drawing this out in the, oh, you want

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to add a discotheque? Okay, I'm going to

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do a little discotheque and that's our

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discotheque, you know?

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And so it's more like, for me, it's more

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like Mad Libs right now, where I've got

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the story all structured. And so it's

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harder for the kids to take it off the

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rails, which has really

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been happening lately.

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I mean, I love it when they take it off

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the rails, but sometimes they take it off

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the rails in a stupid way. I don't want

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to do, I don't want to go down that

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rabbit hole, you know? I do want, these

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are the things, look, I'm one of four

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Spanish teachers in the district, we all

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have to march lockstep and they're going

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to let me do my crazy stuff, but I have

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to teach you this vocabulary because it's

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what the textbook has, you know?

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So I don't really want it to go too far

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off the rails, but I'll let the students

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choose, is Bob going to the discotheque

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or is he going to school or is he going

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to appear on a TV

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show? You know, whatever.

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As long as I'm fitting in that grammar

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that I need to and most of the vocabulary

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that I need to. So keeping it on the

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rails, having it scripted

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out ahead of time helps a lot.

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Sometimes I just say, okay guys, you've

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come up with something really weird that

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I wasn't prepared for. I need to put

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pictures in, so we're going to pause here

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and that gives me time to think about it

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and try and get it back

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on the rails, you know?

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So I'll say, I'll pause here. I'll just

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look, I'm saving it right in front of

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you. This is period two, I'm saving it

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and we'll come back to it,

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mañana, you know, or whatever.

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So sometimes that's good enough. What

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else? Oh, sometimes I just, I was just in

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a class with Christina Smekins. Now, you

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know that my classes are like 35 to 39

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students apiece so that I could squeeze

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in one section of English language arts.

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And I feel like I'm a first year teacher

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with English language arts because I

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haven't been teaching it. This is my

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second year doing it. And I'm like, I

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have no idea what I'm doing.

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So I'm taking a lot of English language

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arts classes and I just took one with

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Christina Smekins of the Smekins

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Institute or whatever.

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She was absolutely amazing.

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And she was talking about just with five

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year olds when she does turn and talk and

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then she wants to like model thinking.

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And she said, okay, so the five year

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olds, they get off topic and they want to

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tell you what they're thinking.

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And you don't want, you don't have time

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for that. You don't want them to tell you

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what they're thinking. You want to get

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them back to this, your modeling, what

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your thought process is

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looking at this story.

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And so she just turns to the kids and she

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says, hey, this is my show. And she's got

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this really thick Southern drawl, you

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know, and I was like, that's beautiful.

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So she shut them down immediately.

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Yeah, Blaine does the same thing. It's my

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story. That's what he always says. He

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says it's my story. And I'm with you.

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You're allowed to say, you're allowed to

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ignore them if they

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shout out something stupid.

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My problem this week, the reason I lost

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my cool is because I had a student

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shouting out things that are really

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inappropriate and it

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was like a hallway talk.

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You know, it was like, I've got to take

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out the classroom contract again and go

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over the syllabus with the students

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again. This is not acceptable behavior.

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You know, so that's when I lost my cool.

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But so that I had to talk about.

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Generally, it's enough to just pretend

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like you haven't heard them.

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You know, I've got my story. It's

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prepared with, um, you wanted to talk

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about Lady Gaga and now you guys are

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pulling in Michael Jackson.

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No, I'm sorry. I've already prepared Lady

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Gaga. I'm ignoring everything you say

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about Michael Jackson

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now, you know, whatever.

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So sometimes sometimes it's enough to

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ignore them. Sometimes you got to go back

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into English and draw it back.

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Guys, we're going to be

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school appropriate. So.

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Yeah, yeah, I have found because this had

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happened a lot. It happens a lot more

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when I like you left

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the story more open ended.

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But since I've been experimenting with

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the TPRS 2.0, I make graphics for each

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phase. So all my stories

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are like our five phases.

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So there's the character phase where they

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introduce the character and then but we

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talk about the character. What's the

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character? Let's ask how old he is and

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all those kinds of questions.

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So I'm spending all that time doing all

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that stuff that we normally would have

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done, but I just have a

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character up on the board.

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And then I give him a problem to work

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through. So they've got a

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problem slide about the problem.

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And then there's a he attempts to solve

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the problem, but fails. And then there's

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a solves the problem.

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So he's got all the parts. I've got all

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the little parts up there in the slides.

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I've got a anchor sentence that I start

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the slide with. So my statements are

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there and the kids can see them. They can

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see them translated.

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I also make sure I have a dialog box up

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there so that they can see

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the dialog of what's going on.

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And then there's also whatever the key

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verb is that I want to focus on for that

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slide for that

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picture. I have that as well.

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In fact, let me put one up here so you

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can kind of see what I'm talking about.

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You choose the problem or do you ever let

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the students choose the problem?

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It depends. Since these are pre done, my

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problems are already taken care of. But

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when I when I let them choose, it's when

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I do guided writing.

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So we all sitting down, we're making a

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story together and I have no story in

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there. And then they go off the rails,

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not always in a bad way, but they're

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copying down what I write.

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So I take what they say. I put it in

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proper grammar and then we write it down

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together and have a written story.

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So that's when I do that more often. But

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let me get one here of my stories. Let's

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see here. Let me do this. Speak one.

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Oh, here's one of your stories. I don't

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even know what story this is. So I'm not

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sure what this is going

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to look like on my screen.

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Oh, I know I'm going to take it out here

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first. Let me. It's going to make me do a

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screenshot. So let me do

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that first. One of the pages.

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But I think the the main thing is is if

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you find yourself getting derailed a lot,

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script your stories out ahead of time,

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project them on the

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board, keep your kids.

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I mean, look, years and years of Dungeons

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and Dragons taught me how to

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keep people on the rails. Yeah.

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And it is important. And when when you do

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go off the rails, when things go bad or

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things aren't and you need a reset, there

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are two ways of resetting that you can do

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is I'm still looking for my thing here.

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The one thing you can do for a reset is a

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disciplinary reset, like, OK, everybody,

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we need to stop. We need to get back on

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track, you know, and do it that way.

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But I prefer, if at all possible, to

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avoid that. And so what I do is I'll say

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we need a brain break or it's time for a

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game right now to kind of get that so

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they can focus their energy in a more

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positive way and work that way.

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And then after our five minute brain

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break or maybe our seven minute game,

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then we can do something from there.

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You know, then we can go back to what we

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were supposed to doing. For the last

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several weeks, you've been talking a lot

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about ebb and flow. Yeah.

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This is part of it. Exactly. He has

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changed. We need to change up. And

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besides, you know what?

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We're in world language.

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We should be doing our formative

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assessments every 10, 15 minutes or so.

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So if things go off the

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rail, it is time to change it.

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It is time to pivot to whatever formative

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assessment you're planning or whatever

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formative assessment

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you pull out of your hat.

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I mean, there's so many things we do on

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the fly, right? Yeah, exactly.

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But yeah, it's time to pivot to something

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new. And maybe you get back to the story

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today or maybe you don't.

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Exactly. Because you have to be what do

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we learn as teachers? You always have to

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be flexible and adaptable.

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And here is when I finally got a picture.

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So here's one I made. This

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was in my Spanish two one.

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I love that. So I've got the graphic in

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there. So I know Estecico Siempre

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Uselacos en correcta para cotinar es un

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problema de todos los día.

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So there's our problem slide. And then

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there's the dialogue

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Siempre Uselacos en correcta.

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And you've given the conjugations for

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usar. Yeah, because that's what I really

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want to focus on because I'm going to add

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because I have like character.

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I'll have a student play the character.

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You're the character.

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And I'll say, que usas.

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And then they're going to say, oh,

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Uselacos en correcta. You

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know, so they can I can engage.

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I call it. This is the triangling part,

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which Blaine calls it. I call

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interviewing the characters so I can have

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him interview the character.

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So he's about to cut a carrot with a

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rolling pin. So he's using the wrong

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thing. And I have different

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slides that go through this.

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Do your students know the names of all

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the utensils or do you give them that on

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another slide or are

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they circumlocuting to.

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I added so that I'll let them use the

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English for like rolling pin and I'll

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write it up on the board for

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them so they have it after that.

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But it's what I call a throwaway

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vocabulary. You don't need to know this

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for any test or anything else.

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Just just to be able to talk about the

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different things. But I'll go through and

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I'll label. I go el broccoli, el tomate,

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el sartain, you know, la cucara.

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I'll go through el tathón. I'll go

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through some of those things and I'll

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label them because if I do this on my I

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don't have a smart board.

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But if I do this on an iPad and play it

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from an iPad to my screen, I can write on

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the iPad right next to the things because

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I liked it when I had a smart board.

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When I had a smart board, I would write

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right up on the board along the side

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there. Yeah. But you talk about not

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having your classroom

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for a couple of days.

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Yeah, I really use my smart board a lot.

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Yeah, exactly. I use so many images and

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songs and all that kind of stuff.

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I'm not going to have access to. So this

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is just something that you can do to help

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keep the kids on track.

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You can let them customize.

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Like we came up with a name for this kid

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and how old he was and what city does he

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live in? Does he live in a big house or a

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small? All that stuff, they can

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personalize those types of things.

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And then I can review things with them

Speaker:

like descriptions. What color is his

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hair? Does he have big eyes or small

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eyes? What about his mouth? What was he

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wearing? All those kinds of

Speaker:

things we can go over and review.

Speaker:

But this chapter that I have to teach the

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vocab, it had a lot of kitchen vocab. So

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it's got the word for sink and it's got

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the word for stove and

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cabinet and all those things.

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So we just used them as needed. But so

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this is one way to keep them on track

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when they go in. It kind of it's not a

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what to do if they go too far.

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It's kind of a preventive measure before

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they get too far. It kind of holds them

Speaker:

in. Whereas when I do my guided writing

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that one they go off the rails and

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sometimes I'll have to reel them in.

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Usually they don't go inappropriate.

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My middle schoolers used to go

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inappropriate, but my my high school kids

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don't generally they don't usually go

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inappropriate, which is

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kind of surprising to me.

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Though it's funny, a little funny side

Speaker:

story. I am very naive when it comes to

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drugs. Absolutely naive. I have no clue.

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So it's funny because this story came up

Speaker:

because this woman started going to the

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dog park last couple days and she's the

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mother of one of my ex-students.

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And she used to work at the school. And

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so it's like funny. I haven't seen her in

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years. And so she's like, remember when?

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And I'm like, oh my gosh, because we were

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doing the one word image coming up with

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an inanimate object and making a

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character out of it.

Speaker:

And someone we started with lettuce. So

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that's what they chose with. And then

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they said, it's the devil's lettuce. I

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didn't know what that meant. So we drew a

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picture of a lettuce.

Speaker:

We drew a picture of a lettuce. And we

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put horns on it and a tail. And I spoke

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for the whole hour about

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this devil's lettuce. Right.

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And the mom comes to me afterwards and

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she goes, I just want you to know that

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devil's lettuce is

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marijuana. I'm like, oh, I just spoke.

Speaker:

I just spoke for a whole hour with eighth

Speaker:

graders about marijuana. I was like, I

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went straight to the principal and had to

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explain. He's just laughing at me,

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completely laughing at me.

Speaker:

I'm like, I'm so sorry. I had no idea.

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Literally, we drew a picture of it. It

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looked nothing like marijuana. It was a

Speaker:

head of lettuce with, you know, horns and

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a tail. It was a devil's lettuce.

Speaker:

But we were just laughing. So she brought

Speaker:

that up and reminded me of that. So those

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things used to go wrong in middle school.

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I don't get so much of that in the high

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school, surprisingly enough.

Speaker:

But they still go off way off on tangent

Speaker:

or they'll get a little personal joke in

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there, an inside joke with the kids and

Speaker:

then they go off rails and then they

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start to laugh and I can't get them back.

Speaker:

And so that's kind of where those kinds

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of things happen for me. And so I only do

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guided writing maybe once a month with

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them. And it takes us two or three days

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to get to the whole story.

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It's a whole like, you know, our main

Speaker:

activity for most of the week. But that's

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when that happens to me when it happens.

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So I'd like to do these guided stories.

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And I used to do them before as we used

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to call them story strips.

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And it was like a usually a review. It

Speaker:

was a review after we had gone through

Speaker:

all the vocabulary for the week. It'd be

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a review story and I can get through

Speaker:

these within a half an hour.

Speaker:

And it worked really, really well. Now I

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do it a lot differently than I did

Speaker:

before. And now with the image

Speaker:

generators, I can get them to make the

Speaker:

image exactly the way that I want them to

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make because I am an artist

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in drawing real life animals.

Speaker:

I do not do cartoons and I do not have

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time to draw, you know, cartoons for all

Speaker:

my classes for every week of class. It

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just would drive me crazy.

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Well, you know, when I'm on the fly, it's

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always stick figures and stuff. The kids

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laugh at me because I became a

Speaker:

professional translator because I wanted

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to read more comic books

Speaker:

and watch more cartoons.

Speaker:

And I'm like, look, guys, I'm the woman

Speaker:

who loves cartoons and comic books, but I

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can't draw worth a darn. You know, so

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they just they laugh at me so much.

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Yeah, I draw the sheet.

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I did writing is a good way to keep them

Speaker:

on the rails, too, because I had a class

Speaker:

two weeks ago where the kids just got

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really wild with it. And I was like, OK,

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I need to pivot. I was like, OK, go grab

Speaker:

a sheet of scratch paper.

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You write me the next line in the story

Speaker:

and turn it in and I will choose the best

Speaker:

line for next time. And of course, I

Speaker:

could choose the line that was more and

Speaker:

more in with what I was thinking, you

Speaker:

know, but the kids were

Speaker:

like, oh, that's my line.

Speaker:

That's my line. And then, you know, there

Speaker:

were a couple that were really good. So I

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put a bunch in and they were more

Speaker:

invested because they

Speaker:

recognized their own lines.

Speaker:

So we got. But I didn't have to call it

Speaker:

open to the whole class. Shout out some

Speaker:

stuff because that was getting crazy.

Speaker:

But this way, this way, three or four

Speaker:

people got their lines in

Speaker:

and everyone felt invested. So.

Speaker:

And you know how I did that? I used to do

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that. I forgot I had done that. What I

Speaker:

used to do with those one word images. So

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the first day I used to

Speaker:

spread it out to three days.

Speaker:

So we spent the first day just describing

Speaker:

the character. Then the second day we

Speaker:

would do just focus on the problem, do

Speaker:

nothing more than the problem.

Speaker:

And then on the third day, we would try

Speaker:

to solve it and then not solve it and

Speaker:

then try to solve it and

Speaker:

solve it. We finish it up.

Speaker:

But on that first day, we established the

Speaker:

character who, what, where,

Speaker:

all that kind of stuff in there.

Speaker:

But then I would give them an exit ticket

Speaker:

in Google Forms where I would have them.

Speaker:

So one of the things that I always used

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to do is they had this emotion associated

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with this character. What emotion was

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associated with this character?

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Oh, that's good. Was it happy? Was it

Speaker:

anger? Was it sadness? Whatever. So we

Speaker:

established that in the class. So what we

Speaker:

established was the

Speaker:

name, the age, what it was.

Speaker:

We all gave it one emotion. We decided

Speaker:

what emotion it was going to be. We

Speaker:

described it and described it physically

Speaker:

and we left it at that.

Speaker:

Then on their exit ticket, they had to

Speaker:

answer two questions and they answered

Speaker:

them in English. Why did he feel this

Speaker:

way? And what was his

Speaker:

deepest, darkest secret?

Speaker:

So then they went ahead and put those all

Speaker:

in there. I compiled the answers and made

Speaker:

a new Google Form, which was my warm up

Speaker:

for the next day, where they voted on

Speaker:

what the reason for the emotion was.

Speaker:

So I put them in there and what was good

Speaker:

about that is I could throw away all the

Speaker:

inappropriate ones before they even saw

Speaker:

them. And I could consolidate the ones

Speaker:

that were almost the same, just different

Speaker:

words. So I could consolidate them.

Speaker:

So I did that and they choose. And then

Speaker:

there was also the deepest, darkest

Speaker:

secret. I would pick like five or six of

Speaker:

the best ones and I would put them down

Speaker:

there. And then they would vote.

Speaker:

And then I would have the results, but I

Speaker:

wouldn't share the results. I would use

Speaker:

those to develop that problem on that

Speaker:

day. So I had the results up on my screen

Speaker:

where I could see and then I would just

Speaker:

ask leading questions to get us to that

Speaker:

result that they had already chosen.

Speaker:

And it was really funny because we came

Speaker:

up with one that said it was about a

Speaker:

water bottle. So where's my water bottle

Speaker:

right here? So a kid had a water bottle

Speaker:

like this. It was a metal one and it was

Speaker:

dented badly on the corner.

Speaker:

And we always joke with him that he got

Speaker:

mad and threw his water bottle down. But

Speaker:

he said, no, that's not what happened. He

Speaker:

goes, I ordered this water bottle second

Speaker:

hand. So he bought it like on Facebook

Speaker:

Marketplace or something like that.

Speaker:

So they said that the water bottle was

Speaker:

angry. That was the emotion. So why was

Speaker:

it angry? It was angry because he dropped

Speaker:

it. He didn't care enough about it and he

Speaker:

dropped it. So that was the reason why

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that's when we chose.

Speaker:

And then the his deepest darkest secret

Speaker:

was he had murdered his previous owners.

Speaker:

So they drew this water bottle. I got to

Speaker:

see if I saw that. I had the picture

Speaker:

somewhere. A water bottle with an angry

Speaker:

face holding a knife.

Speaker:

Holding a knife. And it was just so

Speaker:

funny. And we went through this whole

Speaker:

thing. Yeah, he goes, he was adopted now.

Speaker:

That's what we called instead of he

Speaker:

bought him on second hand. He was adopted

Speaker:

and he had the dent in

Speaker:

him. And it was just so funny.

Speaker:

But that story came from that. And that's

Speaker:

another way, like you said, to keep it a

Speaker:

little bit more under control. I know

Speaker:

that La Maestro Loca absolutely hates the

Speaker:

shouting out. She goes,

Speaker:

it goes way off the rails.

Speaker:

She hates it. So she's got what she calls

Speaker:

the whiteboard dice. It's a blank dice

Speaker:

with whiteboard type thing. And then you

Speaker:

write. So she would write choices on

Speaker:

there and just roll. And

Speaker:

whatever came up is what came up.

Speaker:

So that's how she wrote from dice. And I

Speaker:

just like will say, OK, number one is

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blah, blah, blah, blah. Number two is

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blah, blah, blah. Number three is and

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then I'll give it to a

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student to roll. So it's not me.

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You know, yeah. And I just whenever I

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need to roll a dice, I go to Google and

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go roll a dice and a little graphic comes

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up and it actually rolls.

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I do flip a coin that way, too, because

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Google has a flip a coin thing to just

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type it in a coin and it will flip a coin

Speaker:

live and the kids can

Speaker:

see it right off the bat.

Speaker:

So I have to go. I've got a quarter. I've

Speaker:

got a quarter. No, I've got one. You

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know, I don't play the game. Just do it

Speaker:

right there digitally and it's done. It's

Speaker:

just done nice and easy. Nice and easy.

Speaker:

So we kind of talked about the resetting

Speaker:

the room without becoming the fun place

Speaker:

because we can go into those brain

Speaker:

breaks. We can go into a different game.

Speaker:

We can also just be honest and say, you

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know what, this ain't working. It's not

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your fault. It's not my fault. It's just

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not the day for this.

Speaker:

But not only that, there is a time when

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you have to say this story is not

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working. Yeah, just leave it aside. And

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that that took me a hundred million years

Speaker:

to get to that point, you know, because I

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had thought really long and hard about

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I'm going to have a story that's going to

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have this grammatical structure in it and

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it's going to have this vocabulary.

Speaker:

And when the rubber hits the road, I'm on

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day four of it and we still not pass the

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create the character section, you know,

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and I'm like, this just isn't working.

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Throw it out. Maybe next year it'll work.

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You know, I need to pivot to something.

Speaker:

But that took me a long, long time. I

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guess it's kind of like when you're an

Speaker:

author and they say, kill your darlings,

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you know, like you've

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invested so much time.

Speaker:

It's hard to say, all right, this isn't

Speaker:

working. I need to do something else

Speaker:

entirely. Yeah, absolutely. Absolutely.

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Because it's something it took me a while

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to figure out too, because you put all

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this time planning this lesson and it's

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not working for whatever reason.

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Or it's a lesson you planned before and

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it worked perfectly last year. But with

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these kids, it's just not working. And so

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you need to know when it's

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time to get to whatever. Yeah.

Speaker:

Cut your losses and say, all right, well,

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you know, at least you got exposure to

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the vocabulary. We need to put them

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together in a different way. It's just

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absolutely dynamics.

Speaker:

And so it's it's great to have those

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backup activities ready. So I have games

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in the back of my head that I can I can

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do and use all the time that I don't

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require a lot of planning the pencil game

Speaker:

or when the Pictionary doing Pictionary

Speaker:

with the vocabulary.

Speaker:

A lot of different games that there's no

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setup that I have to do or I can make

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that new I can make a good, you know, put

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an unfair game in there or a bingo in

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there because I've got a digital bingo

Speaker:

that I guess put my words in it and comes

Speaker:

up with different cards for all the kids.

Speaker:

They just log in and it goes. So lots of

Speaker:

different things that you can do. So

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you're not becoming the fun police.

Speaker:

You're still doing something that's fun

Speaker:

for the kids. But it's a

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reset to get them back on track.

Speaker:

And it works so well before a break,

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right after a break, before an assembly,

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after an assembly. There's so many

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different things when it goes well, or

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it's just one of those days. It's a weird

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Wednesday. And just

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everything is going wrong that day.

Speaker:

You know, have those

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backup plans. Yeah, yeah.

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We'll say sometimes also, you want to get

Speaker:

it back on the rails, but the students

Speaker:

really need more contact with the words

Speaker:

and you're still invested in or you know

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maybe you're like I'm going to quit this

Speaker:

story tomorrow, whatever, but you still

Speaker:

want the students to

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remember some stuff out of it.

Speaker:

It's time to put a little accountability

Speaker:

piece into it. Okay. Yeah. And I don't

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mean like not a pop quiz because you

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know, yeah, we were talking about pop

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quizzes and how we do

Speaker:

them because we're different.

Speaker:

We're all about memory, right? So there's

Speaker:

a bunch of memory techniques you can do

Speaker:

that will give accountability to the

Speaker:

students. You say, okay, guys, go grab a

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sheet of scratch paper.

Speaker:

I want you to write down everything you

Speaker:

remember from the

Speaker:

story we just were telling.

Speaker:

Don't talk to each other. Everyone has to

Speaker:

be in silence. Write down everything you

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remember. If you remember words, great.

Speaker:

If you remember whole

Speaker:

sentences, that's great.

Speaker:

Hey, you know, everything that we said

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Bob wasn't because we were circling, you

Speaker:

know, that counts as part of the story

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too, you know, so you first of all, you

Speaker:

have them do that information. Don't.

Speaker:

And then have them turn it in, you know,

Speaker:

but what I like is because the students

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police each other

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better than I will ever do.

Speaker:

I like the Harvard Project Zero plus one

Speaker:

routine where I say, okay, now pass the

Speaker:

paper one person to the right. All right.

Speaker:

Look over their list. What did they

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forget? What do you want to add?

Speaker:

So if somebody hasn't been engaged and

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they've only written down two words that

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they remember, they're going to be kind

Speaker:

of embarrassed and they'll try a little

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harder next time. All right.

Speaker:

And then I say, okay, pass it one more to

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the person on the right. Okay. Now look

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over the words. Doodle something. One of

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those words. Take one of those words and

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doodle it. Okay. Pass

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it one more to the right.

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Take any two of those words on the list

Speaker:

and put them together into a sentence.

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The sentence does not have to appear in

Speaker:

the story. Just connect them together.

Speaker:

And you know, really, I only look at this

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afterwards to say, okay, yeah, the kids

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wrote a lot. That's fine. I don't like,

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I'm not like spending 100

Speaker:

million years grading this.

Speaker:

I'm just trying to get them to feel like

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there's a little bit of accountability to

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it that they really ought to be paying

Speaker:

attention because I'm going to do

Speaker:

something afterwards.

Speaker:

Maybe I'm going to say, draw me a before,

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during and after of the story we just

Speaker:

did. Okay. Draw a scene and label it. You

Speaker:

know, it's something that's easy.

Speaker:

It's fun. So we're not like saying, ah,

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it's time for this high stakes test. It's

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were you paying attention? You know, I'm

Speaker:

going to be checking to see

Speaker:

if you were paying attention.

Speaker:

So hint hint, pay attention while we're

Speaker:

doing this. And hopefully I'll get a

Speaker:

little bit more memory, working memory at

Speaker:

least from them. Hopefully shuffling

Speaker:

things into the long term memory.

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Absolutely. And that's a good point

Speaker:

because a lot of people think if you have

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them write something and turn it in, that

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you have to grade it. You

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don't have to grade everything.

Speaker:

And my rule is it doesn't go in the grade

Speaker:

book unless it's demonstrating their

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ability. Sorry, Kona is jumping up on my.

Speaker:

She wants to be on the screen too. She's

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like, between you, Chris, and I have my

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cat last week in my lap.

Speaker:

I know. She's like, when are we going to

Speaker:

the dog park? When are we going to the

Speaker:

dog park? Can't go to dog park.

Speaker:

She's been locked in the rain. What's her

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name? Kona. Kona. Kona. Because she looks

Speaker:

like coffee. Kona coffee. What breed is

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that? Belgian Malinois.

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Very pretty. Thank you. She's a good

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girl. She's a good girl. Okay, girl, you

Speaker:

need to go down. You got to work still a

Speaker:

little bit more. You know your viewership

Speaker:

just skyrocketed by 50 people just

Speaker:

because you had a dog on screen.

Speaker:

And I forgot my train of thought. I was

Speaker:

thinking. It's talking about that we

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don't have to grade everything. Oh, yeah,

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we don't have to grade everything. Okay,

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it is really important not to just throw

Speaker:

them in the trash is really important for

Speaker:

me just to look and say, oh,

Speaker:

Fred didn't turn one in at all.

Speaker:

Sam didn't write that much. It is really

Speaker:

important for you to put your eyeballs on

Speaker:

it. But really, that takes less than

Speaker:

three minutes per class.

Speaker:

Even with my classes of 39 students, it's

Speaker:

just been been been been been been been.

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Okay, yeah, everyone did it. Everyone

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wrote pretty much. Oh, no. Bob is

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struggling a little bit. And I'm not

Speaker:

grading anything. I'm not putting in the

Speaker:

gradebook. I'm not correcting spelling. I

Speaker:

don't have my red correction pen in my

Speaker:

hand. You know, it's just you need your

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eyeballs on it. And this is why I'm never

Speaker:

going to let generative AI grade my stuff

Speaker:

because I need to have my eyeballs on it.

Speaker:

It's quicker. And my brain

Speaker:

works faster. And then I mean,

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I mean, and you get familiarity. So you

Speaker:

get a better feeling of where your

Speaker:

students are at. I know, I'll tell you,

Speaker:

there's three things I'm going to mention

Speaker:

about this. So the first thing I was

Speaker:

still going to say was that I don't put

Speaker:

anything in my gradebook that doesn't

Speaker:

show me how well they can do the

Speaker:

language. If it doesn't show me how well

Speaker:

they can do the language, it's not going

Speaker:

to the gradebook. Two, you mentioned the

Speaker:

little the your eyeballs have to be on

Speaker:

it. Absolutely. And this is how I show

Speaker:

that. So the kids, even though the kids

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don't won't check to see if

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it's actually in the gradebook,

Speaker:

they just look to see if there's a grade

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on it. That's all they want to check.

Speaker:

Well, for those things, I have stamps. I

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have Spanish stamps and I have a forever

Speaker:

ink pad. And it is forever because I

Speaker:

bought it my first year

Speaker:

of teaching in my 24th.

Speaker:

And I'm on my 24th year and I've never

Speaker:

had to replace it at all. Well, so I have

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this big ink pad and then I just use

Speaker:

various stamps. So I just stamp stamp

Speaker:

stamp stamp stamp stamp stamp stamp

Speaker:

stamp. And then a kid will go to me.

Speaker:

Pro Fae, you forgot to put this in the

Speaker:

gradebook. And I'm like, how does she

Speaker:

know that I didn't put any in the

Speaker:

gradebook is I'm thinking of a head.

Speaker:

There's no stamp on it. I'm like, oh, I'm

Speaker:

so sorry. Put it in my inbox.

Speaker:

I'll grade it tonight. I'll put it right

Speaker:

in the gradebook tomorrow. So it's all

Speaker:

back for you. So you don't have any

Speaker:

problems in your gradebook. She's like,

Speaker:

thank you. Soon as she leaves stamp, put

Speaker:

it in my outbox to go back

Speaker:

out because that's all I did.

Speaker:

All they're looking for is that stamp,

Speaker:

that little reassurance that it was there

Speaker:

and it works really, really well. When

Speaker:

you when you just put a little stamp on

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it, it is perfect. And I had one third

Speaker:

point. I forgot what I was going to say.

Speaker:

I was going to have that.

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Well, I don't even stamp these stuff. I

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just take them and I sometimes I'll scan

Speaker:

them just as like evidence. But I don't I

Speaker:

don't even hand them back because that

Speaker:

takes too much time.

Speaker:

Well, I always have a kid hand back kids

Speaker:

hand back papers, but I just like because

Speaker:

that way they because if they don't get

Speaker:

it back with a grade, my kids go, did it

Speaker:

actually count? So that's what I like.

Speaker:

And here's what I say about touching

Speaker:

every paper, not having anything else

Speaker:

graded or even having a student assistant

Speaker:

graded or whatever. I like the touch

Speaker:

points like you said.

Speaker:

And this is where I really found this to

Speaker:

be useful. We don't have it anymore. I

Speaker:

found a replacement, but it's not as good

Speaker:

as the original flip grid before the

Speaker:

pandemic. I did not use Flipgrid. I

Speaker:

didn't know what it was. I didn't want to

Speaker:

learn anything new

Speaker:

and I just didn't do it.

Speaker:

But I had kids, you know, I when they

Speaker:

speak, I get little tidbits, but I never

Speaker:

got a really good feeling overall from

Speaker:

last quiz to next quiz where my kids were

Speaker:

in the speaking realm.

Speaker:

I had it with writing because we did

Speaker:

writing every week, but I didn't have it

Speaker:

with speaking. But with Flipgrid during

Speaker:

the pandemic, especially and then I

Speaker:

continued it after the pandemic is I

Speaker:

would have them answer questions or talk

Speaker:

about a picture or do something orally on

Speaker:

Flipgrid two or three

Speaker:

times a week every week.

Speaker:

And then I listened to those and I had I

Speaker:

didn't have to give a speaking quiz

Speaker:

because I already knew where their

Speaker:

abilities were in the speaking and, you

Speaker:

know, the kids were very polished. I knew

Speaker:

they were reading. I knew they were

Speaker:

reading because they were so polished.

Speaker:

And they I wonder why they got worse

Speaker:

grades and the kid who didn't read and

Speaker:

made tons of mistakes. I'm like, because

Speaker:

it's his own language and I

Speaker:

can actually see where he's at.

Speaker:

So that touch point is a very valid

Speaker:

point. You need to have that touch point

Speaker:

with each one so you know and you get

Speaker:

that feeling of where the kids are. It's

Speaker:

a whole point of formative assessment.

Speaker:

So, you know, my friend always says,

Speaker:

Kelly Ferguson says you delegate work

Speaker:

that doesn't require a college degree. So

Speaker:

passing out papers is fine.

Speaker:

Putting the grades in the gradebook is

Speaker:

fine. Those kinds of things you can

Speaker:

delegate out, but you don't delegate

Speaker:

grading or reading the stuff or getting

Speaker:

because I get that's where I get the

Speaker:

sense of those kids of what their

Speaker:

abilities are because

Speaker:

I don't get a sense.

Speaker:

Just looking at one quiz. I don't get an

Speaker:

assess looking at a test or their final

Speaker:

exam. I should already can predict what

Speaker:

grade they're going to get on any quiz,

Speaker:

any assessment before that because I

Speaker:

should be knowing the kids abilities

Speaker:

intimately before that.

Speaker:

And you get that to those formative

Speaker:

assessments. Absolutely.

Speaker:

Now, if you miss Flipgrid, which then

Speaker:

became flip, which is now just gone, you

Speaker:

might try way ground. You can make 20 for

Speaker:

free. Past 20 you have to pay, but make

Speaker:

20 for free and then delete

Speaker:

them as you go if you'd like.

Speaker:

The speaking exercise, you could have

Speaker:

speaking questions, the prompts and

Speaker:

everything. And those are really good.

Speaker:

The one problem is what Flipgrid was good

Speaker:

at was responding to the

Speaker:

colleagues and way ground.

Speaker:

You can't do that. But if you just want

Speaker:

to get a bunch of sound files of your

Speaker:

students, you might try way

Speaker:

ground. I use formative for that.

Speaker:

OK, yeah, that's formative does formative

Speaker:

does the same thing. I can assess it to a

Speaker:

standard and then I can look at it by the

Speaker:

standard. So I have that in records.

Speaker:

But it's the same thing like you said,

Speaker:

there's not that response, that

Speaker:

interaction. But I guess

Speaker:

I haven't tried it yet.

Speaker:

I use Padlet way back when for certain

Speaker:

things, but I guess they have added a

Speaker:

communication aspect to Padlet.

Speaker:

So I haven't had time to investigate it.

Speaker:

Maybe it's on my to

Speaker:

do list for the summer.

Speaker:

But a lot of people are swearing by

Speaker:

Padlet because that's the part that I

Speaker:

miss is that because I used to have them.

Speaker:

You have to respond

Speaker:

to others. Yeah. Yeah.

Speaker:

Two other ones. So that would always work

Speaker:

well. We're coming to the end.

Speaker:

So what I would like to I

Speaker:

know it goes so fast, doesn't it?

Speaker:

It does. Now I wonder, now I know why

Speaker:

that the podcast that I listen to started

Speaker:

out as a half an hour

Speaker:

that went to an hour.

Speaker:

Now they're like two hours long. And I'm

Speaker:

like, who has two hours

Speaker:

to listen to a podcast?

Speaker:

And if you listen to like, I listen to

Speaker:

two of them consistently, one about

Speaker:

teaching and one about technology.

Speaker:

And they're both about two hours long. I

Speaker:

like who's got four hours a week to

Speaker:

dedicate to listening to these things.

Speaker:

And they're like, why don't you listen to

Speaker:

while you're walking your dog?

Speaker:

I like because I'm paying attention to my

Speaker:

dog. It's our time together.

Speaker:

So, you know, I'm paying

Speaker:

attention. I want to tune out.

Speaker:

I want to be especially because we meet a

Speaker:

lot of critters in the morning like

Speaker:

skunks and raccoons and stuff.

Speaker:

And I want to be prepared so I don't have

Speaker:

to get sprayed by a skunk at

Speaker:

four thirty in the morning.

Speaker:

It's not going to be a fun day.

Speaker:

Though I should get my students back and

Speaker:

come to school smelling like that so they

Speaker:

know how they smell back to me.

Speaker:

And they're going to go, God, the room's

Speaker:

really smelly. I'm like, I

Speaker:

don't smell it. Nothing. No.

Speaker:

I know I'm horrible. But bring him back.

Speaker:

What do you do? This is how we're going

Speaker:

to end it today. To mitigate to.

Speaker:

Sorry. To keep the humor,

Speaker:

because we want to keep the humor.

Speaker:

We want to keep that in there because it

Speaker:

does lower that effective filter and it

Speaker:

makes him want to pay attention without

Speaker:

it slipping to the dark side.

Speaker:

What? Yeah. Do you have any strategies or

Speaker:

ideas or things that you do?

Speaker:

My strategies are to to

Speaker:

have things pre scripted.

Speaker:

Pivot when you need to pivot to a

Speaker:

different game, to some accountability

Speaker:

piece that's not really like it's not

Speaker:

going in the gradebook,

Speaker:

but the students have to demonstrate that

Speaker:

they remember that they were paying

Speaker:

attention so that they'll

Speaker:

pay attention the next time.

Speaker:

Ignoring stuff doesn't always work.

Speaker:

But yeah, I mean, this is this is the

Speaker:

bane of my existence right now.

Speaker:

Yeah, it is. It has this this last this

Speaker:

last month has been really difficult to

Speaker:

keep the students focused.

Speaker:

Not speaking in English. I mean, like

Speaker:

they're slipping in

Speaker:

English so much right now.

Speaker:

Yeah, I hear you, especially here.

Speaker:

It's been uncharacteristically warm.

Speaker:

So like during my spring break, I felt

Speaker:

like I was on summer break because it was

Speaker:

in the high 80s, low 90s.

Speaker:

Beautiful day. I got sunburn in the back

Speaker:

of my neck a little bit.

Speaker:

My farmer's tan is starting to develop

Speaker:

already because I sit two

Speaker:

hours in the dog park every day.

Speaker:

So the warm weather is also

Speaker:

putting it in there for them.

Speaker:

So in the end of the year is near for

Speaker:

them. And for me, it's boundaries.

Speaker:

And I'm not always good with boundaries,

Speaker:

but setting them up before you need them

Speaker:

is really important.

Speaker:

So I explain my rules and I have to re

Speaker:

explain them, especially after a long

Speaker:

break, I have to re explain them,

Speaker:

make sure that they understand them. But

Speaker:

I find that boundaries because I want the

Speaker:

humor and I probably let more things go

Speaker:

than most teachers would let slip by

Speaker:

because I don't want to.

Speaker:

It's not that I want to be the cool

Speaker:

teacher, but I don't want to be the

Speaker:

teacher that people dread coming to.

Speaker:

Or I want them because language already

Speaker:

for a lot of kids is scary and I don't

Speaker:

want that to be for them.

Speaker:

They walk in the door on day one and they

Speaker:

say, I'm too stupid to learn a language.

Speaker:

And so you have to spend six months

Speaker:

de-programming that. Exactly.

Speaker:

So I do that in there and I tell them as

Speaker:

long as it's PG-13 or below, we're good.

Speaker:

You know, PG-13.

Speaker:

And the other the other way to keep them

Speaker:

on the rails is explain teaching to them.

Speaker:

Yes, explain language

Speaker:

acquisition. Talk in English.

Speaker:

And I always have metacognition Monday

Speaker:

where I explain this

Speaker:

is how your brain works.

Speaker:

This is why we do the

Speaker:

weird thing that we're doing.

Speaker:

And this is how it's going to help you,

Speaker:

because I think this also lowers the

Speaker:

effective filter and it shows them you're

Speaker:

not too stupid to learn a language.

Speaker:

You just haven't learned the

Speaker:

tools of the trade yet. Right.

Speaker:

You know, so this is

Speaker:

TPRS. This is how it works.

Speaker:

This is why it works. This

Speaker:

is what we're going to do.

Speaker:

And it's not. Don't don't let it be a

Speaker:

mystery to your kids why

Speaker:

you are the crazy way you are.

Speaker:

Exactly. I'm a Y kid. I

Speaker:

always want to know why. So.

Speaker:

I want to share that with

Speaker:

those kids because they will.

Speaker:

There are Y kids in the room. And right

Speaker:

now I'm taking a class in Maltese.

Speaker:

I have two teachers on Friday nights and

Speaker:

one on Saturday mornings.

Speaker:

And I'm learning what it's like to be a

Speaker:

learner again because I speak

Speaker:

German and French and Spanish.

Speaker:

They're very unless you

Speaker:

go to an Asian language.

Speaker:

They're very few languages that I can't.

Speaker:

OK. It's similar to this.

Speaker:

It's similar to that. It's similar to

Speaker:

this. This language is not.

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It is what literally a Frankenstein

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language. The roots are Semitic.

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They come from Arabic. They share a lot

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of vocabulary and all the

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grammar comes from Arabic.

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So that's very different from what I did.

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They only have present and past tense.

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That is it. There are

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no other tenses in the.

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There's gender but now but

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articles don't reflect gender.

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There is no formal or informal but there

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is a separate he verb form

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and a separate she verb form.

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So they split the third person up. So

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there's a lot of weird stuff and I can

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see the numbers are done like German.

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They're read four and 20. But you know

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that I can see some Italian influences

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and I can see some French

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words slipping in there.

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And then I see all the Arabic words. So

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it's really. So my point of this is my.

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I don't know why I'm still with my Friday

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night tutor because she only just goes

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over the vocabulary.

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She reads the vocabulary. She's got a

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vocabulary list and then the hour is up

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and that's that we

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don't do anything with it.

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And so there's no there's no hook to

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connect the vocabulary worth with.

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Yeah. And so the other one is

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a good one except he's very.

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Inputty let's put it that way but he's

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not the seed does not

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have the comprehensibility.

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So he's a native speaker. They're both

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native speakers but he's a native speaker

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and he speaks the whole time in Maltese.

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And I don't understand what he's saying

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half the time. He's asking me to do

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something and I had no idea

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what he's asking me to do.

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But I'm learning a lot more from there

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and we're having conversations because

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after we go through all of this stuff

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then he sums it up with a conversation.

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And we actually we do the conversation

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together. So he's got the input down is

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just a comprehensive

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ability is not there.

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But what I'm realizing and this is what

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I'm getting back to with the going off

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the rails is with him my effective

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filters up because I don't

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understand everything he says.

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He's not speaking slowly.

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He's speaking in a natural pace.

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I pick up a word here or a word there but

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usually not enough until he tells me in

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English or goes over it like nine

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different ways before I figure out what

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he wants me to actually do.

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Like spell these words or using the

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alphabet or count the numbers.

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You know tell me the numbers stuff. So

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tutors talk to each other.

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Can he use the

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vocabulary list that she gave you.

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He's kind of following that anyway but

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hers isn't always practical vocabulary.

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His is more practical. He's doing

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conversational and I'm just learning so

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much more from what he's doing.

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She actually told me because I'm a

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teacher. Please don't copy my techniques

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and I'm like I'm not. Don't worry.

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No I'm going to. So sometimes I think you

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do like it's nice to have a preview of

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this is the vocabulary

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and then you apply it.

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Yeah. So I mean there is a lot of overlap

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in that way but not always.

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But the thing is that my effective filter

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is going up so I can

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find a way to derail it.

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I'm going to type of thing. I don't do

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that in my tutoring class.

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But if I were a student in class and this

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was all over my head that is something

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that I that would happen.

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You know I started talking about the

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problem students and this is part of

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differentiation is first of all

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understanding that if a student is acting

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out it might be to say face.

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You know like to cover it like everyone's

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going to know that I don't know this.

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And so they're trying they're trying to

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bring it back to something that they

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understand some sphere.

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And so when you understand where the

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student is coming from first of all it

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makes it easier for you to deal with

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student because like we said at the

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beginning if you don't like your students

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you're not going to be a

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very effective teacher.

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So figuring out why they're derailing it

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I guess is a big piece of the puzzle that

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we probably should have talked about.

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Yeah. And the point is to make it more

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comprehensible because that may be the

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issue that you're not

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being as comprehensible.

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That's why Dr. Kerry Walt says it's not

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enough to be comprehensible because you

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may be thinking that

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you're comprehensible.

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And I was in many years ago I was in

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Michelle Whaley's Russian class and I had

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no idea what she was saying and she

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thought she was being comprehensible.

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But I am not a Russian speaker.

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I have no background in any Slavic

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language whatsoever.

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And so I had Google translate up the live

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version where it was listening and then

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typing the English down so I could keep

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up with what she was talking about

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because I was just

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observing your classroom.

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So the big difference is being what you

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think is comprehensible if it's not being

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comprehended by the students then you're

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not being comprehensible.

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So it's not from Europe's standpoint.

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It's from their standpoint.

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So I always say to the kids you know let

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me know if I'm speaking too fast.

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I'm speaking too fast even though I might

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not be speaking too fast for him or her.

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But if I'm speaking too fast for you then

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I'm speaking too fast.

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So it's up to you to tell me.

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So it's really important.

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And so make sure that

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you're being comprehended.

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And my tutor is open to ideas.

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So I'm going to be asking you a little

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bit more to slow down and to be more

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comprehensible for me in the beginning.

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Because once you tell me

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what it means then it's great.

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Now I'll study it afterwards.

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I go oh now I see what's happening here

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because one of the weird things in

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Maltese there they have the verb but not

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everything that's

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that's uses a verb is a verb.

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So they have the word name.

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They don't have a verb is in

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Maltese like Arabic is never is.

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But instead to make there's no verb for

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my name is like in Spanish you know you

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might say we don't

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have they don't have it.

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So they say my name and then they put a

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suffix that means my on it.

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OK OK.

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So I sim is the word name but

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you see me is my name is yes.

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Sim is your name is because

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it got the EK which means your.

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But those and those suffixes although

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they're personal possess I mean

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possessive adjective suffixes they're the

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same ones for the direct

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objects and the indirect objects.

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So you don't have to

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learn a whole new set.

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They just pop on the end

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of that which is weird.

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But then there are some that are true

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verbs that are actual verbs and they get

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conjugated and then there's different.

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Well they use prefixes to endings for

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verb ending for verb endings they use

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verb prefixes instead.

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OK.

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But it's just kind of weird because they

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use what's called a trilateral system.

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So most words have three main consonants

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and so they stay in the same order.

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So KTB has something to do with writing.

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And then the way you put the vowels and

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which vowels in which order change it

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from verb to a noun to an adjective.

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So as long as you know those three

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consonants in that row you know it has

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something to do with it's like the root

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they call it the mama.

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So just kind of interesting but it's like

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a Frankenstein and it makes me feel.

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Yeah it makes me feel like a kid again

Speaker:

learning a language because when I do the

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demos when I go to demos they're usually

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done in French or

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sometimes they're done in Mandarin.

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I know enough Mandarin to where I'm

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understanding the Mandarin now and I

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don't have to do it.

Speaker:

My head starts to hurt with the Japanese

Speaker:

and the Russian but I've

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done those ones as well.

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Just because I'm when I'm a coach at

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conferences I'm having to listen to all

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these different languages try to keep

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maul straight in my head and they're all

Speaker:

getting all mixed up and my brain starts

Speaker:

to physically hurt after a while.

Speaker:

Listening to all the different languages

Speaker:

though it's so interesting.

Speaker:

It's just exhausting.

Speaker:

It's exhausting in there.

Speaker:

So those are my things to like Pamela

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said pre script and have those ideas

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ready have backup plans when things go

Speaker:

wrong and be OK with giving it up giving

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it up for that class giving it up for

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that day giving it up for that year and

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just saying next year is going to be a

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better year for that story or whatever

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that activity is going to be.

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For me I'm saying set have those

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boundaries and think of them before you

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need them and establish them before they

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need them the routines and stuff and then

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be so comprehensible that you're actually

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comprehended and then I judge my

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comprehensibility by the lowest that the

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the I don't want to say it that way.

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Let me see this the most struggling of

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kids who's actively struggling meaning

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they're still trying to

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learn they're not checked out.

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The barometer student.

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Yeah barometer student.

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Yeah the barometer.

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I just like to call

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them struggling students.

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It's a little more like I said I don't

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like to have the have

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to explain the jargon.

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So I have to explain it twice.

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If I say a struggling student every

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teacher knows what that

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struggling student is.

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Absolutely.

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And it's not the checked out student

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because you can't judge your teaching on

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the checked out student.

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So it is the struggling student in the

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classroom because they're struggling

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because they're still trying.

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That's why they're struggling.

Speaker:

Otherwise they'd be checked out.

Speaker:

So use those to make sure because a lot

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of times it could be that it is they're

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not understanding or the alternative is

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you may be too easy.

Speaker:

And then the kids are getting bored and

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finding a way to entertain themselves

Speaker:

because that can happen too that you are

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being too easy for it.

Speaker:

So if they remember the way crashing

Speaker:

talks about it it's input plus one.

Speaker:

It should be just above where they are.

Speaker:

And I always explain this.

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Think about when you're

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teaching your kid to swim.

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We are so mean when we do that to our

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kids because we say you're like six

Speaker:

inches away and you say come swim to me.

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And then you move a little bit back as

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you're swimming to you.

Speaker:

And by the time you're done they swim

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across the whole edge of the pool.

Speaker:

Right.

Speaker:

Because you're you're horrible that way.

Speaker:

But that's that plus one that you're

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adding a little bit

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outside of the comfort zone.

Speaker:

Yes. You're never you're

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never six feet away from them.

Speaker:

You're always six inches.

Speaker:

Just you keep moving the six inches back

Speaker:

every every little bit.

Speaker:

And it's the same.

Speaker:

That's good.

Speaker:

It's the same kind of

Speaker:

thing with your kids.

Speaker:

But if it's too easy

Speaker:

they're like I got this.

Speaker:

I don't need to pay attention anymore.

Speaker:

I can check out.

Speaker:

That's how the brain works.

Speaker:

If I say you have to fail

Speaker:

and the brain will rewire.

Speaker:

Yeah.

Speaker:

But if you don't like it like if you're

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just always doing the

Speaker:

easy stuff your brain says

Speaker:

I don't need to know this.

Speaker:

Exactly.

Speaker:

It's the same thing I tell the kids with

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when they're when they're

Speaker:

doing their weight training.

Speaker:

You're supposed to do it to failure

Speaker:

because your your muscles

Speaker:

don't get bigger to you tear

Speaker:

them apart.

Speaker:

Break them and then it rebuilds.

Speaker:

And that's exactly what's happening.

Speaker:

It's your bones break.

Speaker:

They become stronger at that point.

Speaker:

You're less likely to break right at that

Speaker:

particular point

Speaker:

because they built up some

Speaker:

extra in there.

Speaker:

And so if you're not pushing it you're

Speaker:

not building them brain muscle at all.

Speaker:

You've got to have it.

Speaker:

It's got to be slightly challenging.

Speaker:

And like you know runners do it too.

Speaker:

They're trying to shave

Speaker:

seconds off their time.

Speaker:

They're not looking for minutes.

Speaker:

They're looking for

Speaker:

seconds off their time.

Speaker:

Or people makes points.

Speaker:

I want to at least make one more point

Speaker:

this game score one more

Speaker:

goal make one more basket.

Speaker:

They're not saying I want to do 10 more

Speaker:

baskets than I normally do.

Speaker:

It's just a little bit

Speaker:

and they grow a little bit.

Speaker:

And that's what makes it

Speaker:

really really effective.

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I think so.

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Think about that.

Speaker:

You could be too hard

Speaker:

and you could be too easy.

Speaker:

You want to find that happy middle ground

Speaker:

and use your your mid

Speaker:

kids and your struggling

Speaker:

kids.

Speaker:

Use your mid kids to

Speaker:

figure out if it's too easy.

Speaker:

If your mid kids are always right there

Speaker:

and you know they are

Speaker:

not it's not challenging

Speaker:

to them then you're

Speaker:

probably being too easy.

Speaker:

And then if you're struggling kids are

Speaker:

struggling too much

Speaker:

you're being too hard.

Speaker:

And then you're always

Speaker:

going to have your top kids.

Speaker:

You're always going to differentiate for

Speaker:

them no matter what

Speaker:

because they're there.

Speaker:

If you teach to your top kids you're

Speaker:

losing everybody below.

Speaker:

So those are the

Speaker:

suggestions that we both have.

Speaker:

We have gone way over.

Speaker:

We've gone 12 minutes over.

Speaker:

So thank you so much panel.

Speaker:

Let's go to our little

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outro today and we can.

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Thank you so much again for having me.

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This is a blast.

Speaker:

You're welcome.

Speaker:

I get so much information from you.

Speaker:

She's mentioned this activity this game.

Speaker:

I write it down.

Speaker:

I go research it right afterward.

Speaker:

I like doing this too.

Speaker:

I'll send you some links for show notes.

Speaker:

Oh awesome awesome awesome.

Speaker:

So everybody we will be back next week.

Speaker:

Pamela's joining us again.

Speaker:

We also have LaDawn

Speaker:

coming with us next week.

Speaker:

So we're back to three of us.

Speaker:

And if you're watching and you would like

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to become a guest

Speaker:

please do you can go and let

Speaker:

me put it here in the chat here.

Speaker:

You can go.

Speaker:

This is fun.

Speaker:

Come join us.

Speaker:

www.mm.us.com to sign up for our dates

Speaker:

that you'd like you can

Speaker:

see what topics are hanging

Speaker:

whatever interests you.

Speaker:

You don't have to be a professional for

Speaker:

just everyday teachers.

Speaker:

We just talking about the topics at hand

Speaker:

to help everybody

Speaker:

because it's just like talking

Speaker:

in the lunchroom

Speaker:

talking at the coffee machine.

Speaker:

So thank you for hanging out with us

Speaker:

today on comprehend this

Speaker:

seriously the fact that

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you're listening to this podcast about

Speaker:

teaching instead of

Speaker:

lying face down on your couch

Speaker:

is impressive and we respect it.

Speaker:

A huge thank you to Pamela Parks for

Speaker:

bringing the kind of real talk

Speaker:

perspective that only

Speaker:

comes from someone who's navigated humor

Speaker:

and classroom

Speaker:

management across three different

Speaker:

languages.

Speaker:

Go check her out at mm.us slash Pamela.

Speaker:

I made her her actual little link here

Speaker:

goes right to her YouTube page.

Speaker:

I'll put this one up

Speaker:

on the screen as well.

Speaker:

So I've made that for her because she is

Speaker:

absolutely the real deal.

Speaker:

Hopefully you're walking away with a

Speaker:

clear read on where

Speaker:

humor helps where it derails

Speaker:

and how to be the calm confident person

Speaker:

in the room without

Speaker:

turning into a buzzkill.

Speaker:

That balance is a skill and you're

Speaker:

already working on it

Speaker:

just by thinking about it.

Speaker:

Leave this episode hit

Speaker:

home like it did for me.

Speaker:

Subscribe so you never miss one.

Speaker:

Leave a review if you've got two minutes

Speaker:

and share it with a

Speaker:

colleague who's currently

Speaker:

surviving their own

Speaker:

classroom comedy hour.

Speaker:

Catch us live on YouTube or

Speaker:

wherever you get your podcasts.

Speaker:

Ditch the drills.

Speaker:

Trust the process.

Speaker:

And I'll see you next

Speaker:

time on comprehend this.

Speaker:

Bye bye everybody.

Speaker:

Bye bye.

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About the Podcast

Comprehend THIS!
Real talk for real language teachers—because comprehension isn't optional.
Welcome to Comprehend THIS!, the podcast for language teachers who are tired of the same old textbook chatter and want the real talk instead.

Every episode is like pulling up a chair in the copy room or leaning on the hallway wall at your favorite conference — except it’s not awkward, the coffee’s better (yours, not mine), and nobody’s grading you.

Host Scott Benedict sits down with 1–2 guests — teachers, trainers, authors, CI rebels — to swap stories about what actually works in a comprehension-based classroom.

We talk the good, the weird, the messy middle — first wins, facepalms, reading that actually sticks, grammar without drills, surviving department side-eyes, grading for real proficiency (without losing your mind), and everything in between.

It’s casual. It’s honest. It’s LIVE — so you get all the “did they just say that?” moments, unfiltered.

Pull up your favorite mug. Laugh, nod along, steal an idea or two for Monday, and remember: you’re not the only one doing it different — and doing it better.

Watch LIVE: Sunday mornings at 8am Pacific / 11am Eastern, on YouTube at youtube.com/@immediateimmersion — or listen soon after on your favorite podcast app.

Comprehend THIS! — Real talk for real teachers. Ditch the drills. Trust the process. Stay human.

About your host

Profile picture for Scott Benedict

Scott Benedict

Scott Benedict has been teaching Spanish since 2001—which means he’s survived more textbook adoptions, curriculum rewrites, and “revolutionary” teaching fads than he cares to count. He runs Immediate Immersion and hosts the Comprehend THIS! Podcast, where he tells the truth about teaching with comprehensible input: the good, the bad, and the “did that student just say tengo queso again?”

After two decades in the classroom, Scott knows what actually works (spoiler: not conjugation charts) and isn’t afraid to say it out loud. On the podcast, he dives into CI strategies, teacher survival hacks, and the occasional story that will make you question your career choices—but in a good way.

When he’s not recording or coaching teachers, you’ll find him traveling, taking photos, or wandering yet another zoo because apparently, one giraffe enclosure is never enough.

Comprehend THIS! is equal parts professional growth and comic relief—because let’s be honest, if we don’t laugh about teaching, we’ll cry.