Episode 12

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Published on:

16th Nov 2025

Episode 12: “Wait, Am I Doing This Right?” — CI Impostor Syndrome

Feeling like a fraud in your CI classroom? You’re not alone — welcome to CI Impostor Syndrome.

Take the CI Proficiency Quiz and see where you stand on the CI journey: https://imim.us/ciquiz

In this hilarious and brutally honest episode, Scott sits down with Monique Francis and Peter Riehl to talk about why even experienced teachers question themselves, how to stop comparing your chaos to others’ perfection, and how to recognize the subtle signs that prove CI is working.

Ready for done-for-you lessons that make CI easier? Check out the CI Survival Kit at https://imim.us/kit.

#ComprehendTHIS, #CITeaching, #LanguageTeachers, #ImpostorSyndrome, #ComprehensibleInput, #WorldLanguage, #CIClassroom, #TeacherPodcast, #LanguageAcquisition, #TeacherHumor

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Host: Scott Benedict — Immediate Immersion

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Transcript
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Good morning and welcome everybody to

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Comprehend This Podcast.

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Have you ever scrolled through teacher

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Instagram and think,

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"Wait, why do other students look like

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they're in a Pixar short while mine are

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reenacting a soap opera?"

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Yes, same.

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In this episode of Comprehend This, I'm

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joined by Monique Francis and Peter Riehl

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to talk about CI impostor syndrome,

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that sneaky little voice that whispers,

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"You're doing it wrong."

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We'll talk classroom flops, comparison

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traps, and those tiny signs that remind

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you you're actually crushing it.

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Even if you spilled coffee on your lesson

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plans and your admin just asked when

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you'll start real teaching.

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Grab your cold brew because this one's

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therapy is disguised as

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professional development.

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And here we go right

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after these short messages.

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Ever feel like you're clinging to the

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edge of your teacher planner, just hoping

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today's lesson magically appears?

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Enter the CI Survival Kit, a monthly

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comprehensible input,

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but also love not reinventing

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the wheel every Sunday night.

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Each month you get fresh, ready-to-use

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lessons, time-saving tools,

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and just enough structure to keep your

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teaching life together.

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No stress, no guilt, just monthly help

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from someone who gets it.

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Sign up at mm.us.survival and let the

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heavy lifting for once.

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Welcome to Comprehend This, real talk for

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real language teachers.

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No drills, no dry theory, just honest

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stories, practical ideas, and a reminder

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you're not alone in the CI trenches.

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Let's dive in.

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Welcome, welcome, welcome. Good morning,

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Monique and Peter. How

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are we doing this morning?

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Doing great. Thank you.

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Awesome.

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I'm glad to have both of you here.

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Peter is right in my backyard in Northern

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California, but Monique, originally from

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Australia, is joining

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us from Belgium today.

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So it's her evening. So welcome to both

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of you. I'm so glad that you're here.

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Monique, why don't you give us a little

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bit about yourself to let

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everybody know who you are?

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Sure. Yes, so I'm a Japanese

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teacher based in Australia.

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I'm actually over here in Belgium.

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I've been travelling around for six weeks

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with my daughter, and we came over to

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check out the sites,

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but also to attend the World Language

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Teachers Conference in Basel.

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And that was fantastic. So Dr. Liam

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Printer was the

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keynote, along with Jo Dale.

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And it was fantastic. I actually did a

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little CI demo in Japanese, which was

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fantastic because, of course, nobody

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there spoke Japanese.

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So it was a perfect example of putting

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yourself in the shoes of your teachers,

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putting themselves in the

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shoes of their students.

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So that was great. I'm currently in

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Belgium, which is why I'm able to attend,

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because otherwise in

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Australia would be stupid o'clock.

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So I'm grateful to have the opportunity

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to be here. But yes, I'm a Japanese

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teacher. I've been

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teaching for about 35 years now.

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But I only discovered CI in 2017, and

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that changed everything. And yes, I just

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couldn't, I can't look back.

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So since then, I've been using CI and

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delving into some research. And yeah,

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it's like, you know,

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it's just like my candy.

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And yeah, in the last two years, with a

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shortage of CI readers, I started

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Japanese Reads and I write and self

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publish little grade and CI readers.

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So that's my passion project, really.

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Awesome. I love that. I love that. We

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need always need more readers, especially

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in languages other than Spanish.

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There's so many from Spanish nowadays.

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But yeah, we need so many in other

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languages to help

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spread the love a little bit.

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So yes, thank you so much, Monique.

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Awesome. I just want to say one thing

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about that experience in a

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language you were talking about.

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Someone asked me a question a couple of

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weeks ago about she goes, you know, I

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don't know about keep

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asking the same questions.

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I'm getting bored and, you know, they

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should be I feel like I'm talking down to

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my students and I'm like, well, you know,

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you've never

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experienced another language.

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Right. Because you think it's talking

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down to your kids. But you got to

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remember your kids are like in

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kindergarten and first grade.

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You do have to water it down for them.

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But take a language like Japanese or

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Russian or Mandarin or Hebrew or one of

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those languages that are

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so far from your language.

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Then you're going to realize, oh, crap, I

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need to be keeping it simple. I need to

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be repeating over and over

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again because those sounds.

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And it's funny because as a coach, I've

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coached teachers who do

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Japanese and Mandarin.

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I got to keep my ears open to understand

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what they're saying as well. And those

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ones don't hurt my head as much.

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And it's going to be a funny one. Latin.

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Latin hurts. I physically get a brain. I

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don't know what it is.

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No offense to Latin teachers. But that

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language, it hurts my head

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trying to keep up with it.

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And me being a Spanish, you know, I can

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speak Spanish, I can speak French, a

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Latin based language.

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I should be coming a little bit easier,

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but I can listen to Russian and I can

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listen to Japanese and I can listen to

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Mandarin much longer than I can.

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And my brain starts to get really big

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fatigued. But if you've not experienced

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another language, then I

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highly recommend that you do that.

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And let me put a little link in here. A

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great place to get practiced in another

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language is that fluency.

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I can spell fluency fast dot com. She's

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got Karen Roman has got multiple

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languages that you can take classes in

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and then you can experience that.

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And I highly encourage you to take a

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language that is far from your own. So if

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you do French or Spanish, do

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not pick Spanish or French.

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It's too close. You're not going to get

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the same feeling. You need to take

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something that's really far.

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So you can really understand that, yes,

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you're bored because you're fluent in the

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language and you understand it and you're

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thinking you're being.

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But you really need to experience it. And

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one of those other languages to really

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know that you're probably going too fast.

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You probably aren't asking enough

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repetitive questions for those kids to

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truly acquire that language.

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They need to hear it hundreds and

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thousands of times to be able to get

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those patterns in their head.

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So I like that it was a really good

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thing, especially in Europe where, you

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know, they speak multiple languages.

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So they've got the Germanic groups.

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They've got the Latin

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based groups covered.

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But Slavic based groups, the Russian

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groups, the Japanese, the Asian

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languages, they don't have.

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And they need to hear more of that to be

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able to experience that truly what it is.

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And Scott, if just while you're sharing

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some resources, this one might be helpful

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to your listeners as well.

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Yesterday, last night I attended an

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online. It's free now and

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it's being posted to YouTube.

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But it was a Dutch demo for teachers.

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So I took part as a student and I 100

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percent agree with you.

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I was craving the reps. I just needed to

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hear it over and over.

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I'm mentioning this because it's such a

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fantastic experience for if you have if

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you want to if you can't attend training.

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This is something that you can dip your

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toes into and see not only with the

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lesson, but also Diane UBauer,

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who's a fantastic advocate for second

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language acquisition and research.

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And she did a debrief with the all the

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teachers that attended.

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So it was yet to really powerful one hour

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if you would like to look a little bit

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more into comprehensible input and start

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an acquisition teaching.

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Absolutely. Thank you so much. I'll put

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that in there was unique there.

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And it was her lesson. So she was the

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teacher. She is fantastic. She is

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amazing. I love unique.

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She's a great teacher. I haven't seen her

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a few years. But yes, she

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did a great job. Yeah. Awesome.

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OK, Peter, your turn. What about

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yourself? Well, shoot, I'm

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sitting here taking notes.

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I really appreciate it. And money

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bringing up that idea of like this, the

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teacher as the student.

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I think of like in faculty meetings, like

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we're the worst

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sometimes. Right. As far as. Yes.

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That's a different story. Right. We're

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the ones on our phones.

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But we appreciate that idea of I really

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want to go in and observe as a Spanish

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teacher in a Japanese

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class or or another language.

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That's awesome. But yeah, my name is Pete

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Reel and I'm a teacher in Sacramento in

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the Sacramento area.

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I've been teaching for 22 years, 22, 23,

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depending on there's

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a half year in there.

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So but I'm just a real language learner.

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I'm just a real

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passionate about language.

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I guess that I teach English and Spanish.

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I love literature. I love the fact that I

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am a language learner, that Spanish is

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not my native language.

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I do regret never having studied abroad.

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You know, as you know, based on the name

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of this, immersion is everything.

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I wish I would have had a chance to do

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more of the immersion. But yes, I've been

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teaching 22, 23 years and really

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passionate about language.

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And see, I as far as the eyes, it's hard

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to say how many years I think we really

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kind of put it into

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effect right before COVID hit.

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And that kind of threw everything into

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chaos and to put them out.

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I'm having I still have nightmares about

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those what do you call those rooms where

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the students got together?

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The awkwardness for

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those rooms, right? Yeah.

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And so that wasn't obviously conducive to

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the back and forth as much. Right.

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But yeah, so I don't know, maybe four or

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five years with with CI and

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just love the love the model.

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I think what you're just saying now about

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we're probably not asking enough

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questions that really hits home.

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I do my best to do those to do that

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repetition. But I think you're right. I

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probably don't do enough.

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But anyway, I'm rambling. That's a bit

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about me. I've I've also been a

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basketball coach for years.

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And my passion project that really

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started with COVID is my my podcast,

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which is about

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writing writers and writing.

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It's called the Chills of Will Podcasts.

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I've had a pleasure to speak to some

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really great names, great people.

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It's been 99 percent fun and even done a

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couple of them in Todo en Español.

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Awesome. Awesome. That's excellent.

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Yes. We don't always think of English as

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a language, especially here in America,

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though, like in my school, we've got 43

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different languages

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represented at our school.

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We're all 2200 students, especially with

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a lot of the refugees

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from Afghanistan coming in.

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We've got a lot of different

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representations. So, you know, English is

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a second language here in America and

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English as a language period.

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In other parts of the country is really,

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really important as well. And I've always

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said, and this is a controversial issue,

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but I have never enjoyed and no offense

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is going to come out

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offensive, but no offense.

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I have never enjoyed truly learning the

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beginning aspects of the language from a

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native speaker because I'm a wide kid.

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I need to know why this is. And they

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can't usually explain it. I can't in

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English. I can't tell

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you why. Go goes to went.

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I can't explain that. And like just like

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when I go to a native Spanish speaker,

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I'll go, why does, you know, go to they

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can't it just does or why

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is the stem changing verb?

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It just does. But those of us who learn

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the language, we kind of learn the why

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behind some of those things and they can

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explain it a little bit better.

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I am horrible. I could not explain

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English. So I think that's really

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difficult. And here in America, we don't

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even have your teaching

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English as a second language.

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You don't even have a common language to

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build on to make it comprehensible. So

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that makes it really, really challenging.

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But I always get frustrated when I would

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ask a Spanish teacher who is native, why

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does it do this? And they

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usually couldn't answer.

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In fact, one of the first teachers I

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taught with she was from Chile. And she's

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like, the textbook says I've got to teach

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these things called AR, AR, AR verbs.

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She goes, What are those? I've never

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heard those. And I'm a native speaker.

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And I'm like, well, have you not noticed

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like 80% of the verbs in Spanish and an

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AR, and maybe like 16 to 17% and an ER

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and the last like four or 5% and an IR?

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Not really. So yeah, it's it's an

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artificial construct that we know as

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learners, but not as, you know, native

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speakers. And the only reason I know that

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English verbs are grouped into weak and

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strong verbs is because of my German

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background, because that's

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how they're linked in German.

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They're not called irregular verbs and

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regular verbs are called weak and strong.

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And I know that from that experience, I

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learned all my English grammar from

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German and such like that.

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So I like native speakers for upper

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levels when you want to really working on

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fluency, but for the basics, the basic

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grammar and structure, I'm kind of

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partial towards people who learn the

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language because they're in the same boat

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that I was in

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different of a boat in there.

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So I would be a really bad English

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teacher because I couldn't explain why

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these verbs are irregular and why they

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follow this pattern versus that pattern,

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or why we say it this

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way and not that way.

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You know, you we have that rule can't end

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a word in a preposition. But then there

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are certain phrases that you do and in a

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preposition, but it's

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not really a preposition.

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It comes from German with the separable

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verbs that we have in German, you know,

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right? So that kind of stuff.

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You're saying four to five percent or IR

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verbs in Spanish, huh?

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Yes, it's the smallest part.

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That's the sounds. I mean, right. I mean,

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when we're when we're trying to do

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conjugations or whatever, just examples,

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it's like, OK, VV, it is

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an automatic VV to live.

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And it's like, maybe I see Steve, maybe.

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Yeah. I mean, I I didn't know the exact

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numbers. That's that makes a lot.

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I'm not even giving exact numbers.

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They're pulling out of my head. But I

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just know I are whenever I'm trying to

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find an IR example outside of VV.

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I can't think of one off top my head

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that's not irregular.

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Like I can do salir, but then it goes

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regular on first person. So, yeah.

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So that's what the stick one. But I don't

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even think that way anyway.

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I don't teach them that way in the

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suburbs. But I know we're leaving her

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money out because she teaches Japanese.

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So let's go to our first

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little bit of topic here.

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Why do you think even veterans feel like

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beginner, see I teachers?

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I don't care whoever

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wants to start that can start.

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The wrong button.

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I like. Well, I just I think that I think

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I can again, speaking for for Spanish, I

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would I would think other languages

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learning a second or third language is

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that we're so conditioned to

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the way that we were taught.

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And we were taught like drill and kill.

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Right. Like, yeah. So, you know, so many

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cried the idea of the

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three types of verbs.

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A R E R I R. It's like, well, we're gonna

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we're gonna do yo yo hablo

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class repeat yo hablo do habla.

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We're gonna repeat. We're

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gonna repeat. We're gonna repeat.

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We put them into these, as you say, with

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your friend that's a teacher from Chile,

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we put them into some pretty I guess you

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could say arbitrary

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categories in some ways.

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Right. If a native speaker doesn't even

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know those. And so I just think we've

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been conditioned like that. I've had some

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really I've had some great Spanish

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teachers over the years.

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But that was just the

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way that it was done. Yes.

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I taught her for 10 or 12 or 15 years of

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my teaching career in

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some ways modified it.

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But I just think it

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again, just that conditioning.

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And I always tell myself, well, the way

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that we learned our own original

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language, whether I learned English as my

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first language was not by grammatical

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charts, but by repetition, repetition,

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right, using it in context, using it with

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images, pairing it with

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images, pairing it with gestures.

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I'm half Italian. So the gesture things

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comes easy to me. But I think

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it's just that conditioning.

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Yeah, I would agree with that. I think

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there's definitely that conditioning and

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well, it sort of worked for us. So, you

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know, we'll do it for our kids too.

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But I have to say that didn't work for

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me. And that's why perhaps I'm just so,

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yes, this is the way and, you know, it

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just makes so much sense.

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I think I think that a lot of teachers,

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at least in Australia, we have quite a

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crowded curriculum. So I think that we've

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had pressure from leadership to, you

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know, got to get it done.

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We've got to get through the curriculum.

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And I just think that it's not working.

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It's not an inclusive way

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that we are currently using.

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And, you know, the research is would back

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that as well. And so I just think we need

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to have a little bit more support from

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leadership to maybe look at a different

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way to approach the language learning.

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It works. It works for those top, you

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know, for centers, the kids that love,

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yeah, love learning, congregation charts.

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I wasn't one of them. So, you know, I

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just, but I think it's from the pressure

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of having to cover the curriculum.

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And, yeah, I think that

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needs to be looked at.

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I would agree if administrators knew that

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the traditional way of teaching only

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reaches approximately, and I'm not sure

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where the number comes from, but it's

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often quoted that four percenter.

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When you do that on a class of 30 to 35

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students, that's one student. If an

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administrator knew that you are only

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teaching to one of your students to the

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exclusion of the other

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29 or 34 whatever it is.

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They would give you low marks.

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But that's the truth of the matter

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because I know I could I let's see. I

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learned about the language really well I

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took French, German and Spanish in high

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school, I took three years of Spanish in

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high school to use a German and one year

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French, and I could learn the

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conjugations but I learned them, but they

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didn't come out of my

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mouth naturally, you know,

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I learned about the language really well

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and I could pick up the vocabulary and

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all that stuff, but I couldn't

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communicate. When I look back at how I

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can communicate in Spanish. I have to

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attribute it to

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Carlos Alfonso Rueda Pena.

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I do not know why they associated with

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where they put me with him, but Carlos

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Alfonso Rueda Pena was a, an exchange

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student I use the term lightly because he

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was actually escaping the, the drug trade

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back in Colombia at during the 80s, and

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his family was involved in that and they

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were getting him out for safety.

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He did not learn English he did not know

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English so the normal rules of at least

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having one years of English were coming

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over didn't apply. He didn't care to

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learn English he refused to learn English

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he was in English for half the school

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day, and then the other half

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school day he was in my schedule and he

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followed me around at my schedule. I was

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in Spanish one I had no business

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communicating with this kid. I didn't

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know any Spanish to communicate with

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them. I'm the one who walked around with

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the dictionary because he wasn't trying

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to learn English at all.

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So I'm the one who had to make the effort

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on the one who had to translate and

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figure it out. And I have that's what I

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had to do in my classroom experience

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didn't help me at all to communicate with

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him, because it wasn't about topics that

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you really would talk about with another

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teenager, it wasn't about how does he

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order and McDonald's I had no idea how to

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do that stuff we hadn't got to the food

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chapter yet you know

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those kinds of things.

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And I remember when I, you know, we, I

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don't know about how Japanese grammar

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works money, but we have this one verb in

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Spanish to like, but we call it a

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backwards verb, because it works like

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discussed in English.

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So, it disgusts me. But in Spanish it's

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it gusts me like me, I like it so it

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works backwards the subject becomes the

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object the object becomes a subject.

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So, I didn't realize this so I would

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conjugate it like a regular

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verb, which makes no sense.

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No sense. Yeah, it doesn't make sense in

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that form and I remember the first time

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that I said it right because we got to

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that verb he was like applauding me.

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But I was learning like when I would use

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one word he goes, Oh, we don't use that

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word for this we don't use. That's where

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I learned my language from from the

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actual experience and

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not from that textbook.

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So I think that you're, you know, if it

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was a community purpose fair. Yeah,

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exactly. Yes. Yeah. And it was almost

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immersion. I like you, Peter regret never

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having done a foreign exchange I always

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thought I would fall behind in my

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schooling so I never did it.

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And that was the first thing I've got to

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immersion because I had no English to

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fall back on he didn't understand English

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and he didn't care to even

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try to understand English.

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So, I had to immerse myself in in Spanish

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in an English speaking country. And I

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remember even had a girlfriend, and I had

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to be the third wheel and translate for

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all of that, because he didn't know

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Spanish, he didn't know English, and I'm

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sitting there trying to do

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it so that's how I kind of

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learned my language. And I think most of

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us, even though we may have booked

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learned parts of the language, if we

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really go back to how we learned. It

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wasn't about that we have some kind of

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experience and I want my friend said, she

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was I didn't really learn Spanish till I

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got drunk and went to a

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club, where her innovations

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started communicating. And so a lot of us

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have stories like that where we actually

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have learned it in there. And I will say,

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you know, I was talking with Monique

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before we started where, you know, every

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year I feel like a beginner and see I,

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and I've been doing see

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I almost my entire career

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2425 years I started my second semester

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of teaching. So I've been doing it almost

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from the beginning. But every group of

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kids is different. And even though I

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start the same on the very first day,

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they quickly branch off by the second or

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third day into different personalities

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and ways of handling it right now, my

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second period I got four more weeks of

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this second period, they are duds

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individually as students, they're great.

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That's not what I'm talking about. But as

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a class, they're not motivated. They're

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not interested. They don't answer the

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questions. They don't want to play games,

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all the things that we do to get them

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engaged. They are completely flat line.

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They are like the, you know,

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no emotion emoticon, nothing.

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They're just like this the whole time.

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And I'm working really hard to try to get

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them engaged in there. So I feel like a

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beginner all over again, like I have no

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idea what I'm doing. And every semester,

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because we get new kids every semester

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starts differently. And so I always feel

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like a beginner, I don't know what my

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class is going to turn out to be my first

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period, I started the exact same way, the

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same kind of kids, you know, ninth and

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10th graders in American schools.

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And they are participatory, they enjoy

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the games, they beg for the games, they

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want to do the stories, they enjoy them.

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But the other class is just weird. So I'm

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always feeling like a

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beginner in that particular way.

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What you're saying reminds me about how

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physical teaching is, how physical

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teaching CI is, of course, it's mentally

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exhausting, but it can be physically

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exhausting too, right? You're, you're

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gesturing, you're showing pictures,

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you're playing the games or all that. And

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when you're talking about with your, with

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your story with your friend from Colombia

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and Monique, I don't know if there's like

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a verb or a couple words you can think of

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in Japanese, but like, I kind of half

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joke with my students that say that the most important word is,

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I got that, I got that, just like, right

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to grab, get, and it because it's like

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me, I never knew how to say that. It's

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just so much what a native speaker was

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someone would actually use versus what

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you get book is like, what I say, like

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Plato tenor, like, can I have like, oh,

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once I learned I got it was

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like, that's a very usable.

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Yeah, I call them, you know, I teach from

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the suit, the sweet 16 verbs, and

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they're, it's a combination, the sweet 16

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is a combination of the high frequency,

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but more so the more impactful, because

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some of those verbs probably aren't in

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the top 16 verbs, if you go to the top

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20, not all of them are going to be in

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the top 20 verbs, but you get more bang

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for your buck with

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some of these verbs from

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I know it came from Mandarin, that's

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where the idea came from

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for the super seven. And then

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Mike Peter, he expanded to the 16, but

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like, here to go, my kids can say that

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they can't say to drive or to walk or to

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lie. But they can talk about to go and

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that can cover 90% of the instances

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because it's more impactful.

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It's got more bang for the buck. Same

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thing with kireya to want. They might not

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be able to say, I need, but want is close

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enough to where they can express. So if

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they know they come out of language class

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knowing these 16 verbs, or even the first

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seven, they can communicate 70 to 80% of

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what they need to

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communicate in real life, albeit

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at a very basic level, but at least they

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can get their ideas across. And where if

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you're teaching the verbs that order them

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like to talk is one of the first verbs

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they teach in Spanish, because it's a

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simple verb, it's regular, it's

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conjugated really easily. But how often

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do you use that word says is a much more

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common verb to use and much more

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impactful, but it's not regular in

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English in Spanish. So we can't

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follow the same pattern. So I think

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that's a really important point that

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finding the words like thumbtack is in

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our, in our stupid school chapter, what's

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the odds of them using that word outside

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of class? It's not really a good use of

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my time when my time is so limited. And

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they put so many vocabulary words in the

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textbook. It's, you know, and I'm sure

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Japanese does the same way.

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Yeah, no, it is the same. And, you know,

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I think, also, my curriculum is based on

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the super seven and then you know, for

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the older grades, the as you've said, the

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sweet 16. And then all those other words,

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you know, on a need to know basis. So

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certainly, if we need to use them, we,

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you know, we, we find out how to say

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thumbtack. I can't tell you right now

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what that is in Japanese, for sure. But,

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you know, on a need to know basis, it's a very simple way to use them.

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You know, on a need to know basis. And

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then there's purpose for the language

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that you're using. So there's much more,

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in my experience, the chance of the

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students actually acquiring that, if they

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need to want to be able to use it, if

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they have some strong connection to

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thumbtacks, for example, need to use it.

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Yeah.

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Scott, come on, let me see your thumbtack

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in this one, you know.

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I don't even remember.

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I don't even remember because I don't

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even teach it. It's in the book, but I

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don't teach it. Now I'm going to make me

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look it up. I'm going to figure it's in

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the book, but it's when I don't even

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bother teaching that one.

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Okay.

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And, you know, yeah, just just on that,

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you know, I think we've we've covered a

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lot of different I'm thinking of the

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traditional school unit when I started

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looking at a different way of trying to

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cover cover that that list.

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And I started using movie talks and, you

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know, there's that fantastic. I'm sure

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you know what the it's a commercial of

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the rock and the scissors and the paper

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and they go to the school and it's

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actually a, you know,

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it's a school for stationary.

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And it's called Rock Paper Scissors.

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Anyway, it's a fantastic little short

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clip that we can easily talk

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about in an interesting way.

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And it's like, you know, it's like a

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passami, which is scissors and and pizza

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and the rock that's so but there's a

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story attached to it. And, you know, if

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that narrative, that's when you start the

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interest in, you know, the

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communication becomes real.

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And that's, as I said, the purpose and,

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you know, storytelling is just so such a

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powerful way of connecting with that and

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putting meaning to the language that

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you're using in the classroom.

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And that was a nice little change that

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success for me when I started using a

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C.I. and trying to cover

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those long lists of vocab.

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Monique, how long approximately is the

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Rock Paper Scissors video? Oh, it's only

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about three minutes. Yeah. Yeah. That's

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the shout out to my to my colleagues who

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put me on to movie talks.

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There's so much bang for your buck.

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Absolutely. I love them. Yeah. And I will

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say also that when I get to

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keep hitting the wrong buttons.

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There you go. And I was going to say what

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I found by focusing on the sweet 16,

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that's my curriculum that I use. I have

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to teach from a textbook too, but that's

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what I want them to go away with.

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Everything else comes naturally in

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between the nouns, the prepositions. They

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all if I can focus on those 16 verbs,

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everything else comes. I don't have to

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teach boy and girl. They come up

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naturally in the language.

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And one thing that I see everybody

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asking, and this is the wrong way to

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approach movie talks and they've actually

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had to change the name for people who do

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it this way because the inventor of it

Speaker:

said stop using my term movie talk if

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you're not doing it the way that it was

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intended to be used.

Speaker:

So movie talk is non targeted, meaning

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you're not going I need to teach both

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family vocabulary. I need to find a video

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clip that highlights family vocabulary

Speaker:

that they he said that is not movie talk.

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That's not what we do.

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Can't call it that. So they came up with

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clip chat, which I can't stand the term.

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I don't like that term. It just doesn't

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fit well with me. I do movie talk as

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movie talk because I pick a

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short. I like animated shorts.

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Because they're naturally don't have

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words in them most of the time. They're

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funny and the kids have a punch line at

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the end and they're about three minutes

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long. So they work

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out really, really well.

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And you can use them for multiple

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languages because they have no text and

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there's no sound. There's sound effects

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in them, but there's no words in them.

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And see with with the way that he did it,

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the original guy did it. He would take

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turn the sound off because the dialogue

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would start to mess it up.

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But then you miss the sound effects which

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are really important in the music that

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goes with it. So what I pick based off

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interest. So what will my kids really,

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really, really enjoy watching? I pick

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that high frequency vocabularies that

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sweet 16 is naturally going to come in

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because they're high

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frequency, high impact.

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I don't have to work at those. But if I

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need to teach family vocabulary or

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whatever vocabulary need to, I can use

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any movie talk for that because my

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subject could be the mom and not a girl

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this time. It could be a mom or a grandma

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or a sister or a daughter.

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And then I can add, is her brother in the

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story? How old is her brother? I can add

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all of that kind of stuff in. But I find

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that when you pick something that the

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kids are going to be interested in and

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adapt it to what you have to

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teach, you get more impact.

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If you search for a family oriented one,

Speaker:

then the kids feel like you're force

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feeding the book to them. That you're

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teaching them at that moment rather than

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them just being engaged in a fun story.

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Scott, I have two questions for you about

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that. The first is like when you're

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talking about like you're doing the movie

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talk and it's like,

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okay, how old is this girl?

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How are you, Defense

Speaker:

tells James' Marina Cuetwo

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they're not giving me if it's flat they

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don't understand then I'll give them a

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couple of choices yeah they all go either

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or or you know which choice to do

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or sometimes I'll get different ones and

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I'll have them vote on one or I know

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that la maestro loca she absolutely hates

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class voting she absolutely hates

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it so she has a whiteboard dice so it's

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got six sides but each side is a white

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board so she'll write the choices on the

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die and then she'll throw the die

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however it comes I've done it but without

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the die because I'm cheap and I

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don't want to spend that kind of money

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and my kids will steal it and play with

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it and then ruin it anyway so I get

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there's those online spinners that you

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can do yes you can type in you know your

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options right away really quickly in a

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little list and it will put on a spinner

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and we'll do the spinner but I usually

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vote or I'll combine so if one kid says

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14 and one says six I'll make it 14.6

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as the age so I let it I start open-ended

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but if I have to narrow it

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down I'll narrow it down depending on the

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language level of my kids but I let

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it be open-ended as much as possible so

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they tell it the stories themselves I'm

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trying to picture the the dado de pisa

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Rita how big is this this this whiteboard

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dice you're talking about you know it's a

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big one like a little bit bigger the

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kind that used to be hung on a back of

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your windshield I see your mirror right

Speaker:

okay I see on you on Amazon you can buy

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them on there but it's just a toy that

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my kids I have a ball that we play trash

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get ball with and I have to hide the

Speaker:

ball after we play because then they all

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want to play with the ball and steal the

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ball so I can't like I put it in the

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freezer of my mini-refridge because

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they don't look in there how do you know

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they might someday huh so um they haven't

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found it yet so they

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always wonder why it's cold but they

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don't get why it's cold because they'll

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just go around with it yeah now that's

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not yeah my second question is like when

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you talk about the movie talks and you

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said they're not targeted which I really

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appreciate and I understand and I want to

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do more of that how do you make it so

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that's not so like so distinct or so

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siloed in other words like one day

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you're doing a movie talk about you know

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flowers and the next day you're doing

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one about movies in 18th century Cuba

Speaker:

like how do you get it that it's that

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there's some sort of through-line or is

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that not the point I'm it's not the

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point I don't make there's a through line

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and I don't do them all anything

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you do often enough gets old so I don't

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do I maybe do movie talks right

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because I only have my kids for four

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months I'll only do two movie talks in a

Speaker:

semester so I'll do one in the second

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month and in the fourth month is how I

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kind of do it when I taught all year

Speaker:

round I might get four movie talks in

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you know when I taught when I had a

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traditional school year where we went

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from you know August to May but I teach

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from August to December and then from

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January to June right so I usually get

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two in there but they don't have to be

Speaker:

related they're just stories it's just a

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way it's it CI is about telling these

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stories and getting the kids involved and

Speaker:

there's three different ways you can

Speaker:

get well four different ways you can get

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stories in you can make up a story

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which I do most of the time you can use a

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picture talk where we start with a

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picture and describing that picture and

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then I turn it into a story like I've

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got a picture that's got a an orangutan

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who's got like seven green apples in his

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mouth and so we start by just describing

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him and then we talk about the apples and

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then we go why does he have these apples

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did he steal these apples and he's

Speaker:

running away with them or did he collect

Speaker:

these apples he's gonna share them with

Speaker:

his family so I have the kids vote which

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way we're gonna go and then we go in

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that direction and make that story she's

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done an event on this one y'all yeah

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and then so that's the second way the

Speaker:

third way is movie talk which is I call

Speaker:

stories with training wheels because you

Speaker:

don't have to come up with the story

Speaker:

yourself it's there for you so that's

Speaker:

that third way and then the fourth way

Speaker:

is using a story kids already know like

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the three little pigs a little red

Speaker:

riding hood those types or if you want to

Speaker:

bring in cultural stories like

Speaker:

cultural Japanese stories that you can

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make and really simplify that are really

Speaker:

important to Japanese kids that they

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would understand you know in German the

Speaker:

Grimm's fairy tales you can water those

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down in there and use those as your

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story points but from the teacher

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standpoint it's the same activity from

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a kid standpoint those are all different

Speaker:

activities because the way you're

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presenting the story is very differently

Speaker:

but the goal is still the same but it

Speaker:

allows the kids to think that we're doing

Speaker:

something different each time so

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that's kind of how I kind of work they

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don't all work their way together you

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know there's not a common thread

Speaker:

sometimes I do a movie talk and it is a

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cultural based one it might be unlike the

Speaker:

less Muertos or an art piece or you

Speaker:

know whatever I may find on there and

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whatever it works and I don't have that

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it's just a different like a different

Speaker:

unit they don't all have to kind of flow

Speaker:

together and because you're gonna have to

Speaker:

use high frequency vocabulary no

Speaker:

matter what it doesn't really matter

Speaker:

because the set the high frequency

Speaker:

vocabulary is always gonna rise to the

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top and be very repetitive Loni ka

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wonder I mean in Spanish we're so lucky

Speaker:

to have so many cognates like Spanish

Speaker:

one I mean you know there's you know

Speaker:

there are some students who had to have

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some background maybe in junior high or

Speaker:

middle school but some who literally

Speaker:

have none and there's so many cognates in

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Spanish yeah we're very jealous very

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very jealous my Japanese colleagues yeah

Speaker:

yeah just rub it rub it in a bit

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there Peter yeah no we're very jealous of

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the cognates and we have a few but

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what's interesting is what seems to be

Speaker:

really obvious to our ears sometimes is

Speaker:

not the case even if it is a very true

Speaker:

you know it's like here's a what do you

Speaker:

think it sounds like you know pizza you

Speaker:

know but sometimes because I guess they

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beginners anyway I still working on

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listening for the beginning and the

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start and the end of words as you know

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where it starts and where it ends so

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yeah that has been something that I've

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noticed is shouldn't be a given for the

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kids because you know often it does go

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over their heads but yeah we have got a

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few but just not as many as you guys what

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a great point and Scott you're

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saying you have 43 different languages

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represented your school and if you have

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a lot of English language learners yeah

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cognates are not always to be to be

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taken for granted but even for even for

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English native speakers cognates are not

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always they don't hear them they come in

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thinking that the language is going

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to be foreign to them so even if they

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hear a word that sounds like or looks

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like an English word they're not

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necessarily gonna go to that's what it

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means and this is where I disagree with

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Blaine we've argued about this I'm like

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he's like you don't have to teach

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cognates I'm like oh yes you do I teach

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cognates just like any other vocabulary

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word because they may see them but

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their consciousness saying that can't

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possibly mean what it looks like because

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it's a foreign language and just because

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they can see it and recognize it when

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they see it can they recognize it when

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they hear it there's another thing and

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then the third thing is if they can

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recognize when they hear it and they can

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recognize when they see it can they

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produce it when they need to produce it

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and that's where I think his way of

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skimming over the cognates falls apart

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they may be able to recognize it if they

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see it and they hear it but then if I

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asked them to tell me how to say cereal

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in Spanish they can't come up with

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seria because they if they saw it they

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know what it means cereal if they heard

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it they might know but they can't produce

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it and I don't think a word is

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truly your own it's not truly acquired

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and learned if you can't produce the

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word and so for me that's one of the ways

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because a lot of my kids can't

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hear it and I don't know the cognates in

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Japanese but I've heard a few of them

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in Mandarin and they don't sound

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cognitive to me at all

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I'm bow Wow is a hamburger I would never

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have known that it sounds like a dog

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barking to me that's what it sounds like

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so cognates are I say cognates are

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only cognates to teachers and I have to

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teach those words through there and I'll

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tell my kids in Spanish because it works

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in Spanish and French and in German but

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it doesn't work in Japanese or Mandarin

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or Russian where the alphabet is

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different I'll go if it looks like the

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word then it means what it looks like

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unless I tell you different so I know

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we're coming up with a ktoil which kids

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are gonna think means actual I'll go no

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it means current I tell them right away

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I don't even give them a second to think

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that it could possibly mean actual

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because that's not what it means in

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Spanish so cognates that are true

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cognates I let them sit and I'll say it

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looks like English it means what it

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looks like but if I stop you right away

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and tell you that it doesn't mean that

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like lot of go which means long not large

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I tell them right away so they

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don't even get that they don't have time

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to get that in their head but I think

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cognates need to be actively taught so I

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don't think there is easy or we can

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rely on them as much as we want like some

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of the ones in French too they're

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similar to the English ones but they mean

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something different they're not

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false cognates so they're not something

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completely different but they it's not

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the the first thought that comes to mind

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in some of them and so I think they

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still need to be taught and Blaine still

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says no you don't have to teach them I'm

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like oh yes I do so we have that argument

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back and forth I really

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appreciate that now is I always say that

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my English gets better when I teach

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Spanish like if you are teaching a

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cognitive like a cognate would be really

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really sad really sad but it means to

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realize not like oh it's really sad like

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as in I realize my potential so there's

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just so much yeah like it's I always

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don't the myriad meanings of a word you

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know yeah I tell them the Spanish and

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French vocabulary that comes in it's the

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SAT vocabulary in English yes because

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in English we don't we find but in

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Spanish we encounter and all the root

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words all those really ones those come

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from German all the more elevated words

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come from Latin French and Spanish and

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Greek to some extent but all the basic

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words Finden to find German hoon hound

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dogs house all those basic words in

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English come from German and all those

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more elevated words come in Spanish so

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our French or Latin in that way and they

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all have their uses right I mean German

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is so practical it's so practical and

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there's a need for that there's also

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need for the for the elevated ones Monika

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one if there are any funny false

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cognates in Spanish we have embarassado

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which does not mean embarrassed it means

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pregnant yeah oh that's that's one that

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you'd like to get right for sure or you

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might be embarrassed I can't really think

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off the top of my head Peter um

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yeah I'm sure there will be and as soon

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as we log off I'll think oh that's a

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good one yeah okay well bring it back to

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our CIA imposter syndrome yeah what

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whoever you saw or whoever you however

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you learned CI from did you have that

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first impression that I can't do it the

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way that they could do it and I don't

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know if I can do it at all because the

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only version I saw was that person

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anybody have that kind of an experience

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well look when my very first experience

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was with I was really fortunate because

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it was the first CI down under conference

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and it was with Blaine Ray and Terry

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Wells so I think that I was really

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fortunate to get two different styles and

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they are very different yeah very

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very different and you know that that

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actually worked in my advantage because

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I I didn't and then since then I went

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down the rabbit hole of looking into

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your work Scott and the maestro Loca and

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Tina Hardigan and more recently Diane

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you bow and they're all very very

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different and that's I guess what I

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would encourage any teachers that are

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looking at CI and think that maybe you

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know it's not for me it's that's not the

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case at all it's it's can be adapted to

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anyone's personality and I think that's

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what I love most about CI is that it's

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so inclusive not just for the kids but

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also for the teacher you know it's you

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can you can use it the way that is

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comfortable for you and I'm not an out

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there person I I I enjoy having a joke

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with my kids but I wouldn't say that I'm

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I'm you know the circus performer but I

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can I've had lots of positive response

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from students since using the CI approach

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and so yeah I guess that's what

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I would I would like any listeners to go

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away with is you know well there's

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many different ways that you can skin a

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cat and there's many different ways that

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you can DC I yeah what I do here yeah

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money you're talking about Blaine Ray

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and it's like yeah seeing someone like

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him was like man they're gonna be there

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at the top of their game some of my early

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ones so the idea of the la persona

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special interview yep Bryce headstrom

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yeah and so Bryce headstrom I got to

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talk to on my podcast which is pretty

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awesome he's he's such a great guy and

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he was the first guy that I saw do the

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person this best yeah and he did it with

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a group of teachers and we were all just

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like yeah so we were you know we were

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an incredibly passionate audience as well

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and helping out and and I really

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loved how you demonstrated so I was like

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oh man that's a really high bar come on

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my colleagues all of my colleagues at my

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school do a great job with it and

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even before we were technically doing CI

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they've been doing person special for a

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while and I just saw how smoothly they

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were keeping the the conversations going

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and I feel like I do a good job with with

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repetition but I think in

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personal especially how sometimes I do I

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do too much repetition that I'm not a

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guy anymore I'm like the I'm like the

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sage on the stage more than I'm the guy

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and so that's been tough and like you

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said that you find your own find your

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own pace and I do feel more confident but

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even just the other day I was

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observing my my colleague and she was

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standing up with the students sitting

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down and I've done that before but I went

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back to sitting down but we're both

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sitting so it's kind of more like

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collegial if you will more conversation

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but I'm like I want to go back to

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standing up just because it's more of I

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don't know not authority necessarily but

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it's a good chance to like okay time out

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explain just things like that I'm always

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just kind of really trying to massage

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and massage the process but yeah seeing

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Bryce and seeing my colleagues right away

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I'm like man they they do very well with

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this I got a lot to learn. Peter can I

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just say I last no two weeks ago in the

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Netherlands I did the two two-day

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workshop with with Bryce and it was

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fantastic yes so such a great guy and

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yeah I shared my big flop of CI and as I

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said I experienced CI in 2017 and I just

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went crazy and I wanted to do everything

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and one of the things was I got Bryce

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has lots of free resources that he shares

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on his website and one of them

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was the special person interview and he

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had the question is there so I downloaded

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that and and I was all set to do it and I

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had you know beautiful grade of year

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nines at the time and I picked one

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student and popped her up there and I

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started with the questions and I was sort

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of going through the questions and

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I could see all the kids are just rolling

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around and you know it was so

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bad it was terrible and I remember

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thinking everyone was raving about this

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you know this special person interview

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and it's the absolute bomb and you know

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that's such a great CI activity and it's

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only since I've sort of yeah built up a

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few questioning skill techniques I

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suppose and the circling that things

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changed and in the workshop a couple of

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weeks ago Bryce made that he was

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talking about the special person

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interview and he was saying the the

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biggest thing that you can do is ask a

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follow-up question and that is what I

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didn't do and that is why it absolutely

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crashed and burned when I was doing it

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and since then you know I've tried to

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build up my skills I suppose and

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confidence to do those follow-up

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questions because that is when you make

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that connection with your students and

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it's real conversation then not just

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let's practice these sentences you know

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so that was that was a

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learning point for me

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so if I was a student Monique and you

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might ask you to ask in Japanese what is

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your name are you moving on is that too

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simplistic or are you gonna move on to

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like you know what does your name mean or

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like is that the follow-up question I

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usually go you know so Peter what's what

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you know what's your name you know it's

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Peter do you have a nickname and so you

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might say yeah and then I might say have

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you got one nickname or two nicknames

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what are your nicknames and so then I'll

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go through and then I'd say to the the

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other mistake that I was making in the

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early days was not including the rest of

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the class so then I'd say I do a little

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check with the class and say you know

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class has Peter got a nickname and you

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know has he got five nicknames no he's

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got okay what's his favorite nickname

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and then I'll check with you which one do

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you like the most which is your

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favorite one yeah and you're just getting

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lots of those as Scott has said

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you know those high-frequency natural you

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know hits of the super seven and

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sweet sixteen so that's how I do it now

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whereas before it was like what's your

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name how old are you it was so bad it was

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so so that up to price yes some

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great jokes yeah yeah and I was gonna say

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cuz back in the day when I started

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I'm gonna talk about two things the one

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about the the imposter cuz I've got

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that in there but going on with your

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special person interviews when we first

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started with TPRS way back when I started

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in 2001 there were seven steps I

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can't remember all the seven steps but

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we're supposed to seven steps in one

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day and it was like you had to go really

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really quick and one of them was PQA and

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I never understood what PQA was I

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understood what the words were

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personalized questions and answers but

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coming from a textbook you see you that

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question you're supposed to ask the same

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question to all 30 kids that was how it

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was personalized do you play basketball

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do you play basketball do you play

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basketball do you play basketball then

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you had an X question do you play hockey

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do you play hockey do you play hockey

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that was personalized Q&A in a textbook I

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never understood so I skipped that step

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until I read a book by Ben Slavitt

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called PQA and a wink and I read that

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book and I go oh I now understand what

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we're doing here and stop calling it PQA

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because that makes no sense it's a

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conversation and when you tell them it's

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a conversation then we all know how to

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do it it's small talk that you have at a

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party you keep talking you keep

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asking your follow-up questions just like

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you would at a party and when it

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gets boring you excuse yourself to go to

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the bathroom or get a drink and you

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find someone we're interested to talk to

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that's what you do and it's the same

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thing in a classroom and that's what

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special person interviews are that just

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like you know we have our talking points

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for today but we're not sticking to them

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strictly we're going where the

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conversation goes and it's the same thing

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with kids that may be one kid may say I

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don't have any nicknames and you move

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on to the next question and that second

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question becomes more interesting for

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that kid but that kid might have you know

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I've got a nickname with my friends

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I've got a nickname with my family I've

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got a nickname that everybody calls me

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you know and so you can really go hard on

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that particular question so when I

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realized that per special person

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interviews that PQA was just a

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conversation about whatever you wanted to

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talk about that day then I could do

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it and I could do it for a whole hour

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without even thinking about it and when

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it got boring with one a kid I just said

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okay let's move to second kid number two

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we went to the number two and I would

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compare and contrast and just like you

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said Monique you have to include the

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class so I called that gossiping so we

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when I'm talking like that and

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interviewing the kid I'm focused on that

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kid in that moment so we are the only

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ones in the room at that moment so they

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feel I've got their full attention and

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then we take a pause and I talk to the

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kids around the rest of the class as if

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they didn't just hear the dang

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conversation and I call it positive

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gossiping did you hear that he's got

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seven nicknames can someone tell me what

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one of his nicknames was who can tell me

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the second nickname and I'm ignoring the

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kid for the moment because now I'm

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including the class and I go back and

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forth I fish for more details and then I

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feed the rest of class with that fish

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that I caught with those details so I

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call that back but it didn't hit me until

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Ben Slavik's book and it was just a

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conversation so I don't like jargon if I

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have to explain what jargon means that

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completely missed the boat of the point

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can we just call it what it is a

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conversation and then I don't have to I

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don't have to have a 10-minute lesson to

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teachers to explain what it is because

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everybody knows what a conversation is

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small talk at a party you don't have to

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explain it and I will say when I started

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teaching we didn't have as many gurus as

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we have now we had Blaine we had Karen

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Rowan and we had Susie Gross those three

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and I saw the first one I saw

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wasn't even a guru the one who taught it

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to me was Louie and I want to say his

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name is Armstrong but I can't remember I

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forget me Louie if I got your last name

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wrong I know it starts with an A but

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after that I can't

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remember I heard from him

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first and then I saw Karen Rowan and then

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I saw Susie Gross and then I saw

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Blaine if I had sought seen Blaine first

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I would not be here today because

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I can't do it Blaine does and Blaine

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can't explain what he does Susie Gross

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is the one who explains she watched

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Blaine and she put words to what Blaine

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does because Blaine has no idea one day I

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remember him saying I'm gonna teach

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Pobre on in the book he started the first

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sentence and for the next hour he

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never got to the book he said I talked

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the book the whole hour no you didn't

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Blaine you didn't touch the book but he

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thought he did because he went with that

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one sentence that was there and we always

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said when we were part of the

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NTP RS when NTP RS was big and going we

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did not like to put Blaine in the

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beginning level because he didn't convert

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people over to the method they

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were all in awe of what he could do and

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what the results that he got but because

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he was so good at it and his personality

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was such his way people said I can't do

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that it won't work in my classroom and so

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people went home and not doing it and

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when we put some less intimidating people

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in there some everyday people in

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their teaching level one and let him

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teach the more advanced classes then it

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worked a little bit better because people

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could go oh I can do that and now

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like Monique says there are so many

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people that you can watch and you can

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say well I can't be La Maestro Loca I'm

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not like her but I can be like Diane

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Nubauer or I can be like Michelle Whaley

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or I can be like Dr. Terry Waltz

Speaker:

because those personalities match a

Speaker:

little bit better to who I am as a

Speaker:

person so it's much easier now to find

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someone and I highly recommend do

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YouTube searches there are so many videos

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online that you can find people

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who are more like your personalities that

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you don't feel like I can't do this

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because I don't have that type of

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personality I'm not that outgoing I'm

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not that funny I'm more boring I'm more

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subdued I'm more introverted those types

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of things so I think that's a really

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strong point that you made Monique it's

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it's a constant challenge to be

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comfortable with silence when you're

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doing these techniques that's so true yes

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I'm not the greatest at but I'm

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getting better yeah yeah giving that wait

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time it's just and I know again I

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go back to if you are a student again a

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language student a beginner zero you

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know how much wait time well I do I'm I

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need a lot of wait time yeah and yeah

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that's yeah I'm still working on that too

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Peter yeah so I was just gonna say

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you do it you do a lot of those

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competitive games and the students really

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get into them when it's fun but then if

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our whole point is like you do need to

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take the time to think about it and let

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it you know let it simmer a little bit

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you know we're teaching like with Kahoot

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or something like that it's like answer

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it now you know it was some game that

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we're playing it's like answer it now

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now now now versus that no it's okay to

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take some time and think about it and

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that's that's normal and that should get

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normalized and I think it's a happy

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medium because I do want them to get to

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think of it like this because I want

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them to to feel so comfortable with that

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vocabulary with that grammar structure

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with that sentence structure that it

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comes naturally out of their mouths so

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we got to start with that wait time but I

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think the competitive games after we've

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done we've worked with a particular

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vocabulary set or structure can get them

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to make it more confident and come out a

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little bit quicker so you can't do one

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to the exclusivity other but I think you

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need to do it in the right order and

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give it enough processing time so you

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have the wait time and you're reducing

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that wait time to then you get to the

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competitive games to where you can get

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them to think on their feet so that

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they're not you know stumbling over the

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words trying to figure out what to say

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because in a real-life conversation

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nobody's gonna be that patient yeah

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exactly I don't I mean I think most of

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us have not all of us have been in the

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situation where it's not exclusive to

Speaker:

any to foreign language just like that

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student just answers every question then

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the hand goes up and you're like oh but I

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was gonna raise my hand and sometimes it

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just makes you give up

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he's got it Scott's gonna handle this

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question money he's got this one

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you're gonna put in that work to like

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figure out figure it out for yourself

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that's one of the things I do with

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suggestions I'm getting suggestions I

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mentally I go I've got to have at least

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three to five suggestions so I will take

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the first two or three people who've got

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to raise their hands and then I'm

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gonna deliberately call on the kids who

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don't raise their hands who I know are

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confident to give me an answer I'm not

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gonna pick on a kid that I go I'm gonna

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put him on the spot and he's gonna look

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you know know the answer but the kids

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who are quiet and they know the answer

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but they hold themselves back so I let

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them their voice be heard because they

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won't be the one to raise their hand

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but they have the answer so I'll ask

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those kids along the way just to

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encourage that a little bit more to make

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sure I have enough options so I'm not

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always calling on the kids who always

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raise their hand in there but I never

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want to embarrass it's like I always say

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it's like a lawyer a lawyer never asked

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the question they don't already know the

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answer I never asked a student a

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question then I'm not reasonably

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confident that they can answer cuz they

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never want to put them on the spot and if

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it ever happens where I misjudged I

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fixed it right away I'm like oh and I

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fixed it right away and I'll say I'll

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come back to you in a minute let me go to

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this kid real yes I don't make them

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feel embarrassed or feel dumb at all in

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the classroom at all every class has the

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one or two or three whispers that they'll

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whisper the answer and somebody

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when you sometimes when you you know the

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area where it came from you like oh

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thanks Scott what was that and they'll

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look around like no that wasn't me so

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you got it you got to draw those people

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out because they have the right answer

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and it's like yeah answer what can I need

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to make you say the answer with

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concianc and that's why some people use

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white boards and have them put the white

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answer and white board everybody shows

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the white board at the same time that's

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another way to do it I know especially

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with the lower levels like the lower

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elementary and stuff they do the

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countdown they go you can't give an

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answer until my hand goes like this so I

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go five four three two now you can

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answer so kids everybody that wait time

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to be able to think of an answer before

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they all shout it out so there's

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different ways to do that to allow that

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in there but for me I just I just know

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who my silent kids are and I'll ask them

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outright because after I've gotten the

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hand thrower uppers I'll ask the quieter

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kids to give me their opinions because

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lots of times their pains never get

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added in and then their choices never get

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added in and I want them to have a

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voice in the classroom as well I had a

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colleague way back in the day who said

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and obviously it's the it's the holy

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grail I don't necessarily think you can

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do it every single day but she she went

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out of her way to hear from every single

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student every day that's that's a great

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goal to have yeah that is yeah and one

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way to do that is that whiteboard because

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then you can see everybody and

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then you can pick the answers that you

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really like out of that where you can

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see them all hanging up there at once and

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you can buy a set of whiteboards

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really cheap or some people buy what do

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they call it it's a special board you

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can buy at Home Depot for cheap and Home

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Depot will cut it up for you really

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inexpensive washboard or something like

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that yeah I just bought I bought the

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small ones on Amazon they weren't that

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expensive and my kids have white you

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know whiteboard markers so it's easy to

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do mmm one thing that I I really like

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doing for that you know making sure that

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you touch touch points with each kid and

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this came from Amory Chase her idea of

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magic cards and so she has the a bit

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like this actually you know like an index

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card and she'd have you know

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speaking listening reading writing and

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the students name and you set set the

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expectation so that the kids know and

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again like you said God I choose the

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questions that I know that the kids can

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answer but the expectation is that I

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will have these and you know I might be

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after the special person interview I

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just sort of do a shuffle and then ask

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different questions and you know say

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Scott you know and then I actually won't

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say your name I'll say the question

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first and so they're listening to it and

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then I'll pick the person who I want to

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target so Scott but if I know that Peter

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is a faster processing student I

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might you know change the question or

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make sure that I choose Peter because I

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know that he can answer but those were

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really good for accountability in a in a

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low sort of stakes way and the other

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point that I just wanted to make with

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that probably before that I just I do

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have a conversation with the students

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say you know how language acquisition

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works and why like a conversation this

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is a different style of teaching it's

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different to your math and your science

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you know this is this is the way that

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we're all going to help each other to

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acquire a language and that means that

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you can't check out that you you know

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you need to follow along with you know

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follow along with the conversation and

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be apart so as much as possible I like to

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encourage the students to do that

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and once we've set that up that's the

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norm the class norm and if they know

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that they've got the wait time with the

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questions yeah it's it has helped me to

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make sure that I'm making that connection

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with each of the kids not

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just those Hermione Granger's I had a

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variation of magic cards before I even

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knew what amary chase had those magic

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cards I for my own memory I made little

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cards with all my kids names on them and

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I color-coded them so first period is

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blue second period is green so I can keep

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track of which classes they were

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but I stacked my deck my kids didn't know

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I did this so the kids I knew who

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I'm there my barometer students the

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students who really that were trying but

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weren't always getting it they needed

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more frequent touch points they were at

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the top of my deck and the kids who

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needed less frequent touch points

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because they usually got it right away

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we're at the bottom of my deck and

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every day I would shuffle my deck before

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class started in that particular

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way so I would ask like three to four

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kids of the kids who I needed that they

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needed touch points but so it wouldn't

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look like I was only picking on these

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particular kids I would then pull from

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the bottom every once in a while for one

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of my top kids in there and so that

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worked really really well and allowed me

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to know that I went through the whole

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deck before I started again so that I

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made sure I got through every kid this

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way and I could make little notes on the

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back I was an organizer amory chase I

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usually only put their speaking noted

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notes on the back because I tell them

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anytime I have a conversation with them

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that's a speaking grade that could

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possibly be and I'll take three or four

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of them and average them together and

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give them a speaking quiz just based on

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you know four or five weeks of

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conversations that we've had over the

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time but I would make little notes on the

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back of that card on that way I

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didn't do it for the other aspects

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reading and listening and writing but

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that's how I did it so I didn't know the

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concept of Anne-Marie Chase's magic

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cards but I had always done that because

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you know I wasn't a popsicle stick

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person number one they're much more

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cumbersome to keep track of than they

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cost money when it's much easier for me

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to just get cardstock and you buy one

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pack of cardstock it comes in like five

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different colors you teach five

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different classes every class has its own

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color I would just print their names

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off from a word doc on that color paper

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cut it up and I had my deck of cards

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relatively cheap because a whole stack of

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paper was maybe seven dollars for

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that cardstock so it worked really really

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well for me and I always knew

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which class it was because I had I have

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my standard you know first period since

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I started teaching was blue second period

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was green it happened came from

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my textbook colors level one was blue

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level two was green and so I just kind

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of masked with that and I've kept it all

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these years even my hand in baskets are

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those colors I still have first period

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blue second period green third period is

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orange I have all mine it's all that way

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so that's how I kind of did that kind

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of same kind of thing so I agree well

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we're a little bit over so let's go

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ahead and wrap up with any last-minute

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words anybody wants to say before we

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close it out today oh I'm just

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reiterating what I said before is just I

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think for people new to see I it's just

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really really important to find your

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tribe to find I was very very fortunate

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when I started using CI that I had a

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colleague who was learning along with me

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and she she's the reason why I'm still

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doing CI now and I think that if I hadn't

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had her as a support as a

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standing board I I just wouldn't I

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wouldn't have had the confidence to keep

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going through those massive errors and

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you know stuff ups that I had

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experienced in the beginning and still

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you know it's every day you're

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learning more but in the early stages I

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just think it's really important to

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find somebody or a group connect we're

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we're lucky in Australia we're growing

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slowly in the Japanese CI world and you

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know there's some supportive spaces that

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teachers that are really welcoming and

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share resources so that's I get my

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takeaway connect with people that going

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through the same journey or have

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been through that absolutely thank you so

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much what about you Peter yeah just

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like like you were saying earlier I've

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had a colleague say and I feel like that

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was really a turning point for me was the

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idea that we're teaching the

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language we're not teaching about the

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language you were talking about when you

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were a student you felt like you knew a

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lot about the language you didn't

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necessarily know the language as well as

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you wanted to and and that's those

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are the advantages of CI is that you are

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you are learning the language you're

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using it in practical ways rather than

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learning about the language oh there's

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the AR ER IR verbs cool like what does

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that really get you in the long run right

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and just the idea to that like we talk

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about movie talks and the special person

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interviews which could be which could be

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hyper focused if you want the

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simplicity a lot of times is better

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simplicity is worse at and when you say

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that you could make an hour conversation

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not an interview not a me talking at you

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when you said you can make an hour

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conversation based on one person I

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believe you like you really could and

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there's something that goes in different

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directions obviously take some practice

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to be able to to develop those questions

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and be a facilitator but simple

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oftentimes is better like you said

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there's so many gurus online and just the

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idea that yeah you are teaching the

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language so be confident about it because

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you're teaching the language not

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about the language and that's gonna pull

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in more more learners for sure

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absolutely absolutely and I thank you

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both for joining us today and if I can

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thanks again you're so welcome and

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joining us from Belgium all the way

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that's so wonderful so let's go ahead and

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wrap it up today so guys thanks you

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for hanging out with us on comprehend

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this and a huge thanks to our guests

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Monique and Peter for reminding us that

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even the pros question themselves

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sometimes if today's episode gave you

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that okay maybe I am kind of doing it

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right energy share it with your favorite

Speaker:

teacher friend who's one bad observation

Speaker:

away from a breakdown don't forget to

Speaker:

subscribe leave a review and tell the

Speaker:

algorithm we're worth it you can watch

Speaker:

live on YouTube or catch the replay any

Speaker:

time on your favorite podcast app until

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next time ditch the drills trust the

Speaker:

process and I'll see you next time on

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comprehend this thank you Scott thank you

Speaker:

you

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About the Podcast

Comprehend THIS!
Real talk for real language teachers—because comprehension isn't optional.
Welcome to Comprehend THIS!, the podcast for language teachers who are tired of the same old textbook chatter and want the real talk instead.

Every episode is like pulling up a chair in the copy room or leaning on the hallway wall at your favorite conference — except it’s not awkward, the coffee’s better (yours, not mine), and nobody’s grading you.

Host Scott Benedict sits down with 1–2 guests — teachers, trainers, authors, CI rebels — to swap stories about what actually works in a comprehension-based classroom.

We talk the good, the weird, the messy middle — first wins, facepalms, reading that actually sticks, grammar without drills, surviving department side-eyes, grading for real proficiency (without losing your mind), and everything in between.

It’s casual. It’s honest. It’s LIVE — so you get all the “did they just say that?” moments, unfiltered.

Pull up your favorite mug. Laugh, nod along, steal an idea or two for Monday, and remember: you’re not the only one doing it different — and doing it better.

Watch LIVE: Sunday mornings at 8am Pacific / 11am Eastern, on YouTube at youtube.com/@immediateimmersion — or listen soon after on your favorite podcast app.

Comprehend THIS! — Real talk for real teachers. Ditch the drills. Trust the process. Stay human.

About your host

Profile picture for Scott Benedict

Scott Benedict

Scott Benedict has been teaching Spanish since 2001—which means he’s survived more textbook adoptions, curriculum rewrites, and “revolutionary” teaching fads than he cares to count. He runs Immediate Immersion and hosts the Comprehend THIS! Podcast, where he tells the truth about teaching with comprehensible input: the good, the bad, and the “did that student just say tengo queso again?”

After two decades in the classroom, Scott knows what actually works (spoiler: not conjugation charts) and isn’t afraid to say it out loud. On the podcast, he dives into CI strategies, teacher survival hacks, and the occasional story that will make you question your career choices—but in a good way.

When he’s not recording or coaching teachers, you’ll find him traveling, taking photos, or wandering yet another zoo because apparently, one giraffe enclosure is never enough.

Comprehend THIS! is equal parts professional growth and comic relief—because let’s be honest, if we don’t laugh about teaching, we’ll cry.