Episode 21

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Published on:

1st Mar 2026

Episode 21: They’re Not Listening… Or Are They?

Teaching with Comprehensible Input and wondering if students are listening when they look disengaged is a universal language teacher experience.

Take the CI Proficiency Quiz to assess where you are in your CI journey: https://imim.us/ciquiz.

In this episode of Comprehend THIS!, we talk about blank stares, sneaky signs of comprehension, and why students don’t need to look engaged to be acquiring language — with real classroom stories, humor, and teacher honesty.

Looking for ready-to-use CI resources that actually work? Check out the CI Survival Kit: https://imim.us/kit.

comprehensible input, language teaching podcast, CI teaching strategies, student engagement myths, world language teaching, CI classroom, language teacher podcast, trust the process teaching, comprehension based instruction, teacher humor

Hosts:

  1. Scott Benedict - https://www.instagram.com/immediateimmersion
  2. Darcy Chase - https://www.instagram.com/@darcychase207
  3. Pamela Parks - https://www.youtube.com/channel/UCXHEK-1ra4IyzO5avtqEkmQ

Resources & Links:

  1. Assessment Academy - https://imim.us/academy
  2. CI Survival Kit - https://imim.us/kit

Join the Conversation:

Got thoughts or your own story? Share it in the comments or tag us @ImmediateImmersion!

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Connect with Scott:

Host: Scott Benedict — Immediate Immersion

🌐 https://immediateimmersion.com

📧 Scott@immediateimmersion.com

Youtube: https://youtube.com/immediateimmersion

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Transcript
Speaker:

Hello everybody and welcome to season 3!

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Glad to have you all

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here with us this morning!

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Okay, let's be honest.

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Have you ever looked out at your class

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and thought, "Wow, I am

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speaking fluent Spanish

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or French or German or Mandarin to a room

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full of mashed potatoes."

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Today's episode is called "They're Not

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Listening, Or Are They?"

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Because if you teach with comprehensible

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input long enough, you

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eventually learn that blank

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stares don't actually mean blank brains.

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I'm hanging out with Darcy Chase and

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Pamela Sparks, and

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together we're unpacking the

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sneaky signs of real comprehension, the

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lies our teacher brains

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tell us mid-lesson, and

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how to tell the difference between their

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lost and their processing life champs.

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Darcy brings 20 plus years of classroom

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experience, a deep CI lens shaped by

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conferences, institutes

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and mentorship, and the perspective of

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teaching high school French in rural

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Maine, after working

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with learners from preschool to adults.

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And Pamela comes in hot with a background

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as a professional

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translator on over 150 film

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and TV projects, now channeling that real

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world language

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expertise into teaching Spanish

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and French and Japanese

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at the high school level.

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So if you've ever slowed down, repeated

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yourself, or re-explained

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something that absolutely

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did not need re-explaining because the

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vibes fell off, yeah, this one's for you.

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Spoiler alert, sometimes the best move is

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to stop panicking and just keep talking.

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And we'll be right back

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after these short messages.

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And if my buttons will work.

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Ever feel like you're clinging to the

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edge of your teacher

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planner, just hoping today's

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lesson magically appears?

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Enter the CI Survival Kit, a monthly

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teachers who love comprehensible

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input, but also love not reinventing the

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wheel every Sunday night.

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Each month you get fresh, ready to use

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lessons, time saving

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tools, and just enough structure

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to keep your teaching life together.

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No stress, no guilt, just monthly help

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from someone who gets it.

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Sign up at mm.us.us.

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Let the Survival Kit do

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the heavy lifting for once.

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Welcome to Comprehend This, Real Talk for

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Real Language Teachers.

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No drills, no dry theory, just honest

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stories, practical ideas,

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and a reminder you're not

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alone in the CI trenches.

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Let's dive in.

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And we're live.

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Welcome everybody.

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How's everybody doing?

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Hello.

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Thank you so much for

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having us here today.

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Very excited to be here.

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We're so welcome.

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Glad to have you both.

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Darcy, let's start with you for a second.

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Is there anything you'd like to know us,

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like us to know about

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you that I didn't mention

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in the intro?

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I think just one thing that I've learned

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over the years is

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that you don't have to be

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a native speaker in order

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to be an effective teacher.

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And that's something I didn't really know

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as a young woman just choosing my career.

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I didn't start out as a French teacher

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because when I was really

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young, I thought, "Well,

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I'm not a native speaker.

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How could I possibly be a

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good teacher of French?"

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And I've learned over the years that

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native speakers are not

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necessarily good teachers.

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Often they're not very good.

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So I sort of came at teaching French a

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little bit sideways.

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I started as a regular ed teacher and

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then moved into ESL and

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then finally came back

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to my first love, which was French.

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So I've been a teacher for over 20 years,

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but just teaching

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French, I think I'm about

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seven years in and probably six of those

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I've been focusing on CI.

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Sorry, what did you teach before EL?

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You were a gen ed teacher.

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What were you teaching first?

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I taught English, I taught in language

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arts, social studies, math.

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Even though my major in college was

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linguistics, I sort of, I

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don't know, I had a little side

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side gig there for a while.

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And then I came back to language

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teaching, which I really, that was what I

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really wanted to do.

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Awesome.

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You brought up a couple of point I'll

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talk about in a minute because you talk

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about native speakers

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and I have my little

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perspective on that as well.

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What about you, Pamela?

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Well, I'm going to dive right into the

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native speaker thing

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because that I think is such a

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common misconception.

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I work with a few international

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professional learning communities like

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the Duolingo Educators

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Network and a couple of others like that.

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And I'm always coaching people who kind

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of fall into the job

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because, oh, I'm a native speaker

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and so I got hired and I

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don't know how to teach.

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There is a lot of puzzle solving that

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goes on with teaching.

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You have to know how am I going to

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present this information?

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How am I going to

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present it in a different way?

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This student's missing something.

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What am I going to do for this student?

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This student's ready to move on.

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What am I going to do for this student?

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There are so many moving

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pieces that fit together.

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And you think about the

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students who come to you.

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A lot of people always come to us and

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they have never thought

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about speaking English.

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They're a native

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English speaker in our class.

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They haven't thought about speaking

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English since they were

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two years old and they said,

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"I got two feet and

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everybody laughed at them."

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And now they don't

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think about it anymore.

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And so if you're someone who hasn't

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thought about the

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language acquisition process,

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how are you going to convey that to 35

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little faces in front of you?

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So I am 100 million

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percent on board with you.

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Just because you're a native speaker does

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not mean you have the qualifications.

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Right.

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Even something as simple as going slow

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and repeating things.

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Absolutely.

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Absolutely.

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And I'll kind of add on to that.

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That here's my thing

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with native speakers.

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I never liked, no offense to native

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speakers, but I never liked having a

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native speaker as a teacher.

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And it wasn't because of their skills.

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Obviously they had much better skills

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than I could ever hope to have.

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But the problem was I'm a Y kid.

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And I would always ask,

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"Why? Why does it do this?

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And the answer that they would give me

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was the same answer that I

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would give an English speaker.

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That's just the way it is.

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I don't know why it does it.

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Why does go go to went?

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Who the hell knows?

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It's just, I can't explain it.

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But as a learned

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person, we learn these things.

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We learn why the things happen.

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And so if when a kid asks

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me, "Why does this do that?"

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I can explain.

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Like I can explain, what's coming up in

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my classrooms now is the change the Z to

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a C before when you're making a plural.

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Well, I tell them it's a spelling rule.

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Has nothing to do with plurals because

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the textbook always teaches it in pieces.

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It says, "Here it is and how it does it

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in verbs when the verbs come up.

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Here's how it comes when

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it does it with plurals."

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But it's a spelling rule in Spanish.

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You cannot have a Z before an I or an E.

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It must change to C.

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Always, always, always.

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And in Spanish, there are spelling rules.

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There are no exceptions.

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Once you have a spelling

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rule, it's a spelling rule.

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So any word where a Z would come before

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an I or an E, like, why do we spell Zebra

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with a C in Spanish?

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Because you can't have a Z before an E or

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an I, it must be a C.

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So I could explain that where a native

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speaker would say to me, "I don't know.

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That's just the way it is."

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Like, I can't explain why our Y goes to

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an I E before S when

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we pluralize in English.

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So that's my one beef.

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My second one is, like you said, they

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don't know how to teach it.

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I remember when I first started teaching,

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my neighbor was a Chilean.

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She was from Chile and she

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was going, the book says,

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"I have to teach an AR

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and an ER and an IR verb.

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I don't know what those are

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and I'm a native speaker."

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I'm like, "Well, have you noticed that

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like 75% of all verbs end in AR and

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another like 15 to 20%

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are in ER and then the

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last five to 10% are IR?"

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Well, I never thought

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of that, but I guess.

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And so we have these constructs that we

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do as a non-native

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speaker to make it easier to

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comprehend or sometimes complicate things

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that shouldn't be complicated.

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And we can work with those kinds of

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things where native speakers

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haven't had to deal with that.

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So I think they have an advantage in the

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language fluency part,

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but in the explaining the grammar and the

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whys and the where tos of things,

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they lack behind us.

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So we compliment each other really well.

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Because I know when I started speaking

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Spanish, my major was German.

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And so my Spanish was not as

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fluent as it is now speaking.

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I could read it, I

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could write it, no problem.

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But using it orally, but teaching with CI

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made my oral

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proficiency skyrocket for doing it

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for 25 years.

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You get that proficiency

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that you didn't have before.

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So I agree with everything

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you both have said about that.

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But it's a key idea because a lot of

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people think that I can't do this

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because my language

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ability isn't this high.

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It might only be intermediate low or

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sometimes in the middle school sectors,

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they say, oh, you've

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got a minor in French.

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We need you to teach our French program.

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And you're like, what?

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And then you might only be

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at the novice high level,

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but you can still do it and you can

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develop your skills.

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So I think, as you said, there's the

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accidentalness of it.

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And the worryness of not being a native

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speaker should not be a hindrance to it.

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I do want to say, first of all, hashtag

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not all native speakers

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because there are plenty

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of really good native speaker teachers.

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I mean, I taught English, you know, and

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so I can pick English

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apart, you know, but

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you bring up a really good point here

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because I don't know if

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you guys remember taking

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the AC TFL test to

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get your certification.

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That is a really high bar.

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And I am coaching a lot of people.

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I mean, I remember my class of cohorts,

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half of them did not pass the test.

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And in a world where we're short on

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teachers and we're

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short on good teachers,

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that AC TFL test is often a career killer

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I have seen because they're

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looking for native speaker

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fluency, not can you explain the concept?

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Can you slow down like Darcy was saying?

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Can you say it a different way?

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Can you circumlocate?

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Can you teach the students to

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circumlocate and communicate?

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They're not looking for that.

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They're looking for I remember when I

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took it in Japanese,

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I memorized all the I was

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like, this is gonna be hard.

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So I memorized a bunch of terminology for

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the theory of relativity.

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I can't explain the theory of relativity

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in English, but they

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thought that I could in Japanese.

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So that's the only way I got through it

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in my 20s, you know?

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But I think this is a real problem that

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the world doesn't recognize the skills

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involved in teaching.

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Yeah, absolutely.

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It's an art and it doesn't matter if

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we're teaching language,

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if we're teaching math,

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if we're teaching history, there is

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classroom management

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that you have to learn.

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There is a bunch of logistical stuff.

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How are you going to

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arrange your classroom?

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There's so much involved

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in the art of teaching.

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And this is so I have to go ahead Darcy.

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I was just gonna say I had a professor in

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my education program once said,

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remember, you don't actually teach the

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content area, you teach students.

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Always remember that.

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And so I do have to remind myself like,

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okay, I'm all about this French stuff,

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but I need to look at this kid in front

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of me and change what I'm

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doing based on what they need.

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That is such a true statement.

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And you brought up the college.

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So I was gonna say not having teaching

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skills is so apparent in

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college because they don't

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require them to learn how to

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teach or go through education.

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So there are some, like you said, there

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are some excellent

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college professors out there,

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but there are some who just know how to

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talk and that's all they know how to do.

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And absolutely.

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And they're professors.

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And I love this.

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We don't teach content.

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We teach students.

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It is so true.

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And I'll give you an example from a math

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teacher's perspective.

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I'm not a math teacher.

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I'm allergic to math,

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desperately allergic to math.

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But he was like, I'm supposed to start

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here for ninth grade algebra.

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This is where I'm supposed to start.

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But I have kids from like six different

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feeder schools coming in and they're all

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at different skills.

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If I started here where my page one is

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where I'm supposed to start,

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I'm going to lose half my kids in the

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first month and they're

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never going to catch back up.

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So he goes, I've got

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to start where they are.

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I've got to teach the

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kids in front of me.

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And that's why I'm not

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a fan of pacing guides.

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And you know, where teachers go at the

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copy room, what page are you on?

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What chapter are you on in the book?

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Because that's not important.

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It's not important.

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I'm on chapter six.

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If I've left half my class behind,

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they're still in chapter two and they

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don't know anything beyond

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that at this point.

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So we got to teach

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the kids in front of us.

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And I think that's so important.

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Yes, we have a curriculum.

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But it doesn't matter if we cover the

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curriculum, if none of our

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kids acquire it or learn it.

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So we have to teach

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the kids in front of us.

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And that's why I'm always on

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the advocate of less is more.

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I base my curriculum off verbs.

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Yes, do I need nouns and adjectives and

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adverbs and

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prepositions to be able to do that?

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Absolutely.

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But I say if I focus on the verbs, I get

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all the rest of that for free.

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It has to come in because I can't teach

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without a subject and a verb.

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You got to have, you know,

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so it all comes in for free.

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If I target on verbs, then everything

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else comes in instead of

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piling my curriculum with

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a hundred useless nouns like pushpin and

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paperclip that the kids aren't really

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going to have a need for.

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Right.

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And it's like,

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Yeah, that's what I'm going to say.

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And it's like, you know, the idea of, you

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know, how they used

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to tell you, you know,

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try to be 90% in the target language or

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100% in the target language.

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You're doing, you know, you're a very

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virtuous language

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teacher if you're doing that.

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But what if the kids have

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no idea what you're saying?

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You are in the target

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language, they're somewhere else.

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So it's all about the kids,

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what the kids need in the moment.

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And that brings us to our topic today.

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How do we know that they are actually

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understanding and paying attention?

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Because I always introduce my classes.

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I'm like, you guys, it's so important

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that you let me know

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when I'm going too fast,

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especially because right now,

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me fighter 1304 just says hi.

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Hello, me fighter 1304.

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My way we teach now I

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teach on a semester system.

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So we teach a whole school year in a

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semester and I get

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new kids every semester.

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So it's not really good

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for language teaching.

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I don't recommend it.

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But because of that, when I come back

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after winter break, my

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brain is still at the end of

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last semester.

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So I'm at that speed of where my kids

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ended up after 20 weeks of language.

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So slowing back down, it's easier in

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August when I haven't spoken

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the language with students in

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two months.

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But right after the semester, after two

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weeks, I'm still in that brain.

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So I tell them, you have to let me know

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and I have my kids stomp on the floor.

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Because if my back is turned to that

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section of kids, and they've got their

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hand up, I don't see

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that.

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Or if they've got the

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timeout symbol, I don't see that.

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So I like them to stomp.

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But I'm like, it's so important that you

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have to stomp and let me

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know I'm going too fast

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or too slow.

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Because if I'm looking at you, this is

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what you look like when you understand.

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And this is what you look

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like when you don't understand.

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And for those of you listening on the

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podcast, my face did not

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change from one to the other.

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Because that's what they look like.

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They're just staring ahead.

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And how do we know if

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they really understand?

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I do trick them.

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I will deliberately say something they

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know they won't

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understand to see if they're

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stomping or not.

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And I've even gone into a completely

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different language before to

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really know that they really

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couldn't see it.

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They really noticed.

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Because I can speak a little bit of French.

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A little bit of French.

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I can speak German.

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I can speak Spanish.

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And I can speak English.

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So I'll do that just to kind of test

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them, especially the

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beginning to train them.

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That I written it how

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important that it really is.

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What are your strategies for that?

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Scott, can I ask you really quick?

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How long are your

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classes two hours long then?

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Hour and a half.

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How are you squeezing a year?

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An hour and a half.

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Okay.

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We have an hour and a

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half and five days a week.

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So we see them for five days

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a week for an hour and a half.

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Okay.

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But you really can't.

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Our level one teaches the

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first half of the level one book.

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And our level two

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teaches the second half.

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It's not even a half.

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We only cover four chapters in a year.

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And it's really three and a half.

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We don't really get to the

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fourth one of our textbook.

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So our level twos don't

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even touch past tense.

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Wow.

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So don't get past tense into level three.

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And it's too much language at once.

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Because although I'm having

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double the classroom time,

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I can't teach two lessons because it

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needs to settle and dry.

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I call it like paint layers.

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It's got to dry in between.

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They need an overnight processing before

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I can add on another

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aspect of the language.

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And so it's really not just an extended

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one period is really all that it does.

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I keep telling my students, you cannot

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stay up all night and cram French

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and wake up fluent in French tomorrow.

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That's not the way the brain works.

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Exactly.

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Go instead and win the race.

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Yeah.

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Absolutely.

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Yeah.

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I definitely have the...

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I'm starting to rethink my strategy

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because I do the timeout symbol.

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I teach that on the

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very first day of class.

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I tell it's one of my rules.

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It's on my wall.

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It says you must tell the teacher when

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she is not being clear.

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Not when you don't understand because

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then it kind of makes

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them have to out themselves.

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Like, "Oh, I don't understand.

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I'm not as smart as the kid next to me."

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Instead, I try to frame it like you're

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giving me information

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that I need to do something differently

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because my job is to

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make sure you understand.

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You know, the kids have to meet me

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halfway, of course, but I

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really try to frame it like,

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"Okay, when you do this, that

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means slow your roll, lady."

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And then I do the same thing.

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I'll say something really fast that I

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know they don't know.

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And if nobody does

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the symbol, I go, "What?

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You all understood?

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Who's going to translate?"

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And I kind of joke around with them to

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train them that they do

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need to give me this symbol.

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And they're getting better at it.

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Absolutely.

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That's a good point.

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Bryce Headstrom said,

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"My job is to teach.

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Your job is to tell me

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when I'm not doing my job."

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Oh, I like that.

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Yep.

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And I like both those aspects because it

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puts the onus on us.

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Because I always tell them, too, when

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it's a quiz, I go, "I

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don't give you a quiz,

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I'm pretty confident that 80% of you will

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pass it with an 80% or

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better, not just passing.

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And if I get it wrong and I see that

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everybody's screwed up,

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that's my fault, not your fault."

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So I'll tell them that way

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because I do pop quizzes.

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I don't ever announce my quizzes because

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I don't want to know

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what they studied for

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because that's going to leave their

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brains within 24 to 48 hours.

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I want to know it's

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actually stuck in their brains.

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So that's why I do it that way.

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But I say, "I'm not the gotcha teacher.

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I'm not the teacher ghost.

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I assigned two

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chapters last night to read.

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You guys didn't read it?

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Fine.

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We're having a quiz right now.

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What's the point of that other than to

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rub their nose in it

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because the point of a quiz

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is to let you know what they understood

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and what they didn't understand.

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If you already know they didn't do the

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work, you already know

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they don't understand.

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There's no reason to rub

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their nose in it type of thing."

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That kind of teacher is a gotcha teacher.

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That's not me.

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And so I explain because they always get

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fear and I say all

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quizzes are unannounced.

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They get that little fear in them because

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they've only

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experienced pop quizzes in the

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form of the gotcha teacher when they know

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you didn't do the work

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and now they're trying to

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get you.

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So I tell them why I do it.

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But I like that we're putting the onus

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back on ourselves in that

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comprehensible part too.

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Because I know Dr. Terry Waltz, she

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always says, "It's not a point to be

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comprehensible because

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we might be comprehensible, but if we're

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not comprehended by the students,

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then how comprehensible

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doesn't even come into play."

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Right.

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So she likes to call it, you know, that

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we're comprehend-- you

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want to be comprehended

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because you could be talking really

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simple, but on the first day,

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really simple might

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still be too complicated.

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Absolutely.

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You could be using all your

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strategies going really slow,

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but maybe you aren't pointing to any

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visuals or maybe you're not using a

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little bit of English

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as a bridge and, you know, you're not

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doing anything to guide

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them toward understanding.

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And visuals are also

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a very cultural thing.

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I know we've always had this discussion

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about the culture, about, you know,

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you have a picture of a

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guy eating a hamburger.

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What is that mean?

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And different people

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interpret that differently.

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Is that the verb eating?

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Is that the noun hamburger?

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What is it?

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And I-- this is the experience I had when

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I tried Rosetta Stone,

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that, you know, they don't use any

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English translation at all.

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And so I'm watching Rosetta on Korean.

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I wanted to learn Korean, so I wanted to

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take a language I had no background in,

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so I really was experienced in it.

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And they were showing me pictures of a

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guy on a horse and a plane

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and a car and all of this.

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And I thought-- this is the

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lesson number one, by the way.

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So I thought, oh, great.

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I now know how to say horse and man and

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car, and I'm excited.

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And then I watched

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the version in Spanish.

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It wasn't a horse and car and man.

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It was the

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prepositions on top of next to--

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who's number one starts with the

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prepositions, number one?

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Right.

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And number two, out of

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context, I had no idea.

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So my brain for that whole lesson thought

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that's what I was learning.

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And I learned

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something completely different,

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because although they were being

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comprehensible, it was

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not being comprehended.

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I could go on and on about Rosetta Stone

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and what a horrible company they are.

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And the pictures, although they're

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photographically gorgeous,

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they have nothing to do with anything,

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and they're not cultural.

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And they're sexist, and I never would

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have thought I would notice this.

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But for to run, they always have men

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running a race, and for women jogging,

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like talking in the

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park while they're jogging.

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So no, Rosetta Stone is just terrible.

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Yeah.

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I did not find that method to be helpful,

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because you don't necessarily need

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English translation or native--

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the common language translation.

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But you need some kind of context to be

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able to understand what's going on.

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And I do speak 100% target language on

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day one, even in level one.

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And I don't orally translate, because I

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don't want to break the

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illusion of immersion.

Speaker:

But I subtitle myself with a Google--

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I use a Google Doc because it's much

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better than my handwriting.

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And I'll just type the words as I go with

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the English translation.

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So they'll see the English

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translations on the board.

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But I'm not stopping my speaking.

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I'm speaking slow.

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I'm taking time to write them.

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I'm pointing.

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But I do do that in the beginning.

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So I can tell them right away, the

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language of instruction

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is going to be Spanish in my classroom.

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But I will make it comprehended by you.

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And this is one of the ways that I do it.

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So it makes it really important.

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You guys use any other

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strategies to help to make--

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not only to make it

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comprehensible and comprehended,

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but to know whether or

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not they actually are.

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I know Darcy said, like I

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do, she kind of tricks them.

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And she'll say things really fast to kind

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of get them to see if they really are.

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Letting her know when

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she's not speaking quickly.

Speaker:

I mean, speaking slowly enough or

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speaking comprehensible enough for them.

Speaker:

But what are some other

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strategies that you guys implement?

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Well--

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Go ahead.

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As a language teacher, we are constantly,

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constantly, formatively assessing, right?

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I mean, we're going to have a story for

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maybe five, 10 minutes.

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And then we need to make sure the

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students understand.

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During the story, we've got our barometer

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students that we're watching.

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If we're having them corally repeat,

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we're listening for that.

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We're walking around

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the room and everything.

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But then because we're

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memory experts, right?

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We need to get this

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foreign word into your brain.

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And we need it into

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your long-term memory.

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For me, a lot of my

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formative assessments are also

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doing double time as I'm moving something

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from your working memory

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into hopefully your long-term memory.

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Like, chunk and chew, we'll do a little

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story or a little activity or something.

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And then maybe I'll do a Harvard Project

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Zero thinking routine where I'm like,

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OK, grab a sheet of paper, write down

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everything you remember from the story.

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Now pass it one person to the right.

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What did they leave off?

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OK, pass it one person to the right.

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Look at any of those words you like and

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draw a little doodle next to it.

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Pass it one person to the right.

Speaker:

So they're getting more contact with all

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the vocabulary that we have just used,

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all the grammatical

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structures that we have just used.

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They're getting more contact with it and

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they get to use it in a

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slightly different way.

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So my hope is it gets

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deeper into their head.

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But I've got at the front of my

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classroom, I've got a lot of puppets.

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I've got my smart board

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that I draw on constantly.

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I've got props next to me.

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I'm very hammy.

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Aren't we all like really?

Speaker:

We're thespians, right?

Speaker:

It's not just about talking.

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It's about kind of over enunciating and

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you were gesticulating wildly.

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I didn't gesture until I

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started learning languages.

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You got the gestures and everything and

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walking around the classroom

Speaker:

and getting in the face

Speaker:

of the kids and everything.

Speaker:

So you were constantly formatively

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assessing and making sure that the

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students are with us

Speaker:

each step of the way.

Speaker:

Sometimes that's harder

Speaker:

than other times, right?

Speaker:

But yeah, we've got giant bag of tricks.

Speaker:

Absolutely.

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What about you, Darcy?

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So on my rule display, one of my rules is

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you must answer all of

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the teacher's questions.

Speaker:

And when I tell them that rule in the

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beginning of the

Speaker:

year, they look terrified

Speaker:

because they're like, "Oh my God, she's

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going to ask us something in French

Speaker:

and we're not going to know how to say

Speaker:

the answer in French."

Speaker:

And I try to tell them, "I'm going to be

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asking you all kinds of

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really dumb questions,

Speaker:

really obvious questions."

Speaker:

Like, "Does so-and-so

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have one dog or two dogs?

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Did so-and-so say

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they were happy or sad?"

Speaker:

Really, really obvious questions.

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And you're going to know

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the answer to my questions.

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And I use questions in

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both French and English.

Speaker:

So sometimes I'm asking

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them a question in French

Speaker:

and I'm asking them to show that they

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understand by maybe a gesture.

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If I'm asking how many of something and

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they don't have the number words yet,

Speaker:

they could show me with their fingers.

Speaker:

Sometimes I just stop really quick and

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say, "What did I just say in English?"

Speaker:

And then somebody answers and then I

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know, "Okay, they're with me."

Speaker:

And then I get back into the French of

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the story or whatever we're doing.

Speaker:

So I just use a lot of little questions.

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And I don't mind sticking in a few

Speaker:

seconds of English here and there

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if it's going to be a bridge to 10

Speaker:

minutes of comprehension.

Speaker:

That's my philosophy.

Speaker:

If I can ask a quick question in English,

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get a quick assessment,

Speaker:

and then move on and get back into

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French, I still feel like I'm winning.

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Yeah, absolutely.

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And I do a lot of what you say.

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And one of my big things is if there's

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hesitation in the answer,

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because I tell them like you, they've got

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to answer all my questions.

Speaker:

I go, "This is what's telling me.

Speaker:

I need to know whether you're

Speaker:

understanding and this is important."

Speaker:

So you've got to

Speaker:

answer every question I ask,

Speaker:

because if not, one of two things happen.

Speaker:

You didn't understand or

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you weren't paying attention.

Speaker:

And I'm going to assume

Speaker:

that you didn't understand.

Speaker:

I'm going to assume that

Speaker:

you're all paying attention

Speaker:

because I am the most fascinating thing

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on this planet right now.

Speaker:

So I'm not going to assume that you're

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not paying attention.

Speaker:

But I'll ask if I get any hesitation,

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even a fraction of a second,

Speaker:

where I'm like, "Okay."

Speaker:

So I go, "What did I just

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ask to take the pressure off?"

Speaker:

Because obviously, at

Speaker:

least one kid didn't understand

Speaker:

if I'm not getting a good response back.

Speaker:

And so then I can go right there and then

Speaker:

somebody will say what I said.

Speaker:

And if not, then I go, "What?

Speaker:

Nobody stomped their feet? How the heck?

Speaker:

What? If you didn't understand what I was

Speaker:

going on, I'm going to keep going.

Speaker:

And if I lost you in minute

Speaker:

10, and we're now in minute 40,

Speaker:

you guys have lost 30

Speaker:

minutes of instruction.

Speaker:

And that's, you know, we've got to...

Speaker:

I'm not doing my job right."

Speaker:

So we go back and do that.

Speaker:

Now, you said something about the...

Speaker:

I love the stomping feet thing.

Speaker:

I like that too.

Speaker:

I like it just because, as I said,

Speaker:

sometimes my back is turned to one

Speaker:

section of the classroom or another.

Speaker:

And so I can't see it.

Speaker:

I don't want that poor kid sitting there,

Speaker:

having their hand up desperate.

Speaker:

And I don't see them

Speaker:

for two or three minutes.

Speaker:

And I also tell them if

Speaker:

one kid stomps their feet,

Speaker:

everybody stomps their feet.

Speaker:

So no one gets singled out that they're

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the only one stomping.

Speaker:

Right. That's smart.

Speaker:

That's what I was thinking.

Speaker:

I was thinking that

Speaker:

for the effective filter,

Speaker:

this is probably really good because your

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legs are under the table

Speaker:

and maybe you think nobody else is going

Speaker:

to see you stomping your feet.

Speaker:

That I think that's really going to lower

Speaker:

the effective filter.

Speaker:

The student isn't

Speaker:

going to feel singled out.

Speaker:

Yeah. Darcy, I absolutely love

Speaker:

what you're saying about that.

Speaker:

Your first rule is you

Speaker:

have to answer the teacher.

Speaker:

Because again, I think this goes back to

Speaker:

what we were saying about

Speaker:

just because you're a

Speaker:

native speaker doesn't,

Speaker:

just because you can play piano doesn't

Speaker:

mean you can teach how

Speaker:

to play piano, right?

Speaker:

There is an art to it.

Speaker:

And of course there's Doug

Speaker:

LeMoff, teach like a champion.

Speaker:

And he talks an awful

Speaker:

lot about no opt out.

Speaker:

And by golly, we are no opt out.

Speaker:

You cannot sit there.

Speaker:

We're going to drag you with us learning.

Speaker:

Yeah.

Speaker:

We're going to make sure we're going to

Speaker:

keep circling back to you.

Speaker:

We're going to, I mean, this is what

Speaker:

circling is all about, right?

Speaker:

We're going to keep circling back to it

Speaker:

until you know the answer.

Speaker:

And then you're going to feel this real

Speaker:

sense of accomplishment

Speaker:

because now you know the answer.

Speaker:

And I mean, that's the

Speaker:

whole point of learning, right?

Speaker:

Is to get you to that

Speaker:

position where you know the answer.

Speaker:

So yeah, I really love that, Darcy.

Speaker:

Absolutely.

Speaker:

And I was going to touch on when you said

Speaker:

about the English

Speaker:

translations that you use.

Speaker:

And this is something that I was not part

Speaker:

of this conversation.

Speaker:

I got a preface.

Speaker:

This happened at a

Speaker:

national TPRS conference.

Speaker:

And if you've never been, one of the key

Speaker:

cornerstones that they do

Speaker:

is one evening during the week,

Speaker:

they have immersion dinners.

Speaker:

So all the French speakers go to one

Speaker:

place and the rule is only French.

Speaker:

German teachers, French, Spanish

Speaker:

teachers, just like,

Speaker:

or if you're learning the language and

Speaker:

you want to practice it,

Speaker:

you go with that group.

Speaker:

So I always went with the German ones

Speaker:

because I don't get as much practice

Speaker:

speaking my German anymore

Speaker:

since I don't teach German.

Speaker:

But my friend and

Speaker:

colleague went to the Spanish one.

Speaker:

Blaine was there and

Speaker:

Dr. Krashen was there.

Speaker:

And Blaine and Dr. Krashen

Speaker:

agree on 99.9% of everything,

Speaker:

except for one thing where

Speaker:

Krashen was absolutely not.

Speaker:

There should never be

Speaker:

English used in the classroom.

Speaker:

No English translation.

Speaker:

No, do not do it.

Speaker:

Do not ever.

Speaker:

Well, of course not.

Speaker:

He was of the natural approach.

Speaker:

He was one of the

Speaker:

co-founders of the natural approach.

Speaker:

And they don't use translations for that.

Speaker:

Again, that's like Rosetta Stone.

Speaker:

I don't know.

Speaker:

When someone goes like this,

Speaker:

what that is, is that hair?

Speaker:

Is that long?

Speaker:

I don't know what that

Speaker:

gesture is supposed to mean.

Speaker:

And if there's not a correlation between

Speaker:

the gesture and what that means,

Speaker:

and everybody agrees that that gesture

Speaker:

now means that, there's a problem.

Speaker:

So here they are.

Speaker:

They're speaking in Spanish

Speaker:

the entire lunch, the dinner.

Speaker:

And 45 minutes in, everybody's speaking

Speaker:

Spanish, no problem.

Speaker:

But then I don't even

Speaker:

know what context it came in.

Speaker:

But the word spark came

Speaker:

in, chispa, in Spanish.

Speaker:

And Dr. Krashen was lost.

Speaker:

He didn't know what a chispa was.

Speaker:

So they tried circumlocuting it.

Speaker:

They tried describing it.

Speaker:

They tried doing everything they could

Speaker:

and drew pictures on napkins even,

Speaker:

trying to get him to

Speaker:

understand what this was.

Speaker:

And he kept thinking, fireworks.

Speaker:

He just couldn't,

Speaker:

everything that he couldn't do.

Speaker:

And one teacher finally said, a native

Speaker:

Spanish teacher says,

Speaker:

chispa.

Speaker:

It means spark.

Speaker:

Can we possibly please move on?

Speaker:

Because he spent like 15

Speaker:

minutes trying to make this clear.

Speaker:

It's not efficient.

Speaker:

It's right.

Speaker:

Let's extrapolate now

Speaker:

to a kid in a class.

Speaker:

Like you got your top kid

Speaker:

and your slower processing kid.

Speaker:

And the top kid is frustrated because

Speaker:

we've been on this stupid word

Speaker:

for like 20 minutes and they don't know,

Speaker:

can we just please move on?

Speaker:

And so then crashing, the ding went and

Speaker:

crashed in his head.

Speaker:

Ah, sometimes English translation is the

Speaker:

quickest, fastest way to comprehension

Speaker:

with no confusion whatsoever.

Speaker:

And I love the idea of, and I forgot, now

Speaker:

I forgot what the term is.

Speaker:

But when they tell a story and they use

Speaker:

pictures, they draw on the board.

Speaker:

I forgot what they call that.

Speaker:

That's note or smash doodle.

Speaker:

Yeah, no, no, not that one.

Speaker:

Instead of doing comprehension checks and

Speaker:

all of that and all the circling,

Speaker:

they just tell like a fairy

Speaker:

tale in the target language.

Speaker:

Story, story, listening.

Speaker:

That's it.

Speaker:

Story, listening.

Speaker:

Yeah.

Speaker:

I brain lose it.

Speaker:

Yes.

Speaker:

And you're using images, visuals to help.

Speaker:

Right.

Speaker:

Yeah.

Speaker:

And that's my all

Speaker:

thing with that one too.

Speaker:

If you don't understand

Speaker:

what the picture is saying,

Speaker:

then how do you know that they're

Speaker:

understanding in there?

Speaker:

So that was always my

Speaker:

quirk with story listening.

Speaker:

And it's the same quirk I have with total

Speaker:

immersion where in schools,

Speaker:

like where they have

Speaker:

dual immersion schools,

Speaker:

where they're not allowed to use

Speaker:

translation to make it clear the concept.

Speaker:

And then they come into regular classes

Speaker:

in high school, let's say,

Speaker:

and they don't have as much fluency as

Speaker:

you think they would

Speaker:

because they've always

Speaker:

lived in this gray area.

Speaker:

I think I know what

Speaker:

they're talking about,

Speaker:

but I don't have any confirmation.

Speaker:

And so I think that sometimes English

Speaker:

translation or common,

Speaker:

let's use the word

Speaker:

common language translation,

Speaker:

because English might

Speaker:

not be the common language.

Speaker:

That sometimes is the

Speaker:

quickest, easiest, dirtiest way

Speaker:

to get them to understand, get everybody

Speaker:

clear on the same page without confusion.

Speaker:

And as I said, I prefer to do it written

Speaker:

on the board in some way.

Speaker:

Number one, it's lasting.

Speaker:

I like that.

Speaker:

They can go back and refer to it.

Speaker:

And I'm not breaking that illusion of

Speaker:

immersion that we have in the classroom.

Speaker:

And I think it just like, go ahead.

Speaker:

I was just going to say every, every

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decision we make as teachers,

Speaker:

like we just need to remember the most

Speaker:

important question is

Speaker:

what am I doing to make sure

Speaker:

that they understand, right?

Speaker:

So like every single thing I

Speaker:

decide to do is about that.

Speaker:

It can't just be because I like the sound

Speaker:

of my voice or like it has to be,

Speaker:

you know, when I do choose to use

Speaker:

English, I'm doing it because

Speaker:

I want a very quick way to make sure they

Speaker:

understand a particular word or phrase.

Speaker:

And then I just move on.

Speaker:

Absolutely.

Speaker:

What were you going to say, Pamela?

Speaker:

Oh, no. Well, I don't even remember what

Speaker:

I was going to say,

Speaker:

but that's precisely why

Speaker:

we can't work out of a textbook is

Speaker:

because every decision we make

Speaker:

is so that the students understand and a

Speaker:

textbook doesn't have a

Speaker:

student in front of it.

Speaker:

A textbook is just right.

Speaker:

Right. So I don't even remember the other

Speaker:

thing I was going to say.

Speaker:

Oh, I know what I was going to say.

Speaker:

I was going to say that whenever I'm

Speaker:

introducing a new

Speaker:

game, I'm very game based.

Speaker:

Whenever I'm introducing a new game, the

Speaker:

first time I give the

Speaker:

instructions in English,

Speaker:

because my very, very first year teaching

Speaker:

this was Japanese, a Japanese for class.

Speaker:

They should have known,

Speaker:

but we're playing a game.

Speaker:

And I suddenly noticed that one of my

Speaker:

students is in the corner trying not to

Speaker:

show that she's crying

Speaker:

because she didn't

Speaker:

understand the instructions.

Speaker:

And I was like, oh, my gosh, I just

Speaker:

raised her effective filter accidentally.

Speaker:

And so I'm always

Speaker:

like balancing that now.

Speaker:

When am I going to use English so that

Speaker:

the students understand

Speaker:

what it is that they're

Speaker:

supposed to do and understand like the

Speaker:

key things going on?

Speaker:

And is it worth it to stress out my

Speaker:

students and now they're

Speaker:

shut down and they won't learn

Speaker:

versus the quick and dirty.

Speaker:

Okay, I'm just going to say

Speaker:

this in English right now.

Speaker:

Yeah, so you're absolutely right.

Speaker:

And my rule always is and for two

Speaker:

different reasons,

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discipline and instructions always

Speaker:

need to be in English.

Speaker:

I don't do the target

Speaker:

language for that for two reasons.

Speaker:

One, I don't want the

Speaker:

parents to come back.

Speaker:

Well, my kid didn't

Speaker:

understand what you were saying.

Speaker:

So now you failed him because he didn't

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follow the directions or

Speaker:

you punished him because

Speaker:

you told him to be quiet, but he didn't

Speaker:

understand that that even

Speaker:

though you know 100% that they did,

Speaker:

they're just using it as an excuse.

Speaker:

So yeah, I have my instructions are

Speaker:

always in English and my

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discipline is always in English.

Speaker:

And here's a good example for native

Speaker:

English speakers in an

Speaker:

upper level Spanish class.

Speaker:

I put the instructions in

Speaker:

English and here's the problem.

Speaker:

They didn't understand them.

Speaker:

I said, I need you to

Speaker:

write this essay double spaced.

Speaker:

And these kids were 10th graders and had

Speaker:

no idea what double spaced means.

Speaker:

I didn't know they didn't know that.

Speaker:

So this is what they did.

Speaker:

They typed in a word,

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put two spaces after it.

Speaker:

Another word, two spaces after it.

Speaker:

Another word, two spaces after it.

Speaker:

Because they didn't

Speaker:

understand the instructions.

Speaker:

They never heard the

Speaker:

word double spaced before.

Speaker:

And so it was like, oh my gosh.

Speaker:

And then my supervisor

Speaker:

used to be an English teacher.

Speaker:

She goes, oh, no, no, no.

Speaker:

When you give instructions like that, you

Speaker:

have to be so explicit.

Speaker:

So you write an example essay and you go,

Speaker:

this is how you write it.

Speaker:

You go up in the upper left hand corner.

Speaker:

This is where your name goes.

Speaker:

Spell it correctly, capital letters.

Speaker:

Date goes here.

Speaker:

This is your title.

Speaker:

Notice how it's

Speaker:

centered and it's bold faced.

Speaker:

Skip a line.

Speaker:

This is your first paragraph.

Speaker:

This is where you tell us the general,

Speaker:

what you're going to talk about

Speaker:

and give us your three points in

Speaker:

supporting evidence.

Speaker:

And all the instructions

Speaker:

are written as an essay.

Speaker:

So they know exactly what

Speaker:

to do in every paragraph.

Speaker:

And it's explicit.

Speaker:

And then you don't get the errors.

Speaker:

She goes, you assume too

Speaker:

much that they understood it.

Speaker:

Double spacing words and inch margins and

Speaker:

all that kind of stuff.

Speaker:

So it was just, I always go back to that.

Speaker:

That even in English, for

Speaker:

native English speakers,

Speaker:

if you're using language they don't

Speaker:

understand like double spaced,

Speaker:

I thought, how did you, you've had to

Speaker:

write in at least an

Speaker:

essay in eighth grade,

Speaker:

in at least one essay in ninth grade.

Speaker:

And is your teacher never asked you to

Speaker:

double space before?

Speaker:

How are you supposed to

Speaker:

write the comments in between

Speaker:

if there's not double spaced?

Speaker:

I am so glad I wasn't

Speaker:

drinking water at that point

Speaker:

because I would have had a spit drink.

Speaker:

Oh, you know, that just reminded me.

Speaker:

There's a guy on YouTube.

Speaker:

He doesn't teach, he teaches English, but

Speaker:

he's a really cool teacher.

Speaker:

And I forgot his real talk with Reynolds,

Speaker:

I think is what it's called.

Speaker:

I forgot he changed the name recently.

Speaker:

So I forgot, but he's been out for years.

Speaker:

He's written a book, teacher class off is

Speaker:

his book he's got out there.

Speaker:

But he just did something with kids.

Speaker:

They're all sitting in a

Speaker:

circle around the desk.

Speaker:

And the goal was you have to say

Speaker:

something so strange and so out of place,

Speaker:

you're trying to get the kids to spit

Speaker:

water out of their mouth.

Speaker:

So everybody had water in their mouths.

Speaker:

And then it was in English and they had

Speaker:

to say something that just was

Speaker:

so off the cuff to try to

Speaker:

get them to spit the water out.

Speaker:

And it was kind of a fun activity.

Speaker:

I thought, can you imagine doing that in

Speaker:

language had no funny sentences,

Speaker:

or even just some of the sentences they

Speaker:

say with their mistakes that I love,

Speaker:

I cherish when they make mistakes,

Speaker:

because then they turn into stories.

Speaker:

But that could just make us laugh that

Speaker:

out there because I know

Speaker:

one kid had told me he said,

Speaker:

yeah, are you afraid of big hairy spiders

Speaker:

or small hairy spiders?

Speaker:

He said small because he

Speaker:

thought he was saying big,

Speaker:

but he really said small.

Speaker:

And so we were all kind of like, really,

Speaker:

you're afraid of the small ones,

Speaker:

but not the big ones.

Speaker:

And it was just kind of a funny little

Speaker:

thing that comes out of it.

Speaker:

But I thought when you

Speaker:

said the drinking the water,

Speaker:

they just remind me that little activity

Speaker:

that he did that was kind of fun.

Speaker:

So, um,

Speaker:

not necessarily because we're still

Speaker:

working with comprehension,

Speaker:

because we know if they

Speaker:

spit water, they comprehend it.

Speaker:

They got the joke.

Speaker:

I wanted to say too, that sometimes

Speaker:

evidence of comprehension

Speaker:

doesn't happen in that moment.

Speaker:

I love it when a few days later, a kid

Speaker:

just a phrase falls out of

Speaker:

a kid's mouth that I said,

Speaker:

you know, a couple of days ago, and I

Speaker:

didn't realize that they had it yet.

Speaker:

You know, like,

Speaker:

uh, it's like sometimes later you find

Speaker:

out like, oh, okay, that did go in.

Speaker:

That's in their brain.

Speaker:

That's in they own

Speaker:

that, that word or phrase.

Speaker:

I didn't realize they owned it yet.

Speaker:

I thought we were still working on it,

Speaker:

but that kid has it.

Speaker:

And it just comes out in

Speaker:

some other random situation.

Speaker:

So sometimes you don't know

Speaker:

immediately or unintentional.

Speaker:

I didn't realize how much I use Tom Poco

Speaker:

a lot in my classes,

Speaker:

which means either or neither for

Speaker:

non-spanish speakers.

Speaker:

And I was asking a question and one of my

Speaker:

kids answered Tom Poco.

Speaker:

And I'm like, where

Speaker:

did you learn that word?

Speaker:

And they're like, you

Speaker:

use it all the time.

Speaker:

And I'm like, I didn't realize I used it,

Speaker:

but he picked it up.

Speaker:

And you know, it's so, you know, they're

Speaker:

comprehending when they do that.

Speaker:

Or I love it when I see

Speaker:

especially a slow processor,

Speaker:

because those are the kids I'm really

Speaker:

teaching to, because no matter what I do,

Speaker:

my middle and top

Speaker:

kids will get it somehow.

Speaker:

But my, my, my slow

Speaker:

processors, that's what I'm targeting.

Speaker:

Because if they get it, the odds are

Speaker:

everybody else above them got it.

Speaker:

But when all of a sudden I

Speaker:

see the light bulb go on,

Speaker:

when they go from a very neutral

Speaker:

expression to a eyebrows up and like,

Speaker:

they got it type of expression, and you

Speaker:

can see that they're

Speaker:

proud of what they did

Speaker:

or what they said or that

Speaker:

they understood something.

Speaker:

It doesn't matter how small.

Speaker:

That's a really good

Speaker:

moment for me as well.

Speaker:

And it lets me know

Speaker:

they do the comprehension.

Speaker:

Yeah, absolutely.

Speaker:

And I like to celebrate those.

Speaker:

Susie Grosz used to say, always do like

Speaker:

the one minute little party.

Speaker:

And you celebrate, you make a big deal,

Speaker:

you clap, you, you make a big deal,

Speaker:

you make them a star for just a moment.

Speaker:

And you make them feel really good.

Speaker:

And that encourages other kids also they

Speaker:

go, I want to feel like that.

Speaker:

I want that little one minute party.

Speaker:

So then they'll push

Speaker:

themselves out there.

Speaker:

And I celebrate no matter what.

Speaker:

Garbage could be coming out of their

Speaker:

mouth, but they're talking.

Speaker:

I am so happy about it.

Speaker:

Right.

Speaker:

To let them know that I'm just so proud

Speaker:

because I rather have

Speaker:

garbage than silence.

Speaker:

Right.

Speaker:

And sometimes you accidentally.

Speaker:

Well, you are a congregation.

Speaker:

Yeah.

Speaker:

Yeah.

Speaker:

Sorry, Darcy.

Speaker:

Oh, no, I was just going to say sometimes

Speaker:

I've realized that I've

Speaker:

accidentally taught them

Speaker:

certain phrases, like that wasn't part of

Speaker:

my lesson, but because

Speaker:

like every day after they do

Speaker:

their Quasimodo, which is what I call the

Speaker:

bell ringer, because

Speaker:

that's Quasimodo's job.

Speaker:

So that's a great, I love that.

Speaker:

I absolutely love that.

Speaker:

I just referred, they know what it is.

Speaker:

I say, you know, take five

Speaker:

minutes, do your Quasimodo.

Speaker:

And then I always go over to the board

Speaker:

and stand in the same

Speaker:

place and point to the agenda.

Speaker:

And I say, you know, what have we done

Speaker:

and what we're going to do?

Speaker:

And I always say, "Kom dabi tuud," like

Speaker:

usual, we're going to do our calendar,

Speaker:

we're going to do this.

Speaker:

And then I realized kids started saying

Speaker:

like, "Kom dabi tuud," all the time.

Speaker:

And, you know, it wasn't

Speaker:

even part of my lesson.

Speaker:

It was just something I said when I was

Speaker:

explaining the agenda for the day, but

Speaker:

they got it, you know.

Speaker:

So, yeah, I love it when that happens.

Speaker:

Yeah, exactly.

Speaker:

Absolutely.

Speaker:

Absolutely.

Speaker:

I'll tell you something else I do to

Speaker:

help, to kind of, you know,

Speaker:

Pamela's talking about we're always

Speaker:

formative assessing and we are.

Speaker:

Yeah.

Speaker:

And it doesn't always

Speaker:

have to be pencil and paper.

Speaker:

It could just be observational.

Speaker:

But one of the things that I like to do,

Speaker:

and it's so easy to break

Speaker:

out and do this at any moment.

Speaker:

So if I'm kind of seeing, well, I'm not

Speaker:

sure where, if they're

Speaker:

getting where we are in the story,

Speaker:

then I'm going to pull out

Speaker:

what I call the pencil game.

Speaker:

And I learned this from Carmen Andrews,

Speaker:

and I don't know if it

Speaker:

was her original idea or

Speaker:

she got it from someone else.

Speaker:

But the idea is you have a pencil or an

Speaker:

object between two students,

Speaker:

and then you ask them

Speaker:

true and false questions.

Speaker:

And then this is the trick part.

Speaker:

This is where the higher

Speaker:

order thinking comes in.

Speaker:

They're only supposed to grab the object

Speaker:

if the answer is false.

Speaker:

The instinct is to

Speaker:

grab it when it's true.

Speaker:

But I want to train them

Speaker:

to think when it's false.

Speaker:

And it works like this.

Speaker:

If the answer is true and you grab the

Speaker:

pencil, that's negative one point.

Speaker:

If the answer is false and you grab the

Speaker:

pencil, it's plus one point.

Speaker:

If nobody grabs the pencil, it's neutral.

Speaker:

Nobody gets a point one way or the other.

Speaker:

Nothing ventured, nothing gained.

Speaker:

And I like this game for two reasons.

Speaker:

The top kids usually

Speaker:

are always pencil grabby.

Speaker:

And so they lose a lot of points because

Speaker:

they grab it when it's true.

Speaker:

And they think, and so my slower

Speaker:

processors often win

Speaker:

because either they have zero points

Speaker:

because they never grabbed the pencil

Speaker:

because they have no clue.

Speaker:

Or they have less negative

Speaker:

points than the other kids.

Speaker:

So it's a confidence builder for them.

Speaker:

But I'm watching them play the game.

Speaker:

And so I can see who's

Speaker:

understanding and who's not.

Speaker:

Because you'll see some who hesitant and

Speaker:

they're not sure to pull it in there.

Speaker:

Or they grab it before

Speaker:

you finish the question.

Speaker:

So I like that one because it's no prep.

Speaker:

I don't have to do any prep whatsoever.

Speaker:

I'm just like, we're

Speaker:

going to play a lot with this.

Speaker:

Let's go get the pencils out.

Speaker:

And they put a pencil between two pairs.

Speaker:

They know how to play the game.

Speaker:

And we go and I can do

Speaker:

two or three questions.

Speaker:

And then we can go back into what we were

Speaker:

doing and work that way.

Speaker:

So it's a great, quick, easy way and fun

Speaker:

way for me to check

Speaker:

for that comprehension

Speaker:

to make sure they're actually getting it.

Speaker:

Because in middle school is much easier

Speaker:

to see if they were going to

Speaker:

be able to understand or not.

Speaker:

Their facial

Speaker:

expressions would let me know.

Speaker:

Because I taught

Speaker:

middle school for 11 years.

Speaker:

But now I'm in what my 12th year of

Speaker:

teaching high school,

Speaker:

13th year of teaching high school,

Speaker:

something around there.

Speaker:

And the high school

Speaker:

schools are too cool for school.

Speaker:

So they don't always

Speaker:

show it in their faces.

Speaker:

So this is a fun way that I can do it

Speaker:

really quickly, really

Speaker:

easily without having to

Speaker:

prepare anything or have anything

Speaker:

prepared to assess that.

Speaker:

A formal comprehension question quiz or

Speaker:

something like that.

Speaker:

So I really like that as

Speaker:

a way to be able to tell.

Speaker:

Keeps the kids on their toes.

Speaker:

And it's a fun way.

Speaker:

They don't think I'm watching.

Speaker:

They don't and you know, and I give out

Speaker:

candy for the winners.

Speaker:

But it's just a fun way to

Speaker:

be able to assess right away.

Speaker:

Did they get it or did they not?

Speaker:

And you're not only assessing, but

Speaker:

chances are at by the end

Speaker:

of that little activity,

Speaker:

some kid has moved further in their

Speaker:

understanding just by virtue of doing

Speaker:

this assessment that you've created.

Speaker:

Because they're also hearing at the same

Speaker:

time, their language is

Speaker:

being repeated over and over.

Speaker:

And I'd like to do this with readings,

Speaker:

too, like I have a

Speaker:

reading up on the board.

Speaker:

So I'll be the pair.

Speaker:

I do when I do readings on the board, I

Speaker:

have it at a PowerPoint

Speaker:

and I have each paragraph

Speaker:

is on a different slide.

Speaker:

So they know that when I'm asking

Speaker:

questions, this paragraph,

Speaker:

the answer is somewhere in

Speaker:

that paragraph.

Speaker:

They don't have to

Speaker:

think about the whole story.

Speaker:

They have to just think about the

Speaker:

paragraph and I can slide

Speaker:

through the paragraphs and

Speaker:

ask questions, which allows me to repeat

Speaker:

the kids are rereading.

Speaker:

So they're getting it over again.

Speaker:

And it's also reducing the amount of

Speaker:

knowledge they have to

Speaker:

keep in their head at one time

Speaker:

for those slower processors.

Speaker:

They know they don't have to think about,

Speaker:

well, what happened before this point?

Speaker:

What happened after this point?

Speaker:

Or are we talking about this point?

Speaker:

It's right there at

Speaker:

that section of the story.

Speaker:

It's kind of like what Blaine always used

Speaker:

to do with his stories where he says when

Speaker:

you're asking questions about the

Speaker:

beginning of the story,

Speaker:

you need to stand where you

Speaker:

were at the beginning because there's

Speaker:

always three places.

Speaker:

So your first place, you ask questions

Speaker:

about that place, you're

Speaker:

standing in that place.

Speaker:

So that helps those slower

Speaker:

processors with visual cues.

Speaker:

It goes, oh, he's talking about the house

Speaker:

because that's where

Speaker:

he started right there

Speaker:

in that spot.

Speaker:

And it really helps those all those

Speaker:

little things that we do as teachers.

Speaker:

And, you know, Darcy, you said all the

Speaker:

little decisions we have

Speaker:

to make live at the moment,

Speaker:

we're making thousands and thousands of

Speaker:

micro decisions at every

Speaker:

moment to move the class

Speaker:

forward or stay where we are

Speaker:

because kids need more practice.

Speaker:

They need to park right there and stay

Speaker:

there for a while to be able to get that

Speaker:

comprehension going.

Speaker:

So this is one of you hit on one of the

Speaker:

problems that we're

Speaker:

having as a district right now

Speaker:

is that the district has gone whole hog

Speaker:

and I'm talking to other

Speaker:

people around the country

Speaker:

kind of similarly district has gone whole

Speaker:

hog into this idea of

Speaker:

professional learning teams.

Speaker:

I don't know if you guys

Speaker:

have heard of this or anything.

Speaker:

So the idea is I'm one

Speaker:

of four Spanish teachers.

Speaker:

Thank goodness.

Speaker:

I'm the only French

Speaker:

teacher, the only Japanese teacher.

Speaker:

I'm beholden to no one.

Speaker:

I can do whatever the heck I want, but I

Speaker:

want to force yours and

Speaker:

we have to march lockstep.

Speaker:

We all have to work out of a

Speaker:

textbook and we all have to.

Speaker:

So there's like, you're going to give a

Speaker:

common formative

Speaker:

assessment on the same day.

Speaker:

And I'm like, wait a minute.

Speaker:

If you're doing something deliberately,

Speaker:

it's no longer a formative assessment.

Speaker:

Okay.

Speaker:

But knowing that that the idea like I've

Speaker:

got two Spanish one classes,

Speaker:

my two Spanish one classes

Speaker:

are not at the same point.

Speaker:

Class dynamics are very different.

Speaker:

So if my two Spanish one

Speaker:

classes can't be at the same point,

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how can they be at the same point of my

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other colleagues Spanish one classes?

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Because it makes no logical sense to make

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us like you all have to do

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the same thing at the same time.

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Oh, that is one of my pet peeves.

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That's not really a

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professional learning team.

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That's a different type of thing that we

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at least the way we define it.

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But yeah, it's been a thing that they

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said that we have been the

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same page at the same time.

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Because if the kids ever move from one

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class to another, I'm like,

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and how often does that happen?

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Right.

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How often does it happen?

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It happens.

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And it happens.

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And it normally happens at the beginning

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of the year when they're

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trying to figure it out.

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It doesn't happen in

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the middle of the year.

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So my thing is always I like

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to say, we should have like,

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where should the kids be at the end of

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our teaching period?

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So for me, it's a semester for you.

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It's a year.

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That's what we need to get to.

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It doesn't matter how we get there.

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Teaching method.

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It doesn't matter how fast we get there.

Speaker:

Because let's say if we're all going to

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meet at a conference in Florida,

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some of you can drive

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because you're close.

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Some of you don't like to fly.

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So you take a train or a bus.

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Some of you have to

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fly because it's too far.

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It doesn't matter how we got there.

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The destination is the same.

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So I'm right there with you

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there, number one, number two.

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Because even my classes where I try to

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keep lock step aren't in lock step.

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But I do believe in common assessments.

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But I don't believe in common assessments

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that are skill specific.

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I like proficiency assessments.

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Because a proficiency assessment doesn't,

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it's assessing that you're on,

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you've got through

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unit two, section four.

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It's that have they got these general

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concepts they need by

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this time of the year.

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And so those ones I like.

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Are schools working

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on common assessments?

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My previous school, we

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were way beyond this.

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This school is really backwards.

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It takes, if they're taking a long time

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to get to the same place

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that I have been, my school

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has been for like 10 years.

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But they are like looking at, can they do

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the adjective agreement?

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That's what they want to

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make a common assessment on.

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If they can match the common.

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I'm like, no, no, no, no, no, no.

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Let's make an assessment that they can

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understand the vocabulary

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we've been working with.

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Because they're like, well,

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your listings are way too long.

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Because my listings are like this, and

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their listings are like this.

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And I'm like, but my kids can do it.

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And they don't think they go when they go

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to yours, they think it's way too simple.

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They're not really

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feeling challenged at all.

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And it's just because they don't use that

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much language in the class.

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And I'm one of the few

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who aren't a native speaker.

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And I'm not knocking

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native speakers at all.

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But they because they're so it's the

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textbook that I'm knocking here,

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because they're so

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ingrained in the textbook.

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And the textbook does not teach in the

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second language, it teaches in English

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and has sprinkles of language in there.

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That you're right, if you only use the

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textbook, your kids are not

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going to be able to understand

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more language, even though I

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know you as a native speaker

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could speak the entire class in the

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language without a problem.

Speaker:

And the textbook is disconnected.

Speaker:

It's here's a sentence, here's a

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sentence, here's a sentence.

Speaker:

They're not connected together.

Speaker:

Yeah, I know kids can memorize all the

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vocabulary and all the grammar rules,

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but they've never come together.

Speaker:

So the kids don't know how to apply the

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grammar rules with it's the application.

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Yeah. Yep. Right.

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It's teaching about

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language, not language itself.

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That's my big

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difference with the textbook.

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So I have to use a textbook,

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but I don't teach the textbook.

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We never open it.

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In fact, it's sitting on my whiteboard

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and a little chalk

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seal just so that knows.

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So if an administrator comes in, they

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know that I've it's there.

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And I teach the content of it.

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I'm sorry, what?

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I have a case where we've had a student

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switch classes at the semester,

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but I've also had like this year, I have

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a student who's been sick

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the entire first semester

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and just enrolled in school right now.

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Okay. So all these

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students are the same to me.

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I'm a good enough teacher.

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I hope that.

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All right.

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You don't know your, your verb endings.

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I can catch you up in five minutes.

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Okay. It's not that difficult.

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You don't know this thing.

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Okay.

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That we'll work on that.

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I'll get you caught up on that.

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So to me, it's not a real issue that

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students switch at the semester

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or a new student moves to town.

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Or whatever, like we are professionals.

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I've got students in my class that I've

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been teaching for a year and a half

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and they don't know all the things that I

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think they should know, you know,

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and I've got students I've been teaching

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for a year and a half

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and they're, they're at a

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third year level, you know?

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So it's just, it's differentiation and

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that's just part of good teaching.

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So anyway, that's, that's.

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It goes back to being comprehended.

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It doesn't matter if

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the kid was absent or not,

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or if the kid just

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enrolled or if they're brand new

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and they came from a textbook class.

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Doesn't matter if you are

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making yourself comprehended.

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It doesn't matter.

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It doesn't matter

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because that's the whole goal.

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Because the only

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thing the kid cares about

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and the only thing that I care about is

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that they understand what I'm saying.

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Because I could teach the

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subjunctive on day one in Spanish.

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Because all the kids care about is what

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the heck did you say

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and what does it mean?

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They don't need to know all the different

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uses for subjunctive

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and when it comes up in

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Spanish and how to form it,

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they'll pick that up through the

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comprehension process.

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Their brain will figure it out.

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It's much smarter than I could ever be.

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So they're going to

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figure all that stuff out.

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All you have to do is make it

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comprehended by the students.

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And so my kids, the favorite

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activity my kids like to do,

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they think they're getting me off track.

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They'll ask me about my proms or they'll

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ask me about my driving experiences.

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And I'll tell them in Spanish and it's

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the best time because number one,

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they're all paying attention.

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I don't have to worry

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because they all want to know

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about my first date or whatever that is.

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I'm telling them in the target language,

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they look at the agenda and say we didn't

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get to anything that was on there

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in the whole 90 minutes that we didn't

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touch a single thing on there.

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And I'm like, that was the

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best class I've had in weeks.

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So they think they got me

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because they got me off task,

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but my goal really is no

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matter what's on my agenda,

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what my administrator

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wants, what the textbook wants,

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my goal is to speak the

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target language as much as possible

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and make sure it's

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comprehended by the kids.

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That's my only two goals.

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And so that was a knock

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out of the park for me.

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Absolutely.

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You know, because they learn so much

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because I can't speak when I talk with

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that without using past tense and present

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tense and it's a junctive.

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All those things come

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into play naturally.

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Can you imagine if we

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taught our children,

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I'm sorry, it's your first year of life.

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I can only speak to you in present tense.

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Oh, here's here.

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You just turned one.

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Guess what?

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This is the past tense year.

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We don't do present tense anymore.

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It's all about the past

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tense and then you just hit two.

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It's your third year.

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Guess what?

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The rest of the grammar all

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comes rushing at you at once.

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You know?

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But that's how textbooks are like.

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I had a kid in Spanish too goes, what

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happened to the present tense?

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We never use it anymore because the whole

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Spanish two textbook is all past tense

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because they teach it so segmented and

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you can't separate it out.

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You can't teach.

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Like I said, focus on verbs

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because everything else comes into play.

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Prepositions, adjectives, agreement, word

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order, all comes into

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play when you focus on verbs.

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And when you focus on

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verbs, I'm speaking in present.

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I'm speaking in future.

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I'm speaking in past as naturally and the

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brain will figure it all out.

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It's really good at doing that.

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I also feel like the verbs are a little

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harder to understand.

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They're abstract, right?

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And so once you have the verbs, hey, the

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noun, I'm holding a pencil right now.

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So obviously I'm talking about a pencil

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or, you know, the nouns

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are easier to figure out.

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They're concrete, the adjectives, the

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description for the noun.

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So when you talk about being

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comprehended, like

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once you've got the verbs,

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pretty much everything else in the

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sentence you can figure out by context.

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Yeah.

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And if you can't figure it out right now,

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wait a couple of sentences

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and then it'll all click, right?

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Yeah.

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Yeah.

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I agree totally with verbs.

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Yeah.

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Because observers tell me

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to go, I've never saw it.

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How do you know that they know how to say

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boy and girl and man and woman and book?

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I'm like, because when we do writing or

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they're talking, they're using them.

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Well, how did you teach them?

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I go, I didn't.

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We wrote a story the

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other day about a girl.

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This time it was about a book.

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It just, it comes up naturally.

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But the verbs are what I really need to

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because when kids are looking

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for things to be able to say

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what they usually get

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hung up on are verbs.

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They don't have enough

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verbs to be able to say.

Speaker:

And so I use Dr. Terry, Waltz's Super 7,

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along with Mike Tito's Sweet 16.

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So my goal is to teach the

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Sweet 16 in all of my classes.

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So he does his whole curriculum, levels

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one through AP off the Sweet 16.

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They focus on those verbs, but in

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different tenses each year.

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And so that's kind of what I do as well.

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And those Sweet 16, they're not the most,

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always the most frequent verbs,

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but they're most the

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biggest verb for the punch.

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Meaning you can use

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them, they're more versatile.

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So they like go is in there and you might

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not be able to say fly

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or walk or run or drive,

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but you can say go and it

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gets the same meaning across.

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And you might not be able to say needs,

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but you can say wants,

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which is close enough.

Speaker:

So by knowing these Sweet 16 verbs

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forwards and backwards,

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then you can really express a good 90% of

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what you want, albeit

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at a more simple level.

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But who cares when you're

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working in another language,

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if you can make yourself understood,

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that's the whole point.

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And by making yourself understood,

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you're actually acquiring more language

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as the communication comes back at you.

Speaker:

So you are growing with that.

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Yeah, those

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circumlocution skills are so crucial.

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Absolutely.

Speaker:

Absolutely.

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Absolutely.

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You need to teach.

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Absolutely.

Speaker:

I have circumlocution posters on my wall.

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So I have, you know, person, place,

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animal, idea or thing.

Speaker:

And so they'll go and they and the

Speaker:

Spanish words are up

Speaker:

there along with pictures.

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They know they'll go.

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There's an animal.

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Okay.

Speaker:

So then I go, oh, es un ferdo, perfecto.

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And then we learn a new

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word together in there.

Speaker:

All right.

Speaker:

I had one kid goes, es

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un perro que ditimiao.

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Because he didn't know cat.

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So he said, it's a dog that says meow.

Speaker:

We understood.

Speaker:

It was either a dog who

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really spoke a foreign language,

Speaker:

which is a good story, or it was a cat.

Speaker:

And so you can have some fun.

Speaker:

And I had one kid.

Speaker:

I want to end with this

Speaker:

is a funny little story.

Speaker:

And this is why I love when kids make

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mistakes, because it

Speaker:

makes for funny stories.

Speaker:

I always write every

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semester I have news stories,

Speaker:

because all my stories are

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based off the kids in my class.

Speaker:

So this is last year, Spanish too.

Speaker:

I work at a career in tech academy.

Speaker:

So one of the careers is culinary.

Speaker:

So this kid was in the culinary program.

Speaker:

So I was asking, I said, what do you want

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to be when you grow up?

Speaker:

Because I want to be a chef.

Speaker:

And I go, well, what kind of restaurant?

Speaker:

You want a fast food restaurant, an

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elegant restaurant, a casual restaurant?

Speaker:

He goes, I want an elegant restaurant.

Speaker:

And what do you want to serve?

Speaker:

What kind of food?

Speaker:

And he was looking for the word steak,

Speaker:

but he didn't know the word for steak.

Speaker:

But he knew the word for cow.

Speaker:

So he said, baka cow.

Speaker:

And I interpreted, I knew what he meant.

Speaker:

So I knew he wanted a steak restaurant.

Speaker:

So I taught him the word for steak.

Speaker:

And we went on from there.

Speaker:

But in my mind, I'm

Speaker:

like, this is a funny story.

Speaker:

So I wrote a story about this kid who

Speaker:

opened up a restaurant that was elegant.

Speaker:

And instead of him serving steak, he

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served cows as the clients.

Speaker:

Oh, he served the cows.

Speaker:

The cows.

Speaker:

So he had grass pizza, wheat grass juice.

Speaker:

This is very very Larson.

Speaker:

Yeah.

Speaker:

Yeah.

Speaker:

So it was a really funny story because he

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made this circumlocution

Speaker:

faux pas kind of like thing.

Speaker:

And it became a really, really funny

Speaker:

story the kids really, really like.

Speaker:

And what I like about this is at the end

Speaker:

of the year, I will print

Speaker:

out all the stories of each

Speaker:

kid and hand it to them

Speaker:

at the end of the year.

Speaker:

So they have the stories that they go,

Speaker:

you know, that were about

Speaker:

them throughout the year.

Speaker:

So they have like a

Speaker:

little memory sake of that.

Speaker:

And with AI, and I know not everybody's

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with AI, but I use as

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a classroom assistant.

Speaker:

And one of the things I do for these

Speaker:

stories is I'll have I'll

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upload a picture of the kid

Speaker:

without their name or anything on there.

Speaker:

And you can do it in a cognito mode.

Speaker:

Now in chat, you can do it in cognito.

Speaker:

So it doesn't save

Speaker:

any of the information.

Speaker:

And I upload their picture and I'll say,

Speaker:

okay, I need him to be a

Speaker:

chef at a cow restaurant.

Speaker:

And it makes a little funny

Speaker:

picture that goes with it.

Speaker:

And the picture looks like my kid.

Speaker:

It's a cartoon version of the kid.

Speaker:

And so the kids really like those too.

Speaker:

When I do those kinds

Speaker:

of funny little pictures.

Speaker:

And it makes it just a

Speaker:

little more personal.

Speaker:

And it really gets them to

Speaker:

pay attention and have fun.

Speaker:

Yeah.

Speaker:

So do we have anywhere a

Speaker:

little bit over that's okay?

Speaker:

Does anybody have any final thoughts that

Speaker:

they would like to add

Speaker:

before we close out for today?

Speaker:

Okay.

Speaker:

Don't give up.

Speaker:

Keep on keeping on.

Speaker:

I'd say the only time you're in trouble

Speaker:

is when your kids are talking in English.

Speaker:

So hush them.

Speaker:

That's the only time if they're sitting

Speaker:

there silently looking

Speaker:

like a deer in headlights.

Speaker:

Keep going because you're

Speaker:

going to circle back to it.

Speaker:

They're probably processing.

Speaker:

If they're not processing, they'll be

Speaker:

processing soon enough.

Speaker:

So just stay the course.

Speaker:

Absolutely.

Speaker:

What about you, Darcy?

Speaker:

Yeah.

Speaker:

What she said.

Speaker:

And also just continue having

Speaker:

conversations with

Speaker:

colleagues like we're doing right now.

Speaker:

You come away with ideas.

Speaker:

You come away feeling that

Speaker:

what you're doing is validated.

Speaker:

So just continue talking about these

Speaker:

things and talking about your questions

Speaker:

and your insecurities

Speaker:

with people who know what

Speaker:

you do and who do what you do.

Speaker:

Absolutely.

Speaker:

Absolutely.

Speaker:

And also have conversations with those

Speaker:

who don't do it exactly the way you do.

Speaker:

Because I think there's value in

Speaker:

everything that all of us do

Speaker:

and that we can learn little

Speaker:

techniques from everybody.

Speaker:

So they can learn from us just as much as

Speaker:

we can learn from them as well.

Speaker:

I think it's really important.

Speaker:

So with that, I want to go ahead and say

Speaker:

thank you to our guests.

Speaker:

I really appreciate Darcy and Pamela

Speaker:

joining today live TV.

Speaker:

So thank you so much

Speaker:

for joining us today.

Speaker:

I'm comprehend this.

Speaker:

My huge thanks to Darcy and Pamela for

Speaker:

diving into the awkward

Speaker:

reality of teaching to blank

Speaker:

stairs and reminding us that

Speaker:

comprehension doesn't always look pretty

Speaker:

or obvious or reassuring in

Speaker:

the moment.

Speaker:

And if today's episode helped you breathe

Speaker:

a little easier the

Speaker:

next time your students

Speaker:

look emotionally unavailable but

Speaker:

linguistically very much

Speaker:

present, then we've done our job.

Speaker:

And if you haven't yet, make sure to

Speaker:

subscribe, leave a review

Speaker:

and share this episode with a

Speaker:

fellow language teacher who's currently

Speaker:

mid-lesson thinking, is this working?

Speaker:

And remember, you can watch us live on

Speaker:

YouTube or catch the replay on your

Speaker:

favorite podcast app.

Speaker:

Ditch the drills, trust the process, and

Speaker:

I'll see you next

Speaker:

time on Comprehend This.

Speaker:

Have a good one everybody.

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About the Podcast

Comprehend THIS!
Real talk for real language teachers—because comprehension isn't optional.
Welcome to Comprehend THIS!, the podcast for language teachers who are tired of the same old textbook chatter and want the real talk instead.

Every episode is like pulling up a chair in the copy room or leaning on the hallway wall at your favorite conference — except it’s not awkward, the coffee’s better (yours, not mine), and nobody’s grading you.

Host Scott Benedict sits down with 1–2 guests — teachers, trainers, authors, CI rebels — to swap stories about what actually works in a comprehension-based classroom.

We talk the good, the weird, the messy middle — first wins, facepalms, reading that actually sticks, grammar without drills, surviving department side-eyes, grading for real proficiency (without losing your mind), and everything in between.

It’s casual. It’s honest. It’s LIVE — so you get all the “did they just say that?” moments, unfiltered.

Pull up your favorite mug. Laugh, nod along, steal an idea or two for Monday, and remember: you’re not the only one doing it different — and doing it better.

Watch LIVE: Sunday mornings at 8am Pacific / 11am Eastern, on YouTube at youtube.com/@immediateimmersion — or listen soon after on your favorite podcast app.

Comprehend THIS! — Real talk for real teachers. Ditch the drills. Trust the process. Stay human.

About your host

Profile picture for Scott Benedict

Scott Benedict

Scott Benedict has been teaching Spanish since 2001—which means he’s survived more textbook adoptions, curriculum rewrites, and “revolutionary” teaching fads than he cares to count. He runs Immediate Immersion and hosts the Comprehend THIS! Podcast, where he tells the truth about teaching with comprehensible input: the good, the bad, and the “did that student just say tengo queso again?”

After two decades in the classroom, Scott knows what actually works (spoiler: not conjugation charts) and isn’t afraid to say it out loud. On the podcast, he dives into CI strategies, teacher survival hacks, and the occasional story that will make you question your career choices—but in a good way.

When he’s not recording or coaching teachers, you’ll find him traveling, taking photos, or wandering yet another zoo because apparently, one giraffe enclosure is never enough.

Comprehend THIS! is equal parts professional growth and comic relief—because let’s be honest, if we don’t laugh about teaching, we’ll cry.